Contents 1 Early life 2 Career 2.1 Early theater roles, 1925–27 2.2 Movie stardom, 1928–34 2.3 Post-Oscar career, 1935–44 2.4 Post-war career, 1945–65 2.5 Later career, 1974–87 3 Personal life 4 Later years and death 5 Awards and honors 6 Selected filmography 7 See also 8 References 8.1 Notes 8.2 Bibliography 9 External links

Early life[edit] Émilie "Lily" Claudette Chauchoin (pronounced "show-shwan") was born in 1903 in Saint-Mandé, France,[4] to Georges Claude Chauchoin (1867–1925) and Jeanne Marie (née Loew, 1877–1970).[3][5] Although christened "Émilie," she was called "Lily," because she had an aunt living with her by the name of Émilie. The aunt was her maternal grandmother's adopted child, Emilie Loew (1878–1954), who was not a blood relative, worked as a dressmaker, and never married. Colbert's nickname "Lily" came from Jersey-born actress Lillie Langtry.[6] Jeanne, Emilie Loew and Colbert's grandmother Marie Augustine Loew (1842–1930)[7] were born in the Channel Islands in the British Isles, and they were already fluent English speakers before coming to the U.S., though French and English were spoken in the family circle. Colbert's brother, Charles Auguste Chauchoin (1898–1971), was also born in Jersey. Jeanne held various occupations. While Georges Chauchoin had lost the sight in his right eye and hadn't settled into a profession, he worked as investment banker, suffering business setbacks. Marie Loew had already been to the U.S., and Georges' brother-in-law (surname Vedel) was already living in New York City. Marie was willing to help Georges financially but also encouraged him to try his luck in the U.S.[6] During her high school days, 1920 In order to pursue more employment opportunities, Colbert and her family, including Marie and Emilie Loew, emigrated to Manhattan in 1906.[5][8] They lived in a fifth-floor walk-up at 53rd Street. Colbert stated that climbing those stairs to the fifth floor every day until 1922 made her legs beautiful.[9] Her parents formally changed her legal name to Lily Claudette Chauchoin.[1] Georges Chauchoin worked as a minor official at First National City Bank.[6] Before Colbert entered public school, she quickly learned English from her grandmother Marie Loew[10] and remained fluent in French.[11] She had hoped to become a painter ever since she had grasped her first pencil. Her family was naturalized in the U.S. in 1912. Her mother wanted to become an opera singer.[6] After all, Jeanne joined two silent films Journey's End (1918) and The Poison Pen (1919) in supporting roles as Jeanne Loew. Colbert studied at Washington Irving High School (known for having a strong arts program), where her speech teacher, Alice Rossetter, encouraged her to audition for a play Rossetter had written. In 1919, Colbert made her stage debut at the Provincetown Playhouse in The Widow's Veil at the age of 15.[1] However, Colbert’s interest still leaned towards painting, fashion design, and commercial art.[9] Intending to become a fashion designer, she attended the Art Students League of New York, where she paid for her art education by working as a dress-shop employee. After attending a party with writer Anne Morrison, Colbert was offered a bit part in Morrison's play[12] and appeared on the Broadway stage in a small role in The Wild Westcotts (1923). She had been using the name Claudette instead of her first name Lily since high school, and for her stage name she added her maternal grandmother's maiden name Colbert.[13] She was a staunch Republican since she was young.[14] Her father Georges died in 1925 and her grandmother Marie Loew died in New York in 1930.[6]

Career[edit] Early theater roles, 1925–27[edit] After signing a five-year contract with producer Al Woods, Colbert played ingenue roles on Broadway from 1925 through 1929. During this period she disliked being typecast as a French maid.[15] Colbert later said, "In the very beginning, they wanted to give me French roles … That’s why I used to say my name Col-bert just as it is spelled instead of Col-baire. I did not want to be typed as 'that French girl.'"[16] She received critical acclaim on Broadway in the production of The Barker (1927) as a carnival snake charmer. She reprised this role for the play's run in London's West End.[17] Colbert was noticed by the theatrical producer Leland Hayward, who suggested her for the heroine role in For the Love of Mike (1927), a silent film now believed to be lost.[18] The film didn't fare well enough at the box-office.[3][19] Colbert in Broadway production, 1928 Movie stardom, 1928–34[edit] In 1928, Colbert signed a contract with Paramount Pictures,[1] which was looking for stage actors who could handle dialogue in the new "talkies" medium. Colbert's elegance and musical voice were among her best assets.[3] In The Hole in the Wall (1929), audiences noticed her beauty, but at first she didn't like film acting.[12] Her earliest films were produced in New York. During production of the 1929 film The Lady Lies, she was appearing nightly in the play See Naples and Die. The Lady Lies was also a box office success.[3] In 1930 she starred opposite Maurice Chevalier in The Big Pond, which was filmed in both English and French. She co-starred with Fredric March in Manslaughter (1930), receiving critical acclaim[20] for her performance as a woman charged with vehicular manslaughter.