Contents 1 Early life 2 Career 2.1 Early career 2.2 1990s 2.3 2000s 2.4 2010s 2.5 Other work 3 Influences and style 3.1 Influences 3.2 Themes and style 3.3 Frequent collaborators 4 Personal life 5 Filmography 6 Awards and recognition 7 References 8 External links


Early life[edit] Anderson's father, Ernie Anderson, in a 1961 advertisement. Anderson was born June 26, 1970, in Studio City, California, to Edwina (née Gough) and Ernie Anderson.[3][4] Ernie was an actor who was the voice of ABC and a Cleveland television late-night horror movie host known as "Ghoulardi" (after whom Anderson later named his production company).[3][4] Anderson grew up in the San Fernando Valley.[5] He is third youngest of nine children,[6][7] and had a troubled relationship with his mother but was close with his father, who encouraged him to become a writer or director.[8] Anderson attended a number of schools, including Buckley in Sherman Oaks, John Thomas Dye School, Campbell Hall School, Cushing Academy and Montclair Prep.[7] Anderson was involved in filmmaking from a young age[9][10] and never really had an alternative plan to directing films.[11] He made his first film when he was eight years old[6] and started making movies on a Betamax video camera which his dad bought in 1982 when he was twelve years old.[10] He later started using 8 mm film but realized that video was easier.[9] He began writing in adolescence, and at 17 years old he began experimenting with a Bolex sixteen millimeter camera.[9][12] After years of experimenting with "standard fare", he wrote and filmed his first real production as a senior in high school at Montclair Prep using money he earned cleaning cages at a pet store.[10][13] The film was a thirty-minute mockumentary shot on video called The Dirk Diggler Story (1988), about a pornography star; the story was inspired by John Holmes, who also served as a major inspiration for Boogie Nights.[7][8][9][12]


Career[edit] Early career[edit] Anderson attended Santa Monica College[14] before enrolling and spending two semesters as an English major at Emerson College where he was taught by David Foster Wallace, and only two days at New York University before he began his career as a production assistant on television films, music videos and game shows in Los Angeles and New York City.[7][15][16] Feeling that the material shown to him at film school turned the experience into "homework or a chore",[17] Anderson decided to make a twenty-minute film that would be his "college".[15] For $20,000, made up of gambling winnings, his girlfriend's credit card, and money his father set aside for him for college,[15] Anderson made Cigarettes & Coffee (1993), a short film connecting multiple story lines with a twenty-dollar bill.[7][12][18] The film was screened at the 1993 Sundance Festival Shorts Program.[12] He decided to expand the film into a feature-length film and was subsequently invited to the 1994 Sundance Feature Film Program.[7][12][18] At the Sundance Feature Film Program, Michael Caton-Jones served as Anderson's mentor; he saw Anderson as someone with "talent and a fully formed creative voice but not much hands-on experience" and gave him some hard and practical lessons.[10] 1990s[edit] While at the Sundance Feature Film Program, Anderson already had a deal with Rysher Entertainment to direct his first full-length feature, Sydney, which was retitled Hard Eight (1996).[8][10] Upon completion of the film, Rysher re-edited it.[10] Anderson, who still had the workprint of his original cut, submitted the film to the 1996 Cannes Film Festival,[12] where it was accepted and screened in the Un Certain Regard section.[19][20] Anderson was able to get his version released but only after he retitled the film, and raised the $200,000 necessary to finish it – he and stars Philip Baker Hall, Gwyneth Paltrow and John C. Reilly contributed the funding.[10][12] The version that was released was Anderson's[12] and the acclaim from the film launched his career.[7] Anderson began working on the script for his next feature film during his troubles with Hard Eight,[10] completing the script in 1995.[12] The result was Anderson's breakout for the drama film Boogie Nights (1997),[21][22][23] which is based on his short The Dirk Diggler Story and is primarily set in Golden Age of Porn during the 1970s.[7][12][24] The script was noticed by New Line Cinema's president, Michael De Luca, who felt "totally gaga" reading it.[10] It was released on October 10, 1997 and was a critical and commercial success.[8] The film revived the career of Burt Reynolds,[25][26] and provided breakout roles for Mark Wahlberg[27] and Julianne Moore.[28][29] At the 70th Academy Awards ceremony, the film was nominated for three Academy Awards, including for Best Supporting Actor (Burt Reynolds), Best Supporting Actress (Julianne Moore) and Best Original Screenplay.[30] After the success of Boogie Nights, New Line told Anderson that he could do whatever he wanted for his next film and granted him creative control.[8] Though Anderson initially wanted to make a film that was "intimate and small-scale", the script "kept blossoming". The resulting film was the ensemble piece Magnolia (1999), which tells the story of the peculiar interaction of several individuals in the San Fernando Valley.[31][32] Anderson used the music of Aimee Mann as a basis and inspiration for the film,[33] commissioning her to write eight new songs.[34] At the 72nd Academy Awards, Magnolia received three nominations, for Best Actor in a Supporting Role (Tom Cruise), Best Original Song for "Save Me" by Aimee Mann and Best Original Screenplay.[35] Anderson stated after the film's release that "what I really feel is that Magnolia is, for better or worse, the best movie I'll ever make."[36] 2000s[edit] Adam Sandler, Paul Thomas Anderson, Emily Watson and Philip Seymour Hoffman at the 2002 Cannes Film Festival After the release of Magnolia, Anderson stated that he would like to work with comedic actor Adam Sandler in the future and that he was determined to make his next film a comparatively shorter length of just 90 minutes.