Contents 1 Early life 2 Career 2.1 Silent shorts and features 2.2 Talkies and transition 2.3 Radio and retirement 2.4 Renewed interest 3 Personal life 4 Death 5 Honors 6 Filmography 7 See also 8 References 9 Further reading 10 External links

Early life[edit] Harold Clayton Lloyd was born on April 20, 1893 in Burchard, Nebraska, the son of James Darsie Lloyd and Sarah Elisabeth Fraser. His paternal great-grandparents were Welsh.[6] In 1910, after his father had several business ventures fail, Lloyd's parents divorced and his father moved with his son to San Diego, California. Lloyd had acted in theater since a child, but in California he began acting in one-reel film comedies around 1912.

Career[edit] Silent shorts and features[edit] Lloyd worked with Thomas Edison's motion picture company, and his first role was a small part as a Yaqui Indian in the production of The Old Monk's Tale. At the age of 20, Lloyd moved to Los Angeles, and took up roles in several Keystone comedies. He was also hired by Universal Studios as an extra and soon became friends with aspiring filmmaker Hal Roach.[7] Lloyd began collaborating with Roach who had formed his own studio in 1913. Roach and Lloyd created "Lonesome Luke", similar to and playing off the success of Charlie Chaplin films.[8] Lloyd hired Bebe Daniels as a supporting actress in 1914; the two of them were involved romantically and were known as "The Boy" and "The Girl". In 1919, she left Lloyd to pursue her dramatic aspirations. Later that year, Lloyd replaced Daniels with Mildred Davis, whom he would later marry. Lloyd was tipped off by Hal Roach to watch Davis in a movie. Reportedly, the more Lloyd watched Davis the more he liked her. Lloyd's first reaction in seeing her was that "she looked like a big French doll".[9] By 1918, Lloyd and Roach had begun to develop his character beyond an imitation of his contemporaries. Harold Lloyd would move away from tragicomic personas, and portray an everyman with unwavering confidence and optimism. The persona Lloyd referred to as his "Glass" character[10] (often named "Harold" in the silent films) was a much more mature comedy character with greater potential for sympathy and emotional depth, and was easy for audiences of the time to identify with. The "Glass" character is said to have been created after Roach suggested that Harold was too handsome to do comedy without some sort of disguise. To create his new character Lloyd donned a pair of lensless horn-rimmed eyeglasses but wore normal clothing;[3] previously, he had worn a fake mustache and ill-fitting clothes as the Chaplinesque "Lonesome Luke". "When I adopted the glasses," he recalled in a 1962 interview with Harry Reasoner, "it more or less put me in a different category because I became a human being. He was a kid that you would meet next door, across the street, but at the same time I could still do all the crazy things that we did before, but you believed them. They were natural and the romance could be believable." Unlike most silent comedy personae, "Harold" was never typecast to a social class, but he was always striving for success and recognition. Within the first few years of the character's debut, he had portrayed social ranks ranging from a starving vagrant in From Hand to Mouth to a wealthy socialite in Captain Kidd's Kids. 1917 advertisement featuring Lloyd as "Lonesome Luke", with Snub Pollard and Bebe Daniels Harold Lloyd in Grandma's Boy (1922) Lloyd's career was not all laughs, however. In August 1919, while posing for some promotional still photographs in the Los Angeles Witzel Photography Studio, he was seriously injured holding a prop bomb thought merely to be a smoke pot. It exploded and mangled his hand, causing him to lose a thumb and forefinger. The blast was severe enough that the cameraman and prop director nearby were also seriously injured. Lloyd was in the act of lighting a cigarette from the fuse of the bomb when it exploded, also badly burning his face and chest and injuring his eye. Despite the proximity of the blast to his face, he retained his sight. As he recalled in 1930, "I thought I would surely be so disabled that I would never be able to work again. I didn't suppose that I would have one five-hundredth of what I have now. Still I thought, 'Life is worth while. Just to be alive.' I still think so."[11] Beginning in 1921, Roach and Lloyd moved from shorts to feature-length comedies. These included the acclaimed Grandma's Boy, which (along with Chaplin's The Kid) pioneered the combination of complex character development and film comedy, the highly popular Safety Last! (1923), which cemented Lloyd's stardom (and is the oldest film on the American Film Institute's List of 100 Most Thrilling Movies), and Why Worry? (1923). Lloyd and Roach parted ways in 1924, and Lloyd became the independent producer of his own films. These included his most accomplished mature features Girl Shy, The Freshman (his highest-grossing silent feature), The Kid Brother, and Speedy, his final silent film. Welcome Danger (1929) was originally a silent film but Lloyd decided late in the production to remake it with dialogue. All of these films were enormously successful and profitable, and Lloyd would eventually become the highest paid film performer of the 1920s.