Contents 1 Background 2 The era 2.1 Beginnings 2.2 Deep Throat 2.3 The Devil in Miss Jones 2.4 "Porno chic" 2.5 Supreme Court's 1973 Miller v. California 2.6 Post-1973 3 Feminist criticism 4 Golden Age stars 5 Second-wave stars 6 Producers 7 Films of the period 8 See also 9 References 10 Bibliography 11 External links

Background[edit] Pornographic films were produced in the early 20th century as "stag" movies, intended to be viewed at male gatherings or in brothels. In the United States, social disapproval was so great that men in them sometimes attempted to conceal their face by subterfuge, such as a false mustache (used in A Free Ride) or even being masked.[17][18] Very few people were ever identified as appearing in such films; and performers were often presumed to have been prostitutes or criminals. Vincent Drucci is said to have performed in a pornographic film made in 1924.[19] Candy Barr, who appeared in the 1950s Smart Alec, was virtually unique among those appearing in stag films, having attained a degree of celebrity through her participation.[20] In the US, during the late 1960s, there was regular semi-underground production of pornographic films on a modest scale. After answering New York City newspaper advertisements for nude models, Eric Edwards and Jamie Gillis, among others, appeared in these films, which were silent black and white 'loops' of low quality, often intended for peep booth viewing in the proliferation of adult video arcades around Times Square.[21][22][23] The product of the New York City porn industry was distributed nationwide by underworld figure Robert DiBernardo, who commissioned the production of much of the so-called 'Golden Age' era films made in New York City.[24][25] Although not the first adult film to obtain a wide theatrical release in the US, none had achieved a mass audience, and changed public attitude toward pornography, as Deep Throat did.

The era[edit] Andy Warhol Beginnings[edit] Blue Movie by Andy Warhol, released in 1969,[3][4][5] and, more freely, Mona, by Bill Osco, released in 1970,[6] were the first films depicting explicit sex to receive wide theatrical distribution in the United States.[3][4][6] Although Blue Movie involved sexual intercourse, the film, starring Viva and Louis Waldon, included substantial dialogue about the Vietnam War and various mundane tasks.[3][4] Besides being a seminal film in the 'Golden Age of Porn', Blue Movie, according to Warhol, was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film, starring Marlon Brando, and released a few years after Blue Movie was made.[5][26] The film Mona differed from Blue Movie by presenting more of a story plot: Mona (played by Fifi Watson) had promised her mother that she would remain a virgin until her impending marriage.[27] Later, in December 1971, the film Boys in the Sand, one of the first adult erotic films, after Blue Movie in 1969,[28][29] to be reviewed by Variety magazine,[30] was released and opened in theaters across the United States and around the world.[31] The film's title is a parodic reference to the 1968 play by Mart Crowley, and the related 1970 film adaptation, The Boys in the Band.[32] Deep Throat[edit] The 'Golden Age of Porn' continued in 1972 with Deep Throat. It officially premiered at the World Theater[33] in New York City on June 12, 1972 and was advertised in The New York Times under the bowdlerized title Throat. After Johnny Carson talked about the film on his nationally top-rated TV show[13][34][35][36][37] and Bob Hope, as well, mentioned it on TV,[7] Deep Throat became very profitable and a box-office success, according to one of the figures behind the film. In its second year of release, Deep Throat just missed Variety's top 10. However, by then, it was often being shown in a double bill with the most successful of the top three adult erotic films released in the 1972–1973 era, The Devil in Miss Jones, which easily outperformed Deep Throat, while leaving Behind the Green Door trailing in third place.[38] The Devil in Miss Jones[edit] The 1973 film The Devil in Miss Jones was ranked number seven in the Variety list of the top ten highest-grossing pictures of 1973, despite lacking the wide release and professional marketing of Hollywood and having been virtually banned across the country for half the year (see Miller v. California, below).[38] Some critics have described the film as, along with Deep Throat, one of the "two best erotic motion pictures ever made".[39] William Friedkin called The Devil in Miss Jones a "great film", partly because it was one of the few adult erotic films with a proper storyline.[40] Roger Ebert referred to The Devil in Miss Jones as the "best" of the genre he had seen and gave it three-stars (of four).[12] Ebert also suggested the film's box office receipts were inflated as a way of laundering the profits from illegal activities, although such a method would have required organised crime to be paying taxes on their illegally obtained income.[41][42] The Devil in Miss Jones was one of the first films to be inducted into the XRCO Hall of Fame.[43] The sound-recording, cinematography, and story-line of The Devil in Miss Jones were of a considerably higher quality than any previous porn film. The lead, Georgina Spelvin, who had been in the original Broadway run of The Pajama Game, combined vigorous sex with an acting performance some thought as convincing as anything to be seen in a good mainstream production. She had been hired as a caterer, but Gerard Damiano, the film director, was impressed with her reading of Miss Jones's dialogue, while auditioning an actor for the non-sex role of 'Abaca'. According to Variety's review, "With The Devil in Miss Jones, the hard-core porno feature approaches an art form, one that critics may have a tough time ignoring in the future". The review also described the plot as comparable to Jean-Paul Sartre's play No Exit,[44] and went on to describe the opening scene as, "a sequence so effective it would stand out in any legit theatrical feature."[44] It finished by stating, "Booking a film of this technical quality into a standard sex house is tantamount to throwing it on the trash heap of most current hard-core fare." [34][44][45][46][47][48][49][50] "Porno chic"[edit] See also: Pornographication An influential five-page article in The New York Times Magazine in 1973 described the phenomenon of porn being publicly discussed by celebrities, and taken seriously by critics, a development referred to, by Ralph Blumenthal of The New York Times, as "porno chic".[7][13][51] Some expressed the opinion that pornographic films would continue to extend their access to US theaters, and the mainstream film industry would gravitate toward the influence of porn.[14][15] Supreme Court's 1973 Miller v. California[edit] Supreme Court's 1973 Miller v. California decision redefined obscenity from "utterly without socially redeeming value" to lacks "serious literary, artistic, political, or scientific value". Crucially, it made 'contemporary community standards' the criterion, holding that obscenity was not protected by the First Amendment; the ruling gave leeway to local judges to seize and destroy prints of films adjudged to violate local community standards. The Miller decision stymied porn distribution.[34] The Devil in Miss Jones, as well as Deep Throat and Behind the Green Door, was prosecuted successfully during the latter half of 1973; the Supreme Court's Miller decision closed much of America to the exhibition of adult erotic films, and often led to it being banned outright. Porn films would never again feature so prominently in the mainstream movie business,[52] until the emergence of the internet in the 1990s.[53] Post-1973[edit] In the aftermath of the Supreme Court's decision to have put mass box office returns beyond the reach of pornographic films, the leaps in the films' quality that had occurred between 1972 and 1973 was not sustained. With their relatively modest financial means, a predicted move of organised crime into Hollywood failed to materialise.[15] Pornographic films continued to be a highly profitable business, and thrived throughout the rest of the 1970s, leading to the concept of porn 'stars' gaining currency. Ostracism of porn performers meant they almost invariably used pseudonyms. Being outed as having appeared in porn usually put an end to an actor's hope of a mainstream career.[54] An indication of the returns still possible was that a 1976 release, Alice in Wonderland: An X-Rated Musical Comedy, favorably reviewed by film critic Roger Ebert in 1976,[55] reportedly grossed over $90 million globally.[34][56] Some historians assess The Opening of Misty Beethoven, based on the play Pygmalion by George Bernard Shaw (and its derivative, My Fair Lady), and directed by Radley Metzger, as attaining a mainstream level in storyline and sets.[57] The film has been considered, by award-winning author Toni Bentley, the "crown jewel" of the 'Golden Age'.[10][11] In general, after 1973, adult erotic films emulated mainstream filmmaking storylines and conventions, merely to frame the depictions of sexual activity to prepare an 'artistic merit' defense against possible obscenity charges. The adult film industry remained stuck at the level of 'one day wonders', finished by participants hired for only a single day. The ponderous technology of the time meant filming a simple scene would often take hours due to the need for the camera to be laboriously set up for each shot.[58] Repeated sustained performances might be required on cue at any time over the course of a day, which was an issue for men without the recourse to modern Viagra-type drugs.[54][58] Production was concentrated in New York City where organized crime was widely believed to have control over all aspects of the business, and to prevent entry of competitors. Although their budgets were usually very low, a subcultural level of appreciation exists for films of this era, which were produced by a core group of around thirty performers, some of whom had other jobs. Several were actors who could handle dialogue when required. However, some participants scoffed at the idea that what they did, qualified as "acting".[7][34][54] By the early 1980s, the rise of home video had led to the end of the era when people went to movie theaters to see sex shot on 35mm film with production values, ultimately culminating with the rise of the internet in the 1990s and beyond.[54]

Feminist criticism[edit] Further information: Feminist views of pornography The 'Golden Age' was a period of interactions between pornography and the contemporaneous second wave of feminism. Radical and cultural feminists, along with religious and conservative groups, attacked pornography,[59][60] while other feminists were pro-pornography, such as Camile Paglia, who defined what came to be known as sex-positive feminism in her work, Sexual Personae. Paglia and other sex-positive or pro-pornography feminists accepted porn as part of the sexual revolution with its libertarian sexual themes, such as exploring bisexuality and swinging, free from government interference. The endorsement of female critics was essential for the credibility of the brief era of "porno chic".[61][62][63][64]

Golden Age stars[edit] Major pornographic film actors of the first part of the 'Golden Age', the "porno chic" era, included: Annette Haven Annie Sprinkle Bambi Woods Candida Royalle Desireé Cousteau Casey Donovan Eric Edwards George Payne Georgina Spelvin Gloria Leonard Harry Reems Herschel Savage Jamie Gillis Jennifer Welles Jessie St. James Joey Silvera John C. Holmes (a.k.a. "Johnny Wadd") John Leslie Johnny Keyes Juliet Anderson (a.k.a. "Aunt Peg") Kay Parker Linda Lovelace Marc Stevens Marilyn Chambers Marlene Willoughby Mike Horner Paul Thomas Rene Bond Rhonda Jo Petty Rick Cassidy Robert Kerman (a.k.a. "R Bolla") Ron Jeremy Samantha Fox Seka Vanessa del Rio William Margold

Second-wave stars[edit] Amber Lynn Angel Kelly Barbara Dare Billy Dee Christy Canyon Colleen Brennan Debi Diamond Erica Boyer Ginger Lynn Jack Wrangler Jeanna Fine Jerry Butler Karen Summer Keisha Kelly Nichols Lisa De Leeuw Lysa Thatcher Nina Hartley Ona Zee Peter North Porsche Lynn Randy West Ryan Idol Long Dong Silver Samantha Strong Shanna McCullough Sharon Mitchell Tom Byron Tracey Adams Traci Lords Veronica Hart At the time of the maturation of the second wave, movies increasingly were being shot on video for home release. As their popularity rose, so did their control of their careers. John Holmes became the first recurring porn character in the "Johnny Wadd" film series directed by Bob Chinn. Lisa De Leeuw was one of the first to sign an exclusive contract with a major adult production company, Vivid Video, and Marilyn Chambers worked in mainstream movies, being one of the first of a rare number of crossover porn actors.

Producers[edit] Major producers during the first wave of the 'Golden Age', the "Porno Chic" era, include: Alex de Renzy Andy Warhol Bill Osco Chuck Vincent Gerard Damiano Mitchell Brothers (Artie and Jim) Radley Metzger (a.k.a. "Henry Paris") With the rise of video, the dominant pornographic film studios of the Second Wave period were VCA Pictures[65] and Caballero Home Video.[66]

Films of the period[edit] Some of the best-known adult erotic films of the period include: A Dirty Western (USA, 1975) Alice in Wonderland (USA, 1976) A Night at the Adonis (USA, 1978) Barbara Broadcast (USA, 1977) Behind the Green Door (USA, 1972) Blue Movie (USA, 1969) Boys in the Sand (USA, 1971) Café Flesh (USA, 1982) Caligula (USA-IT, 1979) Candy Stripers (USA, 1978) Centurians of Rome (USA, 1981) Debbie Does Dallas (USA, 1978) Deep Throat (USA, 1972) El Paso Wrecking Corp. (USA, 1978) Flesh Gordon (USA, 1974) Insatiable (USA, 1980) Inside Jennifer Welles (USA, 1977) Kansas City Trucking Co. (USA, 1976) L.A. Tool & Die (USA, 1979) Maraschino Cherry (USA, 1978) Memories In Miss Aggie (USA, 1973) Mona the Virgin Nymph (USA, 1970) Naked Came The Stranger (USA, 1975) Nightdreams (USA, 1981) Pretty Peaches (USA, 1978) Reel People (USA, 1984) Resurrection of Eve (USA, 1973) Score (USA, 1974) Sensations (NL, 1975) Spirit of Seventy Sex (USA, 1976) Taboo (USA, 1980) Talk Dirty to Me (USA, 1980) The Cheerleaders (USA, 1973) The Devil in Miss Jones (USA, 1973) The Image (USA, 1975) The Opening of Misty Beethoven (USA, 1976) The Private Afternoons of Pamela Mann (USA, 1974) The Story of Joanna (USA, 1975) The Tale of Tiffany Lust (USA, 1979) Through the Looking Glass (USA, 1976)

See also[edit] Boogie Nights – 1997 drama film chronicling the Golden Age of Porn Inside Deep Throat – 2005 documentary film Lovelace – 2012 film about Linda Lovelace, star of Deep Throat Ordeal – 1980 autobiography by Linda Lovelace Sex in film Unsimulated sex

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One Book Called UlyssesMake Love, Not WarThe Personal Is PoliticalKinsey ReportsMasters And Johnson InstitutePlayboyProtests Of 1968Stonewall RiotsGerard DamianoHugh HefnerVirginia E. JohnsonAlfred KinseyWilliam MastersWilhelm ReichCounterculture Of The 1960sFeminist Views Of PornographyHippieLGBTLGBT Culture In New York CityLustPeace MovementTemplate:Andy WarholTemplate Talk:Andy WarholAndy WarholCampbell's Soup CansMarilyn DiptychMen In Her Life (painting)Green Coca-Cola BottlesEight ElvisesEthel Scull 36 TimesSilver Car Crash (Double Disaster)Green Car CrashTriple ElvisSuicide (Purple Jumping Man)Thirteen Most Wanted MenShot MarilynsExploding Plastic InevitableCow WallpaperBig Electric ChairCampbell's Soup Cans IIShadows (paintings)Prince (painting)Portrait Of Seymour H. KnoxCamouflage Self-PortraitCars (painting)Andy Warhol FilmographyKiss (1963 Film)Eat (film)Sleep (film)Screen TestsBlow Job (film)Batman DraculaEmpire (1964 Film)Soap Opera (1964 Film)Couch (film)Taylor Mead's AssHenry Geldzahler (film)Harlot (1964 Film)Vinyl (1965 Film)Horse (1965 Film)Space (1965 Film)Camp (1965 Film)Poor Little Rich Girl (1965 Film)Beauty No. 1Beauty No. 2More Milk, YvetteThe Life Of Juanita CastroKitchen (1966 Film)Eating Too FastThe Velvet Underground And Nico: A Symphony Of SoundSalvador Dalí (film)Chelsea GirlsSince (film)The Andy Warhol StoryI, A ManBike BoyFour Stars (film)Imitation Of Christ (film)Tub GirlsThe Nude RestaurantLonesome CowboysSan Diego Surf (film)Flesh (1968 Film)Blue MovieTrash (1970 Film)Women In RevoltHeat (1972 Film)L'Amour (film)Andy Warhol's FrankensteinAndy Warhol's BadYou Are The One (Andy Warhol)25 Cats Name Sam And One Blue PussyA, A NovelBlue Movie (1970 Book)The Philosophy Of Andy WarholPopism: The Warhol SixtiesThe Andy Warhol DiariesAndy Warhol's Fifteen MinutesInterview (magazine)15 Minutes Of FameThe FactoryThe Velvet UndergroundWarhol SuperstarsStudio 54The Andy Warhol MuseumAndy Warhol Museum Of Modern ArtBasquiat (film)I Shot Andy WarholAndy Warhol: A Documentary FilmFactory Girl (film)Julia WarholaJohn WarholaJames WarholaAndy Warhol Art Authentication BoardThe Autobiography And Sex Life Of Andy WarholAbsolut WarholaSongs For DrellaPortal:1970sPortal:1980sPortal:CulturePortal:FilmPortal:United StatesPortal:USAHelp:CategoryCategory:American PornographyCategory:Golden Ages (metaphor)Category:History Of FilmCategory:Pornography TerminologyCategory:Wikipedia Articles Needing Page Number Citations From May 2015Category:Use Mdy Dates From January 2016Category:Pages Using Div Col Without Cols And Colwidth ParametersCategory:Pages Using Columns-list With Deprecated ParametersCategory:Pages Using Div Col With Deprecated ParametersDiscussion About Edits From This IP Address [n]A List Of Edits Made From This IP Address [y]View The Content Page [c]Discussion About The Content Page [t]Edit This Page [e]Visit The Main Page [z]Guides To Browsing WikipediaFeatured Content – The Best Of WikipediaFind Background Information On Current EventsLoad A Random Article [x]Guidance On How To Use And Edit WikipediaFind Out About WikipediaAbout The Project, What You Can Do, Where To Find ThingsA List Of Recent Changes In The Wiki [r]List Of All English Wikipedia Pages Containing Links To This Page [j]Recent Changes In Pages Linked From This Page [k]Upload Files [u]A List Of All Special Pages [q]Wikipedia:AboutWikipedia:General Disclaimer

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