[22][31] The resulting feature was the romantic comedy-drama film Punch-Drunk Love (2002), starring Sandler, with Emily Watson portraying his love interest.[37] The story centers on a beleaguered small-business owner (Sandler) with anger issues and seven emasculating sisters. A subplot in the film was partly based on David Phillips (also called The Pudding Guy).[37] Sandler received critical praise for his role in his first major departure from the mainstream comedies that had made him a star.[38][39] At the 2002 Cannes Film Festival, Anderson won the Best Director Award and was nominated for the Palme d'Or.[40] There Will Be Blood (2007) was loosely based on the Upton Sinclair novel Oil!.[41] It follows Daniel Plainview, a ruthless silver miner exploiting the Southern California oil boom of the late 19th and early 20th centuries.[42] The budget of the film was $25 million, and it earned $76.1 million worldwide.[43] Daniel Day-Lewis starred and won an Oscar for Best Leading Actor for his role.[44] The film received eight nominations overall at the 80th Academy Awards.[44] Paul Dano received a BAFTA nomination for Best Supporting Actor.[45] Anderson was nominated for Best Director from the Directors Guild of America.[46] The film also received eight Academy Award nominations, tying with No Country for Old Men for the most nominations that year.[47] Anderson received nominations for Best Picture, Best Director and Best Adapted Screenplay, losing all three to the Coen Brothers for No Country for Old Men.[44] There Will Be Blood was regarded by some critics as one of the greatest films of the decade, some parties further declaring it one of the most accomplished American films of the modern era; David Denby of The New Yorker wrote "the young writer-director Paul Thomas Anderson has now done work that bears comparison to the greatest achievements of Griffith and Ford", while Richard Schickel proclaimed it "one of the most wholly original American movies ever made".[48] In 2017, New York Times film critics A. O. Scott and Manohla Dargis named it the "Best Film of the 21st Century So Far".[49] 2010s[edit] In December 2009, Anderson was working on a new script tentatively titled The Master, about a "charismatic intellectual" who starts a new religion in the 1950s.[50] An associate of Anderson stated that the idea for the film had been in Anderson's head for about twelve years.[51] The Master was released on September 14, 2012 by The Weinstein Company in the United States and Canada[52] to critical acclaim.[53][54] The film stars Joaquin Phoenix as Freddie Quell, an alcoholic World War II veteran who meets Lancaster Dodd, played by Phillip Seymour Hoffman, a leader of a religious movement known as "The Cause". Though the film makes no reference to the movement, it has "long been widely assumed to be based on Scientology."[55] The Master received three nominations at the 85th Academy Awards: Joaquin Phoenix for Best Leading Actor, Philip Seymour Hoffman for Best Supporting Actor and Amy Adams for Best Supporting Actress.[56] Production of Anderson's adaptation of Thomas Pynchon's 2009 novel Inherent Vice began in May 2013 and ended in August of the same year.[57] The film marked the first time that Pynchon allowed his work to be adapted for the screen and saw Anderson work with Phoenix for a second time.[58][59][60][61] The supporting cast includes Owen Wilson,[62] Reese Witherspoon,[63][64] Jena Malone,[64] Martin Short,[64][65] Benicio Del Toro,[66] Katherine Waterston,[67] Josh Brolin,[68] Peter McRobbie,[69] Michael K. Williams[70] and Eric Roberts.[71] Following its year-end release in December 2014, the film received two nominations at the 87th Academy Awards: Anderson for Best Adapted Screenplay and Mark Bridges for Best Costume Design.[72] Mehrangarh Fort in Jodhpur, in the Indian state of Rajasthan, where Junun was filmed In 2015, Anderson directed Junun, a 54-minute documentary about the making of the album of the same name by Jonny Greenwood, Israeli composer Shye Ben Tzur, and a group of Indian musicians.[73] Most of the performances were recorded at the 15th-century Mehrangarh Fort in the Indian state of Rajasthan.[74] Junun premiered at the 2015 New York Film Festival.[75] Phantom Thread, set during the London fashion industry in the 1950s, was released on Christmas Day 2017.[76] It starred Daniel Day-Lewis in his first acting role since Lincoln in 2012 and is also reportedly Day-Lewis's final performance in a film, following four decades in the profession.[77] The cast also includes Lesley Manville, Vicky Krieps and Richard Graham.[76] In September 2016, the U.S. distribution rights were acquired by Focus Features, with Universal handling international distribution.[78] Principal photography began in January 2017. Cinematographer Robert Elswit was unavailable during the production,[79] and despite claims of Anderson acting as his own cinematographer on the film, there is no official credit.[80] Other work[edit] In 2000, Anderson wrote and directed a segment for Saturday Night Live with Ben Affleck titled "SNL FANatic" based on the MTV series FANatic.[81] Anderson was a standby director during the 2005 filming of Robert Altman's A Prairie Home Companion for insurance purposes, as Altman was 80 years old at the time.[82] In 2008, Anderson co-wrote and directed a 70-minute play at the Largo Theatre, comprising a series of vignettes starring Maya Rudolph and Fred Armisen, with a live score by Jon Brion.[83] Throughout his career, Anderson has also directed numerous music videos, usually for artists who he has also collaborated on films with, including Fiona Apple, Radiohead, HAIM, Joanna Newsom, Aimee Mann, Jon Brion, and Michael Penn.[84][85][86] Jonny Greenwood of Radiohead, Mann, Brion and Penn have scored or contributed music to his films, while Newsom acted in Inherent Vice.[84] Anderson directed a short film for HAIM in 2017, Valentine, featuring three musical performances from the band.[87]