[12] They were also highly influential and still find many fans among modern audiences, a testament to the originality and film-making skill of Lloyd and his collaborators. From this success he became one of the wealthiest and most influential figures in early Hollywood. Talkies and transition[edit] In 1924, Lloyd formed his own independent film production company, the Harold Lloyd Film Corporation, with his films distributed by Pathé and later Paramount and Twentieth Century-Fox. Lloyd was a founding member of the Academy of Motion Picture Arts and Sciences. Lloyd in the 1936 film The Milky Way Released a few weeks before the start of the Great Depression, Welcome Danger was a huge financial success, with audiences eager to hear Lloyd's voice on film. Lloyd's rate of film releases, which had been one or two a year in the 1920s, slowed to about one every two years until 1938. The films released during this period were: Feet First, with a similar scenario to Safety Last which found him clinging to a skyscraper at the climax; Movie Crazy with Constance Cummings; The Cat's-Paw, which was a dark political comedy and a big departure for Lloyd; and The Milky Way, which was Lloyd's only attempt at the fashionable genre of the screwball comedy film. To this point the films had been produced by Lloyd's company. However, his go-getting screen character was out of touch with Great Depression movie audiences of the 1930s. As the length of time between his film releases increased, his popularity declined, as did the fortunes of his production company. His final film of the decade, Professor Beware, was made by the Paramount staff, with Lloyd functioning only as actor and partial financier. On March 23, 1937, Lloyd sold the land of his studio, Harold Lloyd Motion Picture Company, to The Church of Jesus Christ of Latter-day Saints. The location is now the site of the Los Angeles California Temple.[13] Lloyd produced a few comedies for RKO Radio Pictures in the early 1940s but otherwise retired from the screen until 1947. He returned for an additional starring appearance in The Sin of Harold Diddlebock, an ill-fated homage to Lloyd's career, directed by Preston Sturges and financed by Howard Hughes. This film had the inspired idea of following Harold's Jazz Age, optimistic character from The Freshman into the Great Depression years. Diddlebock opened with footage from The Freshman (for which Lloyd was paid a royalty of $50,000, matching his actor's fee) and Lloyd was sufficiently youthful-looking to match the older scenes quite well. Lloyd and Sturges had different conceptions of the material and fought frequently during the shoot; Lloyd was particularly concerned that while Sturges had spent three to four months on the script of the first third of the film, "the last two thirds of it he wrote in a week or less". The finished film was released briefly in 1947, then shelved by producer Hughes. Hughes issued a recut version of the film in 1951 through RKO under the title Mad Wednesday. Such was Lloyd's disdain that he sued Howard Hughes, the California Corporation and RKO for damages to his reputation "as an outstanding motion picture star and personality", eventually accepting a $30,000 settlement. Radio and retirement[edit] In October 1944, Lloyd emerged as the director and host of The Old Gold Comedy Theater, an NBC radio anthology series, after Preston Sturges, who had turned the job down, recommended him for it. The show presented half-hour radio adaptations of recently successful film comedies, beginning with Palm Beach Story with Claudette Colbert and Robert Young. Lloyd in 1946, when he was appointed to the Shriners' publicity committee Some saw The Old Gold Comedy Theater as being a lighter version of Lux Radio Theater, and it featured some of the best-known film and radio personalities of the day, including Fred Allen, June Allyson, Lucille Ball, Ralph Bellamy, Linda Darnell, Susan Hayward, Herbert Marshall, Dick Powell, Edward G. Robinson, Jane Wyman, and Alan Young. But the show's half-hour format—which meant the material might have been truncated too severely—and Lloyd's sounding somewhat ill at ease on the air for much of the season (though he spent weeks training himself to speak on radio prior to the show's premiere, and seemed more relaxed toward the end of the series run) may have worked against it. The Old Gold Comedy Theater ended in June 1945 with an adaptation of Tom, Dick and Harry, featuring June Allyson and Reginald Gardiner and was not renewed for the following season. Many years later, acetate discs of 29 of the shows were discovered in Lloyd's home, and they now circulate among old-time radio collectors. Lloyd remained involved in a number of other interests, including civic and charity work. Inspired by having overcome his own serious injuries and burns, he was very active as a Freemason and Shriner with the Shriners Hospital for Crippled Children. He was a Past Potentate of Al-Malaikah Shrine in Los Angeles, and was eventually selected as Imperial Potentate of the Shriners of North America for the year 1949–50.[14] At the installation ceremony for this position on July 25, 1949, 90,000 people were present at Soldier Field, including then sitting U.S. President Harry S Truman, also a 33° Scottish Rite Mason.[15] In recognition of his services to the nation and Freemasonry, Bro. Lloyd was invested with the Rank and Decoration of Knight Commander Court of Honour in 1955 and coroneted an Inspector General Honorary, 33°, in 1965. He appeared as himself on several television shows during his retirement, first on Ed Sullivan's variety show Toast of the Town June 5, 1949, and again on July 6, 1958. He appeared as the Mystery Guest on What's My Line? on April 26, 1953, and twice on This Is Your Life: on March 10, 1954 for Mack Sennett, and again on December 14, 1955, on his own episode. During both appearances, Lloyd's hand injury can clearly be seen.