Contents 1 Contrasting verse–chorus form 2 Simple verse–chorus form 3 Simple verse form 4 See also 5 Sources

Contrasting verse–chorus form[edit] Songs that use different music for the verse and chorus are in contrasting verse–chorus form. Examples include: "That'll Be the Day" by Buddy Holly (1957)[5] "Be My Baby" by The Ronettes (1963)[5] "California Girls" by The Beach Boys (1965)[5] "Penny Lane" & "All You Need Is Love" by The Beatles (1967)[5] "Foxy Lady" by Jimi Hendrix (1967)[5] "Smoke on the Water" by Deep Purple (1973)[5] "Can't Get Enough" by Bad Company (1974)[5]

Simple verse–chorus form[edit] Songs that use the same harmony (chords) for the verse and chorus, such as the twelve bar blues, though the melody is different and the lyrics feature different verses and a repeated chorus, are in simple verse–chorus form. Examples include: "Shake, Rattle, and Roll" by Big Joe Turner (1954)[5] "Louie, Louie" by The Kingsmen (1963 cover), example not using blues form[5] "La Bamba" by Ritchie Valens (1959)[5]

Simple verse form[edit] Songs which feature only a repeated verse are in simple verse form (verse–chorus form without the chorus). Examples include: "Evil Ways" by Santana (1969)[5] Blues-based songs which are not simple verse–chorus form (above), such as "Heartbreak Hotel", "Jailhouse Rock", "Hound Dog", and "Lucille"[5] and with a contrasting bridge: "Eight Miles High" by The Byrds (1966)[5] "Tomorrow Never Knows" by The Beatles (1966)[5] "Purple Haze" by Jimi Hendrix (1967).[5] Both simple verse–chorus form and simple verse form are strophic forms.

See also[edit] Song structure

Sources[edit] ^ Michael Campbell & James Brody (2007), Rock and Roll: An Introduction, page 117 ^ Covach, John. "Form in Rock Music: A Primer", p.71, in Stein, Deborah (2005). Engaging Music: Essays in Music Analysis. New York: Oxford University Press. ISBN 0-19-517010-5. ^ ^ Doll, Christopher. "Rockin' Out: Expressive Modulation in Verse–Chorus Form", Music Theory Online 17/3 (2011), § 2. ^ a b c d e f g h i j k l m n o Covach (2005), p.71–72 v t e Musical form and development Arch form Argument Ausmultiplikation Bar form Binary form Call and response Cell Coda Conclusion Cycle Cyclic form Developing variation Drop Exposition Finale Formula composition Hook Introduction Lick Motif Movement Overture Period Recapitulation Repetition Reprise Rondo Rondò Section Sonata form Sonata rondo form Song structure (popular music) Strophic form Ternary form Theme Thirty-two-bar form Through-composed Transition Variation Verse–chorus form v t e Parts of a song Verse–chorus form Introduction Verse Refrain/Chorus Bridge Solo Guitar Drum Break Breakdown Outro False ending Other musical elements Bass line Counter-melody Groove Vocal harmony Hook Melody Riff Electronic dance music and techno Break Breakdown Drop Retrieved from "–chorus_form&oldid=812276267" Categories: Song forms

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Musical FormPopular MusicBluesRock And RollRock MusicThirty-two-bar FormBridge (music)Song Structure (popular Music)RefrainBe My BabyMelodyRhythmHarmonyDynamics (music)ArrangementThat'll Be The DayBuddy HollyBe My BabyThe RonettesCalifornia GirlsThe Beach BoysPenny LaneAll You Need Is LoveThe BeatlesFoxy LadyJimi HendrixSmoke On The WaterDeep PurpleCan't Get Enough (Bad Company Song)Bad CompanyTwelve Bar BluesShake, Rattle And RollBig Joe TurnerLouie, LouieThe KingsmenLa Bamba (song)Ritchie ValensEvil WaysSantana (band)BluesHeartbreak HotelJailhouse Rock (song)Hound Dog (song)Lucille (Little Richard Song)Eight Miles HighThe ByrdsTomorrow Never KnowsPurple HazeStrophic FormSong StructureInternational Standard Book NumberSpecial:BookSources/0-19-517010-5Template:Musical FormTemplate Talk:Musical FormMusical FormMusical DevelopmentArch FormMusical ArgumentAusmultiplikationBar FormBinary FormCall And Response (music)Cell (music)Coda (music)Conclusion (music)Cycle (music)Cyclic FormDeveloping VariationDrop (music)Exposition (music)Finale (music)Formula CompositionHook (music)Introduction (music)Lick (music)Motif (music)Movement (music)OverturePeriod (music)Recapitulation (music)Repetition (music)RepriseRondoRondòSection (music)Sonata FormSonata Rondo FormSong Structure (popular Music)Strophic FormTernary FormSubject (music)Thirty-two-bar FormThrough-composedTransition (music)Variation (music)F (bass) Clef SymbolTemplate:Parts Of A SongTemplate Talk:Parts Of A SongSong StructureIntroduction (music)Song StructureRefrainBridge (music)Solo (music)Guitar SoloDrum SoloBreak (music)Breakdown (music)Conclusion (music)False EndingSegnoBass LineCounter-melodyGroove (music)Vocal HarmonyHook (music)MelodyOstinatoElectronic Dance MusicTechnoBreak (music)Breakdown (music)Drop (music)Help:CategoryCategory:Song FormsDiscussion About Edits From This IP Address [n]A List Of Edits Made From This IP Address [y]View The Content Page [c]Discussion About The Content Page [t]Edit This Page [e]Visit The Main Page [z]Guides To Browsing WikipediaFeatured Content – The Best Of WikipediaFind Background Information On Current EventsLoad A Random Article [x]Guidance On How To Use And Edit WikipediaFind Out About WikipediaAbout The Project, What You Can Do, Where To Find ThingsA List Of Recent Changes In The Wiki [r]List Of All English Wikipedia Pages Containing Links To This Page [j]Recent Changes In Pages Linked From This Page [k]Upload Files [u]A List Of All Special Pages [q]Wikipedia:AboutWikipedia:General Disclaimer

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