Influences and style[edit] Influences[edit] Anderson only attended film school for two days, preferring to learn the craft by watching films by the filmmakers he liked, as well as watching films accompanied by director's audio commentary.[5][11][12] He has cited Martin Scorsese, Robert Altman, Jonathan Demme, Stanley Kubrick, Orson Welles, Max Ophüls and Robert Downey, Sr., as his main influences.[88][9][23][89] Themes and style[edit] Anderson is known for films set in the San Fernando Valley with realistically flawed and desperate characters.[11][90] Among the themes dealt with in Anderson's films are dysfunctional familial relationships,[23][89][91] alienation,[89] surrogate families,[92] regret,[89] loneliness,[23] destiny,[7] the power of forgiveness,[6] and ghosts of the past.[23] Anderson makes frequent use of repetition to build emphasis and thematic consistency. In Boogie Nights, Magnolia, Punch Drunk Love and The Master, the phrase "I didn't do anything" is used at least once, developing themes of responsibility and denial.[93][94][95][96] Anderson's films are known for their bold visual style[90] which includes stylistic trademarks such as constantly moving camera,[36][90] steadicam-based long takes,[21][23][97] memorable use of music,[21][36][90] and multilayered audiovisual imagery.[21][97] Anderson also tends to reference the Book of Exodus, either explicitly or subtly, such as in recurring references to Exodus 8:2 in Magnolia,[98] which chronicles the plague of frogs, culminating with the literal raining of frogs in the film's climax, or the title and themes in There Will Be Blood, a phrase that can be found in Exodus 7:19, which details the plague of blood.[99][100] Within his first three films, Hard Eight, Boogie Nights and Magnolia, Anderson explored themes of dysfunctional families, alienation and loneliness.[23][89] Boogie Nights and Magnolia were noted for their large ensemble casts,[22][90] which Anderson returned to in Inherent Vice.[68][101] In Punch-Drunk Love, Anderson explored similar themes but expressed a different visual style, shedding the influences and references of his earlier films, being more surreal and having a heightened sense of reality.[89][97] It was also short, compared to his previous two films, at 90 minutes.[22] There Will Be Blood stood apart from his first four films but shared similar themes and style such as flawed characters, moving camera, memorable music, and a lengthy running time.[90] The film was more overtly engaged with politics than his previous films had been,[22] examining capitalism and themes such as savagery, optimism, and obsession.[102] The Master dealt with "ideas about American personality, success, rootlessness, master-disciple dynamics, and father-son mutually assured destruction."[103] All of his films deal with American themes with business versus art in Boogie Nights, ambition in There Will Be Blood, self-reinvention in The Master.[104] Frequent collaborators[edit] Philip Seymour Hoffman appeared in more of Anderson's films than any other actor Anderson frequently collaborates with many actors and crew, carrying them over from film to film.[105] Anderson has referred to his regular actors as "my little rep company" that has included John C. Reilly, Philip Baker Hall, Julianne Moore, William H. Macy, Melora Walters, and most prominently, the late Philip Seymour Hoffman.[106] Luis Guzmán is also considered Anderson's regular.[107] Hoffman acted in Anderson's first four films[108] as well as The Master.[109] Except for Paul F. Tompkins, Kevin Breznahan and Jim Meskimen, who all had equally minor roles in Magnolia,[110] There Will Be Blood had an entirely new cast. Anderson is one of three directors – the others being Jim Sheridan and Martin Scorsese – with whom Daniel Day-Lewis has collaborated more than once.[111] Robert Elswit has been cinematographer for all of Anderson's films except The Master, which was shot by Mihai Mălaimare Jr.[112] and Phantom Thread which has no credited cinematographer. Jon Brion served as composer for Hard Eight, Magnolia and Punch-Drunk Love,[113] and Jonny Greenwood of Radiohead for every film since.[114] Dylan Tichenor edited Boogie Nights, Magnolia, There Will Be Blood, and Phantom Thread.[115][116] Anderson also regularly works with producing partners, JoAnne Sellar, Scott Rudin, Michael De Luca and Daniel Lupi,[117] as well as casting director Cassandra Kulukundis.[109] Collaborator Hard Eight Boogie Nights Magnolia Punch-Drunk Love There Will Be Blood The Master Inherent Vice Junun Phantom Thread Total Jonny Greenwood Y Y Y Y Y 5 Luis Guzmán Y Y Y 3 Philip Baker Hall Y Y Y 3 Philip Seymour Hoffman Y Y Y Y Y 5 John C. Reilly Y Y Y 3 Melora Walters Y Y Y Y 4


Personal life[edit] Anderson dated (and frequently collaborated with) singer Fiona Apple during the late 1990s and early 2000s. He has been in a relationship with actress and comedian Maya Rudolph since 2001.[118][119] They live together in the San Fernando Valley[6][109] with their daughters Pearl Minnie (born October 2005),[120][121][122] Lucille (born November 2009),[123] and Minnie Ida (born August 2013),[124] and son Jack (born July 2011).[125]


Filmography[edit] Main article: Paul Thomas Anderson filmography