[16] Lloyd studied colors, microscopy, and was very involved with photography, including 3D photography and color film experiments. Some of the earliest 2-color Technicolor tests were shot at his Beverly Hills home (These are included as extra material in the Harold Lloyd Comedy Collection DVD Box Set). He became known for his nude photographs of models, such as Bettie Page and stripper Dixie Evans, for a number of men's magazines. He also took photos of Marilyn Monroe lounging at his pool in a bathing suit, which were published after her death. In 2004, his granddaughter Suzanne produced a book of selections from his photographs, Harold Lloyd's Hollywood Nudes in 3D! (ISBN 1-57912-394-5). Lloyd also provided encouragement and support for a number of younger actors, such as Debbie Reynolds, Robert Wagner, and particularly Jack Lemmon, whom Harold declared as his own choice to play him in a movie of his life and work. Renewed interest[edit] The iconic clock scene in Safety Last! Movie poster for the Harold Lloyd film World of Comedy (1962) Lloyd kept copyright control of most of his films and re-released them infrequently after his retirement. Lloyd did not grant cinematic release because most theaters could not accommodate an organist, and Lloyd did not wish his work to be accompanied by a pianist: "I just don't like pictures played with pianos. We never intended them to be played with pianos." Similarly, his features were never shown on television as Lloyd's price was high: "I want $300,000 per picture for two showings. That's a high price, but if I don't get it, I'm not going to show it. They've come close to it, but they haven't come all the way up". As a consequence, his reputation and public recognition suffered in comparison with Chaplin and Keaton, whose work has generally been more available. Lloyd's film character was so intimately associated with the 1920s era that attempts at revivals in 1940s and 1950s were poorly received, when audiences viewed the 1920s (and silent film in particular) as old-fashioned. In the early 1960s, Lloyd produced two compilation films, featuring scenes from his old comedies, Harold Lloyd's World of Comedy and The Funny Side of Life. The first film was premiered at the 1962 Cannes Film Festival, where Lloyd was fêted as a major rediscovery. The renewed interest in Lloyd helped restore his status among film historians. Throughout his later years he screened his films for audiences at special charity and educational events, to great acclaim, and found a particularly receptive audience among college audiences: "Their whole response was tremendous because they didn't miss a gag; anything that was even a little subtle, they got it right away." The crypt of Harold Lloyd, in the Great Mausoleum, Forest Lawn Glendale. Following his death, and after extensive negotiations, most of his feature films were leased to Time-Life Films in 1974. As Tom Dardis confirms: "Time-Life prepared horrendously edited musical-sound-track versions of the silent films, which are intended to be shown on TV at sound speed [24 frames per second], and which represent everything that Harold feared would happen to his best films".[citation needed] Time-Life released the films as half-hour television shows, with two clips per show. These were often near-complete versions of the early two-reelers, but also included extended sequences from features such as Safety Last! (terminating at the clock sequence) and Feet First (presented silent, but with Walter Scharf's score from Lloyd's own 1960s re-release). Time-Life released several of the feature films more or less intact, also using some of Scharf's scores which had been commissioned by Lloyd. The Time-Life clips series included a narrator rather than intertitles. Various narrators were used internationally: the English-language series was narrated by Henry Corden. The Time-Life series was frequently repeated by the BBC in the United Kingdom during the 1980s, and in 1990 a Thames Television documentary, Harold Lloyd: The Third Genius was produced by Kevin Brownlow and David Gill, following two similar series based on Charlie Chaplin and Buster Keaton.[17] Composer Carl Davis wrote a new score for Safety Last! which he performed live during a showing of the film with the Royal Scottish National Orchestra to great acclaim in 1993.[18] The Brownlow and Gill documentary was shown as part of the PBS series American Masters, and created a renewed interest in Lloyd's work in the United States, but the films were largely unavailable. In 2002, the Harold Lloyd Trust re-launched Harold Lloyd with the publication of the book Harold Lloyd: Master Comedian by Jeffrey Vance and Suzanne Lloyd[19][20] and a series of feature films and short subjects called “The Harold Lloyd Classic Comedies” produced by Jeffrey Vance and executive produced by Suzanne Lloyd for Harold Lloyd Entertainment. The new cable television and home video versions of Lloyd's great silent features and many shorts were remastered with new orchestral scores by Robert Israel. These versions are frequently shown on the Turner Classic Movies (TCM) cable channel. A DVD collection of these restored or remastered versions of his feature films and important short subjects was released by New Line Cinema in partnership with the Harold Lloyd Trust in 2005, along with theatrical screenings in the US, Canada, and Europe. Criterion Collection has subsequently acquired the home video rights to the Lloyd library, and have released Safety Last!,[21] The Freshman,[22] and Speedy.[23] In the June 2006 Los Angeles Chamber Orchestra Silent Film Gala program book for Safety Last!, film historian Jeffrey Vance stated that Robert A. Golden, Lloyd's assistant director, routinely doubled for Harold Lloyd between 1921 and 1927. According to Vance, Golden doubled Lloyd in the bit with Harold shimmy shaking off the building's ledge after a mouse crawls up his trousers.[24]

Personal life[edit] Main article: Harold Lloyd Estate Lloyd married his leading lady Mildred Davis on February 10, 1923 in Los Angeles, California.[25] They had two children together: Gloria Lloyd (1923-2012)[26][27] and Harold Clayton Lloyd Jr. (1931–1971).[28] They also adopted Gloria Freeman (1924—1986) in September 1930, whom they renamed Marjorie Elizabeth Lloyd but was known as "Peggy" for most of her life. Lloyd discouraged Davis from continuing her acting career. He later relented but by that time her career momentum was lost. Davis died from a heart attack in 1969, two years before Lloyd's death. Though her real age was a guarded secret, a family spokesperson at the time indicated she was 66 years old. Lloyd's son was gay and, according to Annette D'Agostino Lloyd (no relation) in the book Harold Lloyd: Master Comedian, Harold Sr. took this in good spirit. Harold Jr. died from complications of a stroke three months after his father. The Lloyds in 1936. From left to right: Peggy and Harold Jr., Harold, Gloria, and Mildred In 1925, at the height of his movie career, Lloyd entered into Freemasonry at the Alexander Hamilton Lodge No. 535 of Hollywood, advancing quickly through both the York Rite and Scottish Rite, and then joined Al Malaikah Shrine in Los Angeles. He took the degrees of the Royal Arch with his father. In 1926, he became a 32° Scottish Rite Mason in the Valley of Los Angeles, California. He was vested with the Rank and Decoration of Knight Commander Court of Honor (KCCH) and eventually with the Inspector General Honorary, 33rd degree. Lloyd's Beverly Hills home, "Greenacres", was built in 1926–1929, with 44 rooms, 26 bathrooms, 12 fountains, 12 gardens, and a nine-hole golf course. A portion of Lloyd's personal inventory of his silent films (then estimated to be worth $2 million) was destroyed in August 1943 when his film vault caught fire. Seven firemen were overcome while inhaling chlorine gas from the blaze. Lloyd himself was saved by his wife, who dragged him to safety outdoors after he collapsed at the door of the film vault. The fire spared the main house and outbuildings. After attempting to maintain the home as a museum of film history, as Lloyd had wished, the Lloyd family sold it to a developer in 1975. The grounds were subsequently subdivided but the main house and the estate's principal gardens remain and are frequently used for civic fundraising events and as a filming location, appearing in films like Westworld and The Loved One. It is listed on the National Register of Historic Places. Greenacres was built in the 1920s in Beverly Hills, one of Los Angeles' all-white planned communities.[29] The area had restrictive covenants prohibiting non-whites (this also included Jews[30]) from living there unless they were in the employment of a white resident (typically as a domestic servant).[31]:57 In 1940, Lloyd supported a neighborhood improvement association in Beverly Hills that attempted to enforce the all-white covenant in court after a number of black actors and businessmen had begun buying properties in the area. However, in his decision, federal judge Thurmond Clarke dismissed the action stating that it was time that "members of the Negro race are accorded, without reservations or evasions, the full rights guaranteed to them under the 14th amendment."[32] In 1948 the United States Supreme Court declared in Shelley v. Kraemer that all racially restrictive covenants in the United States were unenforceable.[33]

Death[edit] Lloyd died at age 77 from prostate cancer on March 8, 1971, at his Greenacres home in Beverly Hills, California.[12][34][35] He was interred in a crypt in the Great Mausoleum at Forest Lawn Memorial Park Cemetery in Glendale, California.[36] His former co-star Bebe Daniels died eight days after him and his son Harold Lloyd Jr. died three months after him.[citation needed]

Honors[edit] In 1927, his was only the fourth concrete ceremony at Grauman's Chinese Theatre, preserving his handprints, footprints, and autograph, along with the outline of his famed glasses (which were actually a pair of sunglasses with the lenses removed).[37][38] The ceremony took place directly in front of the Hollywood Masonic Temple, which was the meeting place of the Masonic lodge to which he belonged.[39] Lloyd was honored in 1960 for his contribution to motion pictures with a star on the Hollywood Walk of Fame located at 1503 Vine Street.[40] In 1994, he was honored with his image on a United States postage stamp designed by caricaturist Al Hirschfeld.[41][42] In 1953, Lloyd received an Academy Honorary Award for being a "master comedian and good citizen". The second citation was a snub to Chaplin, who at that point had fallen foul of McCarthyism and had his entry visa to the United States revoked. Regardless of the political overtones, Lloyd accepted the award in good spirit.

Filmography[edit] Main article: Harold Lloyd filmography

See also[edit] List of American comedy films List of Notable Freemasons

References[edit] ^ Obituary Variety, March 10, 1971, page 55. ^ Austerlitz, Saul (2010). Another Fine Mess: A History of American Film Comedy. Chicago Review Press. p. 28. ISBN 1569767637. ^ a b D’Agostino Lloyd, Annette. "Why Harold Lloyd Is Important". Retrieved November 12, 2013.  ^ Slide, Anthony (September 27, 2002). Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses. Univ. Press of Kentucky. p. 221. ISBN 978-0813122496.  ^ An American Comedy; Lloyd and Stout; 1928; page 129 ^ "Comedy in the 1920's - 1950's". Retrieved April 13, 2015.  ^ "Encyclopedia of the Great Plains - Lloyd, Harold (1893-1971)". Retrieved April 13, 2015.  ^ "Hal Roach article". Retrieved 2016-07-21.  ^ Pawlak, Debra Ann (January 15, 2011). Bringing Up Oscar: The Story of the Men and Women Who Founded the Academy. New York: Pegasus Books. p. 62. ISBN 978-1605981376.  ^ "Harold Lloyd biography". Retrieved November 12, 2013.  ^ Hall, Gladys (October 1930). "Discoveries About Myself". Motion Picture Magazine. New York: Brewster Publications. Retrieved October 23, 2015.  ^ a b "Died". Time. March 22, 1971. Retrieved June 8, 2008. Harold Lloyd, 77, comedian whose screen image of horn-rimmed incompetence made him Hollywood's highest-paid star in the 1920s; of cancer; in Hollywood. He usually played a feckless Mr. Average who triumphed over misfortune. 'My character represented the white-collar middle class that felt frustrated but was always fighting to overcome its shortcomings,' he once explained. Lloyd usually did his own stunt work, as in Safety Last (1923), in which he dangled from a clock high above the street; he was protected only by a wooden platform two floors below.  ^ "Los Angeles California Temple". The Church of Jesus Christ of Latter-day Saints. Retrieved June 8, 2008. The land for the Los Angeles California Temple was purchased from Harold Lloyd Motion Picture Company on March 23, 1937.  ^ "Harold LLoyd" Archived January 22, 2009, at the Wayback Machine. "In 1949, Harold's face graced the cover of TIME Magazine as the Imperial Potentate of the Ancient Arabic Order of the Nobles of the Mystic Shrine, their highest-ranking position. He devoted an entire year to visiting 130 temples across the country giving speeches for over 700,000 Shriners. The last twenty years of his life he worked tirelessly for the twenty-two Shriner Hospitals for Children and in the 1960s, he was named President and Chairman of the Board." ^ Lloyd, Harold. "Phoenix Masonry Masonic Museum". Masonic Research. Phoenix Masonry. Retrieved July 29, 2012.  ^ "Harold Lloyd". IMDB. Retrieved June 8, 2008.  ^ Documentary: Harold Lloyd — The Third Genius. ^ ^ Loos, Ted (2002-07-21). "Books in Brief – Nonfiction – A Matter of Attitude". New York Times. Retrieved 2016-07-21.  ^ "Behind the Laughter". latimes. Retrieved April 13, 2015.  ^ "Safety Last!". The Criterion Collection. Retrieved April 13, 2015.  ^ "The Freshman". The Criterion Collection. Retrieved April 13, 2015.  ^ "Speedy". The Criterion Collection. Retrieved 2017-05-19.  ^ ""Safety Last!: Notes on the Making of the Film" : Los Angeles Chamber Orchestra Silent Film Gala program book, June 3, 2006 revised and reprinted as "Safety Last!" San Francisco Silent Film Festival program book, July 18–21, 2013". Retrieved 2016-07-21.  ^ Los Angeles, California, County Marriages 1850-1952 ^ "Gloria Lloyd, daughter of Harold Lloyd, dies". Variety. February 11, 2012. Retrieved 2012-02-11.  ^ Brownlow, Kevin (27 February 2012). "Obituaries: Gloria Lloyd: Actress who had a gilded life as Harold Lloyd's daughter". The Independent. Retrieved 2015-09-30.  ^ "Harold Lloyd Jr. Dies. Actor, Son of Comedy Star". The New York Times. June 10, 1971. Retrieved June 8, 2008.  ^ James W. Loewen (September 29, 2005). Sundown Towns: A Hidden Dimension Of American Racism. The New Press. p. 112. ISBN 978-1-59558-674-2. Retrieved August 19, 2012.  ^ Andrew Wiese (December 15, 2005). Places of Their Own: African American Suburbanization in the Twentieth Century. University of Chicago Press. p. 42. ISBN 978-0-226-89625-0. Retrieved August 19, 2012.  ^ Michael Gross (November 1, 2011). Unreal Estate: Money, Ambition, and the Lust for Land in Los Angeles. Random House Digital, Inc. ISBN 978-0-7679-3265-3. Retrieved August 17, 2012.  ^ Stephen Grant Meyer (October 1, 2001). As Long As They Don't Move Next Door: Segregation and Racial Conflict in American Neighborhoods. Rowman & Littlefield. p. 76. ISBN 978-0-8476-9701-4. Retrieved August 19, 2012.  ^ Steve Sheppard (April 1, 2007). The History of Legal Education in the United States: Commentaries And Primary Sources. The Lawbook Exchange, Ltd. p. 948n. ISBN 978-1-58477-690-1. Retrieved August 19, 2012.  ^ "Harold Lloyd, Bespectacled Film Comic, Dies of Cancer at 77". Los Angeles Times. March 9, 1971. Retrieved June 8, 2008. Comedian Harold Lloyd, 77, who bumbled through more than 300 films as a bespectacled victim of life's difficulties, died of cancer Monday at his Beverly Hills home.  ^ Illson, Murray (March 9, 1971). "Horn-Rims His Trademark; Harold Lloyd, Screen Comedian, Dies at 77". The New York Times. Retrieved June 8, 2008. A pair of inexpensive, horn-rimmed eyeglass frames without lenses, the shy expression of a somewhat bewildered adolescent and a single-track ambition made Harold Clayton Lloyd the highest-paid screen actor in Hollywood's golden age of the nineteen twenties.  ^ Harold Lloyd at Find a Grave ^ "Harold Lloyd's Prints At Mann's Chinese Theatre". Getty Images. Retrieved 2017-06-27.  ^ Bengtson, John (2011-05-21). "Harold Lloyd – lasting impressions at Grauman's Chinese". Chaplin-Keaton-Lloyd film locations (and more). Retrieved 2017-06-27.  ^ Ridenour, Al (2002-05-02). "A Chamber of Secrets". Los Angeles Times. pp. 1–2. ISSN 0458-3035. Retrieved 2017-06-27.  ^ "Harold Lloyd | Hollywood Walk of Fame". Retrieved 2017-06-27.  ^ Hirschfeld, Al (2015). The Hirschfeld Century: Portrait of an Artist and His Age. New York: Alfred A. Knopf. pp. 291, 293. ISBN 9781101874974. OCLC 898029267.  ^ McAllister, Bill (1994-04-15). "Hirschfeld's 'Silent' Stars". The Washington Post. ISSN 0190-8286. Retrieved 2017-06-27. 

Further reading[edit] Agee, James (2000) [1958]. "Comedy's Greatest Era" from Life magazine (9/5/1949), reprinted in Agee on Film. McDowell, Obolensky, Modern Library.  Bengtson, John. (2011). Silent Visions: Discovering Early Hollywood and New York Through the Films of Harold Lloyd. Santa Monica Press. ISBN 978-1-59580-057-2.  Brownlow, Kevin (1976) [1968]. "Harold Lloyd" from The Parade's Gone By. Alfred A. Knopf, University of California Press.  Byron, Stuart; Weis, Elizabeth (1977). The National Society of Film Critics on Movie Comedy. Grossman/Viking.  Cahn, William (1964). Harold Lloyd's World of Comedy. Duell, Sloane & Pearce.  D'Agostino, Annette M. (1994). Harold Lloyd: A Bio-Bibliography. Greenwood Press. ISBN 0-313-28986-7.  Dale, Alan (2002). Comedy is a Man in Trouble: Slapstick In American Movies. University of Minnesota Press.  Dardis, Tom (1983). Harold Lloyd: The Man on the Clock. Viking. ISBN 0-14-007555-0.  Durgnat, Raymond (1970). "Self-Help with a Smile" from The Crazy Mirror: Hollywood Comedy and the American Image. Dell.  Everson, William K. (1978). American Silent Film. Oxford University Press.  Gilliatt, Penelope (1973). "Physicists" from Unholy Fools: Wits, Comics, Disturbers of the Peace. Viking.  Hayes, Suzanne Lloyd (ed.), (1992). 3-D Hollywood with Photography by Harold Lloyd. Simon & Schuster. CS1 maint: Multiple names: authors list (link) Kerr, Walter (1990) [1975]. The Silent Clowns. Alfred A. Knopf, Da Capo Press.  Lacourbe, Roland (1970). Harold Lloyd. Paris: Editions Seghers.  Lahue, Kalton C. (1966). World of Laughter: The Motion Picture Comedy Short, 1910–1930. University of Oklahoma Press.  Lloyd, Annette D'Agostino (2003). The Harold Lloyd Encyclopedia. McFarland & Company. ISBN 0-7864-1514-2.  Lloyd, Annette D'Agostino (2009). Harold Lloyd: Magic in a Pair of Horn-Rimmed Glasses. BearManor Media. ISBN 978-1-59393-332-6.  Lloyd, Harold; Stout, W. W. (1971) [1928]. An American Comedy. Dover.  Lloyd, Suzanne (2004). Harold Lloyd's Hollywood Nudes in 3-D. Black Dog & Leventhal. ISBN 978-1-57912-394-9.  Maltin, Leonard (1978). The Great Movie Comedians. Crown Publishers.  Mast, Gerald (1979) [1973]. The Comic Mind: Comedy and the Movies. University of Chicago Press.  McCaffrey, Donald W. (1968). 4 Great Comedians: Chaplin, Lloyd, Keaton, Langdon. A.S. Barnes.  McCaffrey, Donald W. (1976). Three Classic Silent Screen Comedies Starring Harold Lloyd. Associated University Presses. ISBN 0-8386-1455-8.  Mitchell, Glenn (2003). A–Z of Silent Film Comedy. B.T. Batsford Ltd.  Reilly, Adam (1977). Harold Lloyd: The King of Daredevil Comedy. Macmillan. ISBN 0-02-601940-X.  Robinson, David (1969). The Great Funnies: A History of Film Comedy. E.P. Dutton.  Schickel, Richard (1974). Harold Lloyd: The Shape of Laughter. New York Graphic Society. ISBN 0-8212-0595-1.  Vance, Jeffrey; Lloyd, Suzanne (2002). Harold Lloyd: Master Comedian. Harry N Abrams. ISBN 0-8109-1674-6. 

External links[edit] Wikimedia Commons has media related to: Harold Lloyd (category) Official website Harold Lloyd on IMDb—a site with articles and information, maintained by Annette D'Agostino Lloyd Harold Lloyd Forum part of Harold Lloyd Photos at Silent Ladies & Gents BBC Radio Interview with Suzanne Lloyd (2002) Harold Lloyd in The Sin Of Harold Diddlebock at The Internet Archive Photographs and bibliography Old Gold Comedy Theater Episodes v t e Academy Honorary Award 1928–1950 Warner Bros. / Charlie Chaplin (1928) Walt Disney (1932) Shirley Temple (1934) D. W. Griffith (1935) The March of Time / W. Howard Greene and Harold Rosson (1936) Edgar Bergen / W. Howard Greene / Museum of Modern Art Film Library / Mack Sennett (1937) J. Arthur Ball / Walt Disney / Deanna Durbin and Mickey Rooney / Gordon Jennings, Jan Domela, Devereaux Jennings, Irmin Roberts, Art Smith, Farciot Edouart, Loyal Griggs, Loren L. Ryder, Harry D. Mills, Louis Mesenkop, Walter Oberst / Oliver T. Marsh and Allen Davey / Harry Warner (1938) Douglas Fairbanks / Judy Garland / William Cameron Menzies / Motion Picture Relief Fund (Jean Hersholt, Ralph Morgan, Ralph Block, Conrad Nagel)/ Technicolor Company (1939) Bob Hope / Nathan Levinson (1940) Walt Disney, William Garity, John N. A. Hawkins, and the RCA Manufacturing Company / Leopold Stokowski and his associates / Rey Scott / British Ministry of Information (1941) Charles Boyer / Noël Coward / Metro-Goldwyn-Mayer (1942) George Pal (1943) Bob Hope / Margaret O'Brien (1944) Republic Studio, Daniel J. Bloomberg, and the Republic Studio Sound Department / Walter Wanger / The House I Live In / Peggy Ann Garner (1945) Harold Russell / Laurence Olivier / Ernst Lubitsch / Claude Jarman Jr. (1946) James Baskett / Thomas Armat, William Nicholas Selig, Albert E. Smith, and George Kirke Spoor / Bill and Coo / Shoeshine (1947) Walter Wanger / Monsieur Vincent / Sid Grauman / Adolph Zukor (1948) Jean Hersholt / Fred Astaire / Cecil B. DeMille / The Bicycle Thief (1949) Louis B. Mayer / George Murphy / The Walls of Malapaga (1950) 1951–1975 Gene Kelly / Rashomon (1951) Merian C. Cooper / Bob Hope / Harold Lloyd / George Mitchell / Joseph M. Schenck / Forbidden Games (1952) 20th Century-Fox Film Corporation / Bell & Howell Company / Joseph Breen / Pete Smith (1953) Bausch & Lomb Optical Company / Danny Kaye / Kemp Niver / Greta Garbo / Jon Whiteley / Vincent Winter / Gate of Hell (1954) Samurai I: Musashi Miyamoto (1955) Eddie Cantor (1956) Society of Motion Picture and Television Engineers / Gilbert M. "Broncho Billy" Anderson / Charles Brackett / B. B. Kahane (1957) Maurice Chevalier (1958) Buster Keaton / Lee de Forest (1959) Gary Cooper / Stan Laurel / Hayley Mills (1960) William L. Hendricks / Fred L. Metzler / Jerome Robbins (1961) William J. Tuttle (1964) Bob Hope (1965) Yakima Canutt / Y. Frank Freeman (1966) Arthur Freed (1967) John Chambers / Onna White (1968) Cary Grant (1969) Lillian Gish / Orson Welles (1970) Charlie Chaplin (1971) Charles S. Boren / Edward G. Robinson (1972) Henri Langlois / Groucho Marx (1973) Howard Hawks / Jean Renoir (1974) Mary Pickford (1975) 1976–2000 Margaret Booth (1977) Walter Lantz / Laurence Olivier / King Vidor / Museum of Modern Art Department of Film (1978) Hal Elias / Alec Guinness (1979) Henry Fonda (1980) Barbara Stanwyck (1981) Mickey Rooney (1982) Hal Roach (1983) James Stewart / National Endowment for the Arts (1984) Paul Newman / Alex North (1985) Ralph Bellamy (1986) Eastman Kodak Company / National Film Board of Canada (1988) Akira Kurosawa (1989) Sophia Loren / Myrna Loy (1990) Satyajit Ray (1991) Federico Fellini (1992) Deborah Kerr (1993) Michelangelo Antonioni (1994) Kirk Douglas / Chuck Jones (1995) Michael Kidd (1996) Stanley Donen (1997) Elia Kazan (1998) Andrzej Wajda (1999) Jack Cardiff / Ernest Lehman (2000) 2001–present Sidney Poitier / Robert Redford (2001) Peter O'Toole (2002) Blake Edwards (2003) Sidney Lumet (2004) Robert Altman (2005) Ennio Morricone (2006) Robert F. Boyle (2007) Lauren Bacall / Roger Corman / Gordon Willis (2009) Kevin Brownlow / Jean-Luc Godard / Eli Wallach (2010) James Earl Jones / Dick Smith (2011) D. A. Pennebaker / Hal Needham / George Stevens Jr. (2012) Angela Lansbury / Steve Martin / Piero Tosi (2013) Jean-Claude Carrière / Hayao Miyazaki / Maureen O'Hara (2014) Spike Lee / Gena Rowlands (2015) Jackie Chan / Lynn Stalmaster / Anne V. Coates / Frederick Wiseman (2016) Charles Burnett / Owen Roizman / Donald Sutherland / Agnès Varda (2017) Authority control WorldCat Identities VIAF: 17347452 LCCN: n50050609 ISNI: 0000 0001 2122 479X GND: 118573667 SUDOC: 029875951 BNF: cb12739554r (data) BIBSYS: 90153314 NLA: 35246503 NKC: jn20000701067 BNE: XX1181951 RKD: 87940 SNAC: w6475vg0 PIC: 272593 Retrieved from "" Categories: Harold Lloyd1893 births1971 deaths20th-century American comedians20th-century American male actorsAcademy Honorary Award recipientsAcademy of Motion Picture Arts and Sciences foundersAmerican amputeesAmerican film directorsAmerican film producersAmerican FreemasonsAmerican male film actorsAmerican male screenwritersAmerican male silent film actorsAmerican people of Welsh descentAmerican stunt performersBurials at Forest Lawn Memorial Park (Glendale)Cinema pioneersDeaths from cancer in CaliforniaDeaths from prostate cancerFilm producers from CaliforniaHal Roach Studios actorsMale actors from Los AngelesMale actors from NebraskaMale actors from San DiegoPeople from Beverly Hills, CaliforniaPeople from Burchard, NebraskaSilent film comediansSilent film directorsSilent film producersVaudeville performersAmerican male comedy actorsHidden categories: Webarchive template wayback linksFind a Grave template with ID same as WikidataUse mdy dates from August 2014Articles needing additional references from February 2018All articles needing additional referencesArticles with hCardsAll articles with unsourced statementsArticles with unsourced statements from September 2017Articles with unsourced statements from March 2016Articles with unsourced statements from June 2017CS1 maint: Multiple names: authors listOfficial website different in Wikidata and WikipediaWikipedia articles with VIAF identifiersWikipedia articles with LCCN identifiersWikipedia articles with ISNI identifiersWikipedia articles with GND identifiersWikipedia articles with BNF identifiersWikipedia articles with BIBSYS identifiersWikipedia articles with NLA identifiersWikipedia articles with RKDartists identifiersWikipedia articles with SNAC-ID identifiersWikipedia articles with PIC identifiers

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Harold Lloyd (disambiguation)Wikipedia:VerifiabilityHelp:Introduction To Referencing With Wiki Markup/1Help:Maintenance Template RemovalBurchard, NebraskaBeverly Hills, CaliforniaMildred DavisHarold Lloyd Jr.Silent FilmComedyCharlie ChaplinBuster KeatonSilent FilmSound FilmSafety Last!StuntProsthesisWikipedia:Citation NeededBurchard, NebraskaWelsh PeopleSan Diego, CaliforniaThomas EdisonYaquiThe Old Monk's TaleUniversal StudiosHal RoachBebe DanielsMildred DavisHarry ReasonerFrom Hand To MouthCaptain Kidd's KidsEnlargeSnub PollardBebe DanielsEnlargeGrandma's Boy (1922 Film)Grandma's Boy (1922 Film)The Kid (1921 Film)Safety Last!American Film InstituteWhy Worry?Girl ShyThe Freshman (1925 Film)The Kid BrotherSpeedy (film)Welcome DangerPathéParamount PicturesTwentieth Century-FoxAcademy Of Motion Picture Arts And SciencesEnlargeThe Milky Way (1936 Film)Great DepressionWelcome DangerFeet FirstMovie CrazyConstance CummingsThe Cat's-PawThe Milky Way (1936 Film)Screwball Comedy FilmGreat DepressionProfessor BewareThe Church Of Jesus Christ Of Latter-day SaintsLos Angeles California TempleRKO Radio PicturesThe Sin Of Harold DiddlebockPreston SturgesHoward HughesJazz AgeGreat DepressionMad WednesdayNBCPalm Beach StoryClaudette ColbertRobert Young (actor)EnlargeLux Radio TheaterFred AllenJune AllysonLucille BallRalph BellamyLinda DarnellSusan HaywardHerbert MarshallDick PowellEdward G. 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W. GriffithThe March Of TimeW. Howard GreeneHarold RossonEdgar BergenW. Howard GreeneMuseum Of Modern Art Department Of FilmMack SennettWalt DisneyDeanna DurbinMickey RooneyGordon JenningsJan DomelaFarciot EdouartLoyal GriggsLoren L. RyderLouis MesenkopOliver T. MarshHarry WarnerDouglas FairbanksJudy GarlandWilliam Cameron MenziesMotion Picture & Television FundJean HersholtRalph MorganRalph BlockConrad NagelTechnicolor SABob HopeNathan LevinsonWalt DisneyWilliam GarityRCALeopold StokowskiMinistry Of Information (United Kingdom)Charles BoyerNoël CowardMetro-Goldwyn-MayerGeorge PalBob HopeMargaret O'BrienDaniel J. BloombergWalter WangerThe House I Live In (1945 Film)Peggy Ann GarnerHarold RussellLaurence OlivierErnst LubitschClaude Jarman Jr.James BaskettThomas ArmatWilliam Nicholas SeligAlbert E. Smith (producer)George Kirke SpoorBill And CooShoeshine (film)Walter WangerMonsieur VincentSid GraumanAdolph ZukorJean HersholtFred AstaireCecil B. DeMilleBicycle ThievesLouis B. MayerGeorge MurphyThe Walls Of MalapagaGene KellyRashomonMerian C. CooperBob HopeJoseph M. SchenckForbidden Games20th Century FoxBell & HowellJoseph BreenPete Smith (film Producer)Bausch & LombDanny KayeGreta GarboJon WhiteleyVincent WinterGate Of Hell (film)Samurai I: Musashi MiyamotoEddie CantorSociety Of Motion Picture And Television EngineersBroncho Billy AndersonCharles BrackettB. B. KahaneMaurice ChevalierBuster KeatonLee De ForestGary CooperStan LaurelHayley MillsWilliam L. HendricksJerome RobbinsWilliam J. TuttleBob HopeYakima CanuttY. Frank FreemanArthur FreedJohn Chambers (make-up Artist)Onna WhiteCary GrantLillian GishOrson WellesCharlie ChaplinEdward G. 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