[21] She was paired with March in four productions, including Honor Among Lovers (1931) with Ginger Rogers. While these films were box office successes,[11] she also starred in Mysterious Mr. Parkes (1931), which was a French-language version of Slightly Scarlet for the European market, although it was also screened in the United States. She sang and played piano in the Ernst Lubitsch musical The Smiling Lieutenant (1931), which was the year's 10th domestic box-office success;[3][19] Colbert was critically acclaimed for her ability to shrewdly play a character role opposite Miriam Hopkins.[11] Colbert concluded the year with appearance in a modest successful film: His Woman with Gary Cooper.[19] Colbert's career got a huge boost when Cecil B. DeMille cast her as femme fatale in the 1932 historical epic The Sign of the Cross , opposite Fredric March and Charles Laughton. In one of the most notable scenes in her movie career, she bathes nude in a marble pool filled with asses' milk.[22][23] The film was one of her biggest box-office hits.[19] In 1933, Colbert renegotiated her contract with Paramount to allow her to appear in films for other studios. Her musical voice was also featured in the 1933 film Torch Singer, which co-starred Ricardo Cortez and David Manners. For 1933, she was already ranking as 13th box-office star.[24][25] By 1933, she had appeared in 20 films, averaging approximately four films per year. A lot of her early films were commercial successes,[3] and her performances were admired.[2] Her leading roles were serious and diverse, which proved her versatility.[15] Colbert was initially reluctant to appear in the screwball comedy It Happened One Night (1934). The studio accepted Colbert's demand that she be paid $50,000 and that filming was to be completed within four weeks to allow her to take a planned vacation.[26] Colbert won the Academy Award for Best Actress for the film.[27] Colbert in the title role of Cleopatra, 1934 In Cleopatra (1934), she played the title role opposite Warren William and Henry Wilcoxon. The film was one of the year's biggest domestic box-office hits.[3][19] Thereafter, Colbert did not wish to be portrayed as overtly sexual and later refused such roles.[28]Imitation of Life (1934) was the year's 8th domestic box-office success.[19][29] Post-Oscar career, 1935–44[edit] Colbert's rising popularity allowed her to renegotiate her contract, which raised her salary. For 1935 and 1936, she was listed 6th and 8th in the annual "Top Ten Money Making Stars Poll".[30] Then she received an Academy Award nomination for her role in the hospital drama Private Worlds (1935).[31] In 1936, Colbert signed a new contract with Paramount Pictures, and this contract made her Hollywood's highest-paid actress.[32] This was followed by a contract renewal in 1938, after which she was reported to be the best-paid star in Hollywood with a salary of $426,924.[33] At the peak of her popularity in the late 1930s, Colbert earned $150,000 a film.[34] Colbert spent the rest of the 1930s deftly alternating between romantic comedies and dramas, and found success in both: She Married Her Boss (1935) with Melvyn Douglas; The Gilded Lily (1935) and The Bride Comes Home (1935), both with Fred MacMurray; Under Two Flags (1936) with Ronald Colman; Zaza (1939) with Herbert Marshall; Midnight (1939) with Don Ameche; and It's a Wonderful World (1939) with James Stewart. Colbert with a tennis racket, early 1940s In contrast to her small height image, Colbert was 5 ft 5 in (165 cm) tall.[35] Hedda Hopper wrote that Colbert placed her career "ahead of everything save possibly her marriage", with a strong sense of what was best for her, and a "deep-rooted desire to be in shape, efficient and under control." [36] The writer A. Scott Berg remarked that Colbert had "helped define femininity for her generation with her chic manner."[37] Colbert once said, "I’ve been in the Claudette Colbert business a long time."[38] Colbert was a stickler for perfection regarding the way she appeared on screen. She believed that her face was difficult to light and photograph, and was obsessed with not showing the right side of her face to the camera, because of a small bump resulting from a childhood broken nose.[39] She often refused to be filmed from the right side of her face, and this sometimes necessitated redesigning movie sets.[12] During the filming of Tovarich in 1937, one of her favored cameramen was dismissed by the director, Anatole Litvak. After seeing the rushes filmed by the replacement, Colbert refused to continue. She insisted on hiring her own cameraman, and offered to waive her salary if the film went over budget as a result.[32] Gary Cooper was terrified at the prospect of working with Colbert in his first comedy, Bluebeard's Eighth Wife (1938), which was the year's 15th domestic box-office success.[19] Cooper respected Colbert to be an expert in the genre.[40] She learned about lighting and cinematography, and refused to begin filming until she was satisfied that she would be shown to her best advantage.[41] Drums Along the Mohawk (1939) with Henry Fonda was Colbert's first color film, which was the year's 6th domestic box-office success.[19] However, she distrusted the relatively new Technicolor process and feared that