Awards and recognition[edit] Anderson has been called "one of the most exciting talents to come along in years"[126] and "among the supreme talents of today."[127] After the release of Boogie Nights and Magnolia, Anderson was praised as a wunderkind.[128] In his 2002 interview with Jan Aghed, the director Ingmar Bergman referenced Magnolia as an example of the strength of American cinema.[129] In 2004, Anderson was ranked twenty-first on The Guardian's list of the forty best living filmmakers.[130] In 2007, Total Film named him the twentieth greatest director of all time and the American Film Institute regarded him as "one of American film's modern masters."[102][131] In 2012, The Guardian ranked him number one on its list of "The 23 Best Film Directors in the World," writing "his dedication to his craft has intensified, with his disdain for PR and celebrity marking him out as the most devout filmmaker of his generation."[132] In 2013, Entertainment Weekly named him the eighth-greatest working director, calling him "one of the most dynamic directors to emerge in the last 20 years."[133] In a podcast interview with critic Elvis Mitchell, director Sam Mendes referred to Anderson as "a true auteur – and there are very few of those who I would classify as geniuses",[134] and Ben Affleck in his acceptance speech for the Golden Globe Award for Best Director said "Paul Thomas Anderson, who I think is like Orson Welles."[135] Peter Travers of Rolling Stone wrote that "The Master, the sixth film from the 42-year-old writer-director, affirms his position as the foremost filmmaking talent of his generation. Anderson is a rock star, the artist who knows no limits."[136] As of 2016, Anderson is the only person to win all three director prizes from the three major international film festivals (Cannes, Berlin, Venice). Year Award Category Title Result 1996 Deauville Film Festival Award Grand Special Prize Hard Eight Nominated 1997 Boston Society of Film Critics Award Best New Filmmaker Hard Eight and Boogie Nights Won Los Angeles Film Critics Association Award New Generation Award Boogie Nights Won Toronto International Film Festival Award Metro Media Award Won 1998 Online Film Critics Society Award Best Director Nominated Online Film Critics Society Award Best Screenplay Nominated Online Film & Television Association Best First Feature Film Nominated Writers Guild of America Award Best Screenplay Nominated Satellite Award Best Director Nominated Satellite Award Best Film Nominated Satellite Award Best Original Screenplay Nominated Academy Award Best Original Screenplay Nominated BAFTA Award Best Original Screenplay Nominated European Film Award Screen International Nominated 1999 Toronto Film Critics Association Award Best Director Magnolia Won Toronto Film Critics Association Award Best Film Won Toronto Film Critics Association Award Best Screenplay Won 2000 Chicago Film Critics Association Award Best Director Nominated Chicago Film Critics Association Award Best Original Screenplay Nominated Writers Guild of America Award Best Screenplay Nominated Online Film Critics Society Award Best Screenplay Nominated Satellite Award Best Director Nominated Satellite Award Best Original Screenplay Nominated Berlin International Film Festival Award Golden Bear Won Berlin International Film Festival Award Reader Jury of the "Berliner Morgenpost" Award Won Academy Award Best Original Screenplay Nominated Italian National Syndicate of Film Journalists Award Best Foreign Director Nominated San Sebastián International Film Festival Film of the Year Won 2001 London Critics Circle Film Award Screenwriter of the Year Nominated Empire Award Best Director Nominated Bodil Award Best American Film Nominated Guldbagge Award Best Foreign Film Won 2002 Cannes Film Festival Award Best Director Punch-Drunk Love Won Cannes Film Festival Palme d'Or Nominated Gijón International Film Festival Award Best Screenplay Won Gijón International Film Festival Award Best Feature Film Nominated Toronto Film Critics Association Award Best Director Won 2003 Chicago Film Critics Association Award Best Director Nominated Chicago Film Critics Association Award Best Original Screenplay Nominated Online Film Critics Society Award Best Original Screenplay Nominated Phoenix Film Critics Society Award Best Screenplay Nominated Motovun Film Festival Award Propeller of Motovun Award Won 2007 Austin Film Critics Association Best Director There Will Be Blood Won Chicago Film Critics Association Award Best Director Nominated Chicago Film Critics Association Award Best Adapted Screenplay Nominated Dallas-Fort Worth Film Critics Association Award Best Director Nominated Los Angeles Film Critics Association Award Best Director Won New York Film Critics Circle Award Best Director Nominated San Diego Film Critics Society Award Best Director Won San Diego Film Critics Society Award Best Screenplay Won AFI Award AFI Movie of the Year Won 2008 National Society of Film Critics Award Best Director Won National Society of Film Critics Award Best Screenplay Nominated Kansas City Film Critics Circle Award Best Director Won Directors Guild of America Award Best Director Nominated London Critics Circle Film Award Director of the Year Won London Critics Circle Film Award Screenwriter of the Year Nominated Online Film Critics Society Award Best Director Nominated Online Film Critics Society Award Best Adapted Screenplay Nominated USC Scripter Award Nominated Vancouver Film Critics Circle Award Best Director Nominated Writers Guild of America Award Best Screenplay Nominated Berlin International Film Festival Best Director Won Berlin International Film Festival Golden Berlin Bear Nominated BAFTA Award Best Director Nominated BAFTA Award Best Film Nominated BAFTA Award Best Adapted Screenplay Nominated Academy Award Best Adapted Screenplay Nominated Academy Award Best Director Nominated Academy Award Best Picture Nominated Golden Eagle Award Best Foreign Film Won Amanda Award Best Foreign Film Won David di Donatello Award Best Foreign Film Nominated Italian National Syndicate of Film Journalists Best Non-European Director Nominated PGA Award Best Theatrical Motion Picture Nominated Russian Guild of Film Critics Best Foreign Film Nominated San Sebastián International Film Festival Film of the Year Won 2009 Bodil Award Best American Film Won César Award Best Foreign Film Nominated Empire Award Best Director Nominated Film Critics Circle of Australia Award Best Foreign Film Nominated Guldbagge Award Best Foreign Film Nominated 2012 Venice International Film Festival Golden Lion The Master Nominated Venice International Film Festival Silver Lion Won Boston Society of Film Critics Award Best Director Nominated Chicago Film Critics Association Award Best Director Nominated Chicago Film Critics Association Award Best Original Screenplay Nominated Gotham Awards Best Feature Nominated International Federation of Film Critics Award Best Film Won Los Angeles Film Critics Association Award Best Director Won Los Angeles Film Critics Association Award Best Film Nominated Satellite Awards Best Original Screenplay Nominated Washington D.C. Area Film Critics Association Best Director Nominated Washington D.C. Area Film Critics Association Best Original Screenplay Nominated 2013 AACTA Awards Best International Screenplay Nominated Broadcast Film Critics Association Award Best Picture Nominated Broadcast Film Critics Association Award Best Original Screenplay Nominated National Society of Film Critics Award Best Film Nominated National Society of Film Critics Award Best Director Nominated National Society of Film Critics Award Best Screenplay Nominated BAFTA Award Best Original Screenplay Nominated Writers Guild of America Award Best Original Screenplay Nominated 2014 National Board of Review Best Adapted Screenplay Inherent Vice Won San Francisco Film Critics Circle Award Best Adapted Screenplay Won[137] 2015 Central Ohio Film Critics Association Award Best Adapted Screenplay Nominated Georgia Film Critics Association Award Best Adapted Screenplay Nominated Broadcast Film Critics Association Award Best Adapted Screenplay Nominated USC Scripter Award Nominated Satellite Award Best Adapted Screenplay Nominated Academy Award Best Adapted Screenplay Nominated 2017 National Board of Review Best Original Screenplay Phantom Thread Won Boston Society of Film Critics Award Best Director Won Chicago Film Critics Association Award Best Original Screenplay Nominated Detroit Film Critics Society Award Best Director Nominated London Critics Circle Film Award Screenplay of the Year Nominated New York Film Critics Circle Award Best Screenplay Won Toronto Film Critics Association Award Best Director Nominated Vancouver Film Critics Circle Award Best Director Won Online Film Critics Society Award Best Director Nominated Online Film Critics Society Award Best Original Screenplay Nominated 2018 National Society of Film Critics Award Best Screenplay Nominated National Society of Film Critics Award Best Director Nominated New York Film Critics Circle Award Best Screenplay Won London Film Critics' Circle Award Screenwriter of the Year Nominated Academy Award Best Director Pending Academy Award Best Picture Pending


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"'Oil!' and the History of Southern California". The New York Times. The New York Times Company. Retrieved October 25, 2017. CS1 maint: Extra text: authors list (link) ^ "There Will Be Blood (2007) — Box Office Mojo". Box Office Mojo. Internet Movie Database. Retrieved April 8, 2008.  ^ a b c "Oscars Ceremonies 2008". Oscars.org. Academy of Motion Picture Arts and Sciences. Retrieved February 12, 2015.  ^ "BAFTA Film Award Winners in 2008". British Academy of Film and Television Arts. Archived from the original on March 9, 2012. Retrieved February 19, 2008.  ^ "Directors Guild announces nominations". Rope of Silicon. RopeofSilicon.com LLC. December 20, 2007. Retrieved December 31, 2007.  ^ Barnes, Brooks; Carr, David (January 23, 2008). "'No Country' and 'Blood' Lead Oscar Nominations". NYTimes.com. The New York Times Company. Retrieved February 17, 2011.  ^ "There Will Be Blood Wins the Decade— there will be blood". Gawker.com. Gawker Media. December 18, 2009. Retrieved February 7, 2010.  ^ "The 25 Best Films of the 21st Century So Far". The New York Times. June 9, 2017. ISSN 0362-4331. Retrieved June 12, 2017.  ^ Fleming, Michael (December 2, 2009). "Anderson working on 'Master'". Variety. Reed Business Information. Archived from the original on November 8, 2012. Retrieved December 2, 2009.  ^ Cieply, Michael (April 18, 2012). "Filmmaker's Newest Work Is About ... Something". NYTimes.com. The New York Times Company. Retrieved April 18, 2012.  ^ Sneider, Jeff (July 27, 2012). "Plemons joins P.T. Anderson drama". Variety. Reed Business Information. Retrieved July 29, 2012.  ^ "The Master". Rotten Tomatoes. Flixter. Retrieved September 24, 2012.  ^ "The Master". Metacritic. CBS Interactive. Retrieved September 24, 2012.  ^ Pilkington, Ed (April 26, 2011). "Church of Scientology snaps up Hollywood film studio". guardian.co.uk. Guardian News and Media Limited. Retrieved March 9, 2011.  ^ "Oscars Ceremonies 2013". Oscars. Retrieved February 12, 2015.  ^ McNary, Dave (June 11, 2013). "Joaquin Phoenix's 'Inherent Vice' Starting to Boost L.A. Production". Variety. Penske Media Corporation. Retrieved September 21, 2014.  ^ Lim, Dennis (December 27, 2012). "A Director Continues His Quest". NYTimes.com. The New York Times Company. Retrieved September 21, 2014.  ^ Brooks, Brian (August 24, 2014). "New York Film Festival to Debut 30 Features in 2014 Main Slate". Film Society of Lincoln Center. Retrieved September 7, 2014.  ^ "Paul Thomas Anderspn. The Master's Master". Villagevoice.com. September 9, 2012.  ^ Brodesser-Akner, Claude (February 10, 2011). "Paul Thomas Anderson's Scientology Movie and Inherent Vice Adaptation Close to Finding Financing". Vulture. Retrieved August 21, 2012.  ^ "Owen Wilson in Negotiations to Join Paul Thomas Anderson's 'Inherent Vice' (Exclusive)". Wrap. May 10, 2013.  ^ Fleming Jr., Mike (May 15, 2013). "Cannes: Reese Witherspoon Joining Paul Thomas Anderson's 'Inherent Vice'". Deadline.com. Penske Business Media, LLC. Retrieved September 21, 2014.  ^ a b c Sneider, Jeff (May 15, 2013). "Martin Short and Jena Malone Join Paul Thomas Anderson's 'Inherent Vice' (Exclusive)". The Wrap. Retrieved September 21, 2014.  ^ Han, Angie. "Reese Witherspoon, Jena Malone, and Martin Short Board 'Inherent Vice'". Slashfilm. Retrieved May 20, 2013.  ^ Davis, Edward. "Benicio Del Toro Lawyers Up For Paul Thomas Anderson's 'Inherent Vice' With Joaquin Phoenix". IndieWire. Retrieved May 20, 2013.  ^ Jagernauth, Kevin. "Paul Thomas Anderson Has Found His Shasta For 'Inherent Vice'". Indiewire. Retrieved June 1, 2013.  ^ a b Jagernauth, Kevin. "Josh Brolin Joins Growing Ensemble Cast of Paul Thomas Anderson's 'Inherent Vice'". SnagFilms. indieWire. Retrieved May 30, 2013.  ^ "Paul Thomas Anderson's 'Inherent Vice' Gets Its Adrian Prussia". June 28, 2013. Retrieved June 15, 2014.  ^ Fleming Jr., Mike (October 24, 2013). "'Boardwalk Empire's Michael K. Williams Gets 'Captive'". Deadline.com. Penske Business Media, LLC. Retrieved September 21, 2014.  ^ "Eric Roberts Has a small Role in Paul Thomas Anderson's 'Inherent Vice'". October 16, 2013. Retrieved June 15, 2014.  ^ "Oscars Ceremonies 2015". Oscars. Retrieved February 12, 2015.  ^ Perez, Rodrigo (October 2015). "NYFF Review: Paul Thomas Anderson's Doc 'Junun' Featuring Shye Ben Tzur, Jonny Greenwood & The Rajasthan Express". Indiewire. Retrieved June 4, 2016.  ^ Plaugic, Lizzie (August 21, 2015). "Paul Thomas Anderson is making a documentary about Radiohead's Jonny Greenwood". The Verge. Retrieved June 4, 2016.  ^ "Junun". Film Society of Lincoln Center. Retrieved June 4, 2016.  ^ a b Sharf, Zack (March 30, 2017). "Paul Thomas Anderson and Daniel Day-Lewis' Fashion Drama Sets Christmas Release Date". Indiewire. Retrieved October 25, 2017.  ^ Vincent, Alice (June 21, 2017). "Phantom Thread: everything you need to know about Daniel Day-Lewis's final film". The Daily Telegraph. Retrieved October 25, 2017.  ^ Fleming Jr., Mike (September 8, 2016). "Focus Wins WW Rights Auction For Paul Thomas Anderson Pic; Daniel Day-Lewis Stars". Deadline. Retrieved September 9, 2016.  ^ Chitwood, Adam (June 29, 2017). "Yes, Paul Thomas Anderson Is Serving as His Own Cinematographer on 'Phantom Thread'". Collider. Retrieved October 2, 2017.  ^ Sullivan, Kevin P. (November 2, 2017). "Paul Thomas Anderson opens up about Phantom Thread for the first time". Entertainment Weekly. Retrieved November 27, 2017.  ^ Hollwedel, Zach (January 22, 2015). "Watch: 'Saturday Night Live' Sketch 'Fanatic' Written & Directed By Paul Thomas Anderson And Starring Ben Affleck". IndieWire. (Penske Media Corporation). Retrieved June 21, 2016.  ^ Carr, David (July 23, 2005). "Lake Wobegon Goes Hollywood (or Is It Vice Versa?), With a Pretty Good Cast". The New York Times. Retrieved May 18, 2017.  ^ "Paul Thomas Anderson's Top-Secret Play Revealed". Vulture. August 8, 2008. Retrieved May 18, 2017.  ^ a b Kaufman, Gil (May 9, 2012). "Paul Thomas Anderson's Music Videos: 11 Clips From Radiohead, Fiona Apple, Joanna Newsom & More". Billboard. (Prometheus Global Media). Retrieved June 21, 2016.  ^ Winfrey, Graham (July 18, 2017). "Paul Thomas Anderson's New Short Film 'Valentine' Is an Exquisite Rock Opera". Indiewire. Penske Media Corporation. Retrieved July 19, 2017.  ^ Reed, Ryan (October 2, 2017). "Watch Haim Lead Exuberant Dance in 'Little of Your Love' Video". Rolling Stone. Wenner Media LLC. Retrieved October 3, 2017.  ^ Sharf, Zack (September 25, 2017). "Paul Thomas Anderson and Haim's 'Valentine' Short Film is 14 Minutes of 35mm Heaven — Watch". Indiewire. Retrieved September 27, 2017.  ^ "Paul Thomas Anderson".  ^ a b c d e f King, Cubie (2005). "Punch Drunk Love: The Budding of an Auteur". SensesofCinema.com. Senses of Cinema (35). Retrieved September 24, 2010.  ^ a b c d e f Coyle, Jake (February 2, 2008). "Director ignored instinct in 'Blood'". Dispatch.com. The Columbus Dispatch. Archived from the original on March 9, 2012. Retrieved September 22, 2010.  ^ Deacy, Christopher (2005). Faith in film: religious themes in contemporary cinema. Ashgate Publishing. p. 29. ISBN 0-7546-5158-4.  ^ Berra, John (2010). Directory of World Cinema: American Independent. Intellect Books. pp. 92–93. ISBN 1-84150-368-1.  ^ "Master, The Script at IMSDb". Retrieved January 11, 2017.  ^ "Magnolia Script at IMSDb". Retrieved January 11, 2017.  ^ "PUNCH-DRUNK LOVE by Paul Thomas Anderson". Retrieved January 11, 2017.  ^ "Boogie Nights Script at IMSDb". Retrieved January 11, 2017.  ^ a b c Crous, André (November 25, 2007). "Paul Thomas Anderson: Tracking through a Fantastic Reality". SensesofCinema.com. Senses of Cinema (45). Retrieved September 21, 2010.  ^ Reeling | The number 82 in "Magnolia". Miamiherald.typepad.com (January 12, 2008). Retrieved on 2014-05-22. ^ Noah, Timothy (January 3, 2008). "What's Wrong With There Will Be Blood". Slate. Graham Holdings Company. Archived from the original on February 4, 2012. Retrieved February 18, 2015.  ^ "There Will Be Blood". AFI.com. American Film Institute. Retrieved February 18, 2014.  ^ Jagernauth, Kevin (March 29, 2014). "Josh Brolin Says 'Inherent Vice' Goes "In A Direction That The Book Doesn't Necessarily Go"". SnagFilms. indieWire. Retrieved October 11, 2014.  ^ a b "AFI AWARDS 2007". AFI.com. American Film Institute. Retrieved April 21, 2012.  ^ Schwarzbaum, Lisa (September 19, 2012). "'The Master' Review". EW.com. Entertainment Weekly Inc. Retrieved September 20, 2012.  ^ "What Inherent Vice tells us about modern America". guardian.co.uk. Guardian News and Media Limited. December 12, 2014. Retrieved February 12, 2015.  ^ Mayshark, Jesse Fox (2007). Post-pop cinema: the search for meaning in new American film. Greenwood Publishing Group. p. 70. ISBN 978-0-275-99080-0.  ^ Butler, Robert W. (January 10, 2000). "'Magnolia' director still aiming high". Knight Ridder. The Free Lance-Star Publishing Co. Retrieved June 7, 2011.  ^ Fuchs, Cynthia (January 10, 2000). "Punch-Drunk Love (2002)". PopMatters.com. PopMatters. Retrieved June 7, 2011.  ^ Johnston, Robert K. (2004). Useless Beauty: Ecclesiastes Through The Lens Of Contemporary Film. Baker Academic. p. 91. ISBN 978-0-8010-2785-7.  ^ a b c Cieply, Michael (April 18, 2012). "Filmmaker's Newest Work Is About ... Something". NYTimes.com. The New York Times Company. Retrieved April 18, 2012.  ^ Heisler, Steve; Wolinsky, David (March 12, 2009). "Who the hell is Paul F. Tompkins?". The A.V. Club. Retrieved April 21, 2012.  ^ Ledford, Colton (September 19, 2016). "Paul Thomas Anderson & Daniel Day-Lewis Will Be Reunited and It Feels So Good". Film School Rejects. Retrieved February 8, 2017.  ^ Jagernauth, Kevin (May 1, 2013). "Paul Thomas Anderson's 'Inherent Vice' Starts Shooting This Month, WB Backing Picture & Robert Elswit To Lens". SnagFilms. indieWire. Retrieved October 5, 2014.  ^ "Eternal Sunshine of the Spotless Mind: A Focus Features Film: Jon Brion Bio". NBCUniversal. FocusFeatures.com. Archived from the original on May 18, 2012. Retrieved May 18, 2012.  ^ Kreps, Daniel (February 1, 2017). "Jonny Greenwood to Score New Paul Thomas Anderson Film". Rolling Stone. Retrieved February 8, 2017.  ^ "Dylan Tichenor profile". AllMovie. Retrieved October 2, 2017.  ^ Morrison, Angela (February 3, 2017). "Together Again: Jonny Greenwood, Paul Thomas Anderson, and Daniel Day-Lewis". Film School Rejects. Retrieved October 2, 2017.  ^ Hernandez, Eugene (December 24, 2009). "Decade: Paul Thomas Anderson on "There Will Be Blood"". indieWire.com. Retrieved September 24, 2010.  ^ Stanhope, Kate (July 19, 2011). "It's a Boy for Maya Rudolph and Paul Thomas Anderson". TV Guide. Retrieved September 10, 2013.  ^ "Maya Rudolph Shares Her Excitement Over Third Pregnancy". Access Hollywood. NBCUniversal. May 1, 2011. Retrieved December 26, 2011.  ^ "Maya Rudolph Announces She's Pregnant on "The View"!". ABC. The Walt Disney Company. May 12, 2009. Archived from the original on January 11, 2012. Retrieved December 26, 2011.  ^ D'Zurilla, Christie (March 21, 2011). "Maya Rudolph expecting baby No. 3 with Paul Thomas Anderson". Los Angeles Times. Tribune Company. Retrieved December 26, 2011.  ^ "Maya Rudolph Expecting Second Child". People.com. Time Inc. October 23, 2005. Retrieved February 27, 2011.  ^ Michaud, Sarah (December 4, 2009). "Maya Rudolph Welcomes a Girl". People.com. Time Inc. Retrieved February 10, 2010.  ^ Eggenberger, Nicole (September 10, 2013). "Maya Rudolph Welcomes Fourth Child!". Us Weekly. Retrieved September 10, 2013.  ^ "Maya Rudolph Welcomes Son Jack". People.com. Time Inc. July 19, 2011. Retrieved July 19, 2011.  ^ Flint Marx, Rebecca. "Paul Thomas Anderson – Biography – Movies & TV". NYTimes.com. The New York Times Company. Retrieved February 10, 2010.  ^ "Sight & Sound – The Best Films of 2008" (PDF). BFI.org. British Film Institute. 19 (1): 64. January 2009. Archived from the original (PDF) on December 20, 2011. Retrieved September 17, 2010.  ^ Laurent, Joseph (January 28, 2003). "BBC – Films – interview – Paul Thomas Anderson". BBC Online. BBC. Retrieved April 28, 2012.  ^ "Sydsvenska Dagbladet Interview". May 2002.  ^ "The world's 40 best directors". guardian.co.uk. Guardian News and Media Limited. Retrieved February 17, 2011.  ^ Hicks, Chris (August 20, 2007). "Greatest Directors Ever – Part 2". Totalfilm.com. Future Publishing Limited. Retrieved September 24, 2010.  ^ Ali Catterall; Charlie Lyne; Gwilym Mumford; Damon Wise (August 31, 2012). "The 23 best film directors in the world today". guardian.co.uk. Guardian News and Media Limited. Retrieved January 2, 2013.  ^ Stack, Tom (February 22, 2011). "25 Greatest Working Directors". EW.com. Entertainment Weekly. Retrieved February 26, 2011.  ^ Andrew Noakes (November 28, 2012). "Sam Mendes: Skyfall". KCRW.com (Podcast). KCRW. Event occurs at 20:24. Retrieved July 27, 2014.  ^ Best Director - Motion Picture: Ben Affleck - Golden Globe Awards. YouTube (January 13, 2013). Retrieved on 2014-05-22. ^ Travers, Peter (September 10, 2012). "'The Master'". RollingStone.com. Retrieved September 20, 2012.  ^ "S.F. Critics Name 'Boyhood' Best Film of 2014". Variety. December 14, 2014. Retrieved December 14, 2014. 


External links[edit] Wikimedia Commons has media related to Paul Thomas Anderson. Paul Thomas Anderson on IMDb Cigarettes & Red Vines - The Definitive Paul Thomas Anderson Resource Esquire magazine profile v t e Films directed by Paul Thomas Anderson Feature films Hard Eight (1996) Boogie Nights (1997) Magnolia (1999) Punch-Drunk Love (2002) There Will Be Blood (2007) The Master (2012) Inherent Vice (2014) Phantom Thread (2017) Short films The Dirk Diggler Story (1988) Cigarettes & Coffee (1993) Documentaries Junun (2015) Awards for Paul Thomas Anderson v t e Cannes Film Festival Best Director Award René Clément (1946) René Clément (1949) Luis Buñuel (1951) Christian-Jaque (1952) Jules Dassin / Sergei Vasilyev (1955) Sergei Yutkevich (1956) Robert Bresson (1957) Ingmar Bergman (1958) François Truffaut (1959) Yuliya Solntseva (1961) Liviu Ciulei (1965) Sergei Yutkevich (1966) Ferenc Kósa (1967) Glauber Rocha / Vojtěch Jasný (1969) John Boorman (1970) Miklós Jancsó (1972) Michel Brault / Costa-Gavras (1975) Ettore Scola (1976) Nagisa Oshima (1978) Terrence Malick (1979) Werner Herzog (1982) Robert Bresson / Andrei Tarkovsky (1983) Bertrand Tavernier (1984) André Téchiné (1985) Martin Scorsese (1986) Wim Wenders (1987) Fernando Solanas (1988) Emir Kusturica (1989) Pavel Lungin (1990) Joel Coen (1991) Robert Altman (1992) Mike Leigh (1993) Nanni Moretti (1994) Mathieu Kassovitz (1995) Joel Coen (1996) Wong Kar-wai (1997) John Boorman (1998) Pedro Almodóvar (1999) Edward Yang (2000) Joel Coen / David Lynch (2001) Im Kwon-taek / Paul Thomas Anderson (2002) Gus Van Sant (2003) Tony Gatlif (2004) Michael Haneke (2005) Alejandro González Iñárritu (2006) Julian Schnabel (2007) Nuri Bilge Ceylan (2008) Brillante Mendoza (2009) Mathieu Amalric (2010) Nicolas Winding Refn (2011) Carlos Reygadas (2012) Amat Escalante (2013) Bennett Miller (2014) Hou Hsiao-hsien (2015) Olivier Assayas / Cristian Mungiu (2016) Sofia Coppola (2017) v t e Silver Lion for Best Director 1990-2000 Martin Scorsese (1990) Emir Kusturica (1998) Zhang Yuan (1999) Buddhadeb Dasgupta (2000) 2001-2010 Babak Payami (2001) Lee Chang-dong (2002) Takeshi Kitano (2003) Kim Ki-duk (2004) Philippe Garrel (2005) Alain Resnais (2006) Brian De Palma (2007) Aleksei German Jr. (2008) Shirin Neshat (2009) Álex de la Iglesia (2010) 2011-2020 Cai Shangjun (2011) Paul Thomas Anderson (2012) Alexandros Avranas (2013) Andrei Konchalovsky (2014) Pablo Trapero (2015) Amat Escalante / Andrei Konchalovsky (2016) Xavier Legrand (2017) v t e Silver Bear for Best Director 1956-1979 Robert Aldrich (1956) Mario Monicelli (1957) Tadashi Imai (1958) Akira Kurosawa (1959) Jean-Luc Godard (1960) Bernhard Wicki (1961) Francesco Rosi (1962) Nikos Koundouros (1963) Satyajit Ray (1964) Satyajit Ray (1965) Carlos Saura (1966) Živojin Pavlović (1967) Carlos Saura (1968) Jean-Pierre Blanc (1972) Sergei Solovyov (1975) Mario Monicelli (1976) Manuel Gutiérrez Aragón (1977) Georgi Djulgerov (1978) Astrid Henning-Jensen (1979) 1980-1989 István Szabó (1980) Mario Monicelli (1982) Éric Rohmer (1983) Costas Ferris / Ettore Scola (1984) Robert Benton (1985) Georgiy Shengelaya (1986) Oliver Stone (1987) Norman Jewison (1988) Dušan Hanák (1989) 1990-1999 Michael Verhoeven (1990) Jonathan Demme / Ricky Tognazzi (1991) Jan Troell (1992) Andrew Birkin (1993) Krzysztof Kieślowski (1994) Richard Linklater (1995) Yim Ho / Richard Loncraine (1996) Eric Heumann (1997) Neil Jordan (1998) Stephen Frears (1999) 2000-2009 Miloš Forman (2000) Lin Cheng-sheng (2001) Otar Iosseliani (2002) Patrice Chéreau (2003) Kim Ki-duk (2004) Marc Rothemund (2005) Michael Winterbottom / Mat Whitecross (2006) Joseph Cedar (2007) Paul Thomas Anderson (2008) Asghar Farhadi (2009) 2010-2019 Roman Polanski (2010) Ulrich Köhler (2011) Christian Petzold (2012) David Gordon Green (2013) Richard Linklater (2014) Radu Jude / Malgorzata Szumowska (2015) Mia Hansen-Løve (2016) Aki Kaurismäki (2017) v t e National Society of Film Critics Award for Best Director 1966-1979 Michelangelo Antonioni (1966) Ingmar Bergman (1967) Ingmar Bergman (1968) François Truffaut (1969) Ingmar Bergman (1970) Bernardo Bertolucci (1971) Luis Buñuel (1972) François Truffaut (1973) Francis Ford Coppola (1974) Robert Altman (1975) Martin Scorsese (1976) Luis Buñuel (1977) Terrence Malick (1978) Woody Allen / Robert Benton (1979) 1980-1999 Martin Scorsese (1980) Louis Malle (1981) Steven Spielberg (1982) Paolo Taviani and Vittorio Taviani (1983) Robert Bresson (1984) John Huston (1985) David Lynch (1986) John Boorman (1987) Philip Kaufman (1988) Gus Van Sant (1989) Martin Scorsese (1990) David Cronenberg (1991) Clint Eastwood (1992) Steven Spielberg (1993) Quentin Tarantino (1994) Mike Figgis (1995) Lars von Trier (1996) Curtis Hanson (1997) Steven Soderbergh (1998) Mike Leigh (1999) 2000-present Steven Soderbergh (2000) Robert Altman (2001) Roman Polanski (2002) Clint Eastwood (2003) Zhang Yimou (2004) David Cronenberg (2005) Paul Greengrass (2006) Paul Thomas Anderson (2007) Mike Leigh (2008) Kathryn Bigelow (2009) David Fincher (2010) Terrence Malick (2011) Michael Haneke (2012) Joel Coen and Ethan Coen (2013) Richard Linklater (2014) Todd Haynes (2015) Barry Jenkins (2016) Greta Gerwig (2017) v t e Los Angeles Film Critics Association Award for Best Director Sidney Lumet (1975) Sidney Lumet (1976) Herbert Ross (1977) Michael Cimino (1978) Robert Benton (1979) Roman Polanski (1980) Warren Beatty (1981) Steven Spielberg (1982) James L. Brooks (1983) Miloš Forman (1984) Terry Gilliam (1985) David Lynch (1986) John Boorman (1987) David Cronenberg (1988) Spike Lee (1989) Martin Scorsese (1990) Barry Levinson (1991) Clint Eastwood (1992) Jane Campion (1993) Quentin Tarantino (1994) Mike Figgis (1995) Mike Leigh (1996) Curtis Hanson (1997) Steven Spielberg (1998) Sam Mendes (1999) Steven Soderbergh (2000) David Lynch (2001) Pedro Almodóvar (2002) Peter Jackson (2003) Alexander Payne (2004) Ang Lee (2005) Paul Greengrass (2006) Paul Thomas Anderson (2007) Danny Boyle (2008) Kathryn Bigelow (2009) Olivier Assayas / David Fincher (2010) Terrence Malick (2011) Paul Thomas Anderson (2012) Alfonso Cuarón (2013) Richard Linklater (2014) George Miller (2015) Barry Jenkins (2016) Guillermo del Toro / Luca Guadagnino (2017) v t e London Film Critics' Circle Award for Director of the Year Nicolas Roeg (1980) Andrzej Wajda (1981) Costa-Gavras (1982) Andrzej Wajda (1983) Neil Jordan (1984) Roland Joffé (1985) Akira Kurosawa (1986) Stanley Kubrick (1987) John Huston (1988) Terence Davies (1989) Woody Allen (1990) Ridley Scott (1991) Robert Altman (1992) James Ivory (1993) Steven Spielberg (1994) Peter Jackson (1995) Joel Coen (1996) Curtis Hanson (1997) Peter Weir (1998) Sam Mendes (1999) Spike Jonze (2000) Alejandro González Iñárritu (2001) Phillip Noyce (2002) Clint Eastwood (2003) Martin Scorsese (2004) Ang Lee (2005) Paul Greengrass (2006) Paul Thomas Anderson (2007) David Fincher (2008) Kathryn Bigelow (2009) David Fincher (2010) Michel Hazanavicius (2011) Ang Lee (2012) Alfonso Cuarón (2013) Richard Linklater (2014) George Miller (2015) László Nemes (2016) Sean Baker (2017) Authority control WorldCat Identities VIAF: 90731600 LCCN: nb98039719 ISNI: 0000 0001 2143 3583 GND: 122408349 SUDOC: 061285919 BNF: cb14050270g (data) BIBSYS: 99042309 ULAN: 500269654 MusicBrainz: 03e4599b-6e99-41c4-bb54-94f5f96a9048 NDL: 00807002 BNE: XX1338149 SNAC: w6tm86rv Retrieved from "https://en.wikipedia.org/w/index.php?title=Paul_Thomas_Anderson&oldid=827057843" Categories: 1970 birthsAmerican film directorsAmerican film producersAmerican music video directorsAmerican male screenwritersEmerson College alumniFilm directors from CaliforniaLiving peopleNew York University alumniPeople from the San Fernando ValleySanta Monica College alumniSilver Bear for Best Director recipientsVenice Best Director Silver Lion winnersFilm producers from CaliforniaEnglish-language film directorsPeople from Studio City, Los AngelesHidden categories: CS1 maint: Extra text: authors listUse mdy dates from June 2017Articles with hCardsWikipedia articles with VIAF identifiersWikipedia articles with LCCN identifiersWikipedia articles with ISNI identifiersWikipedia articles with GND identifiersWikipedia articles with BNF identifiersWikipedia articles with BIBSYS identifiersWikipedia articles with ULAN identifiersWikipedia articles with MusicBrainz identifiersWikipedia articles with SNAC-ID identifiersGood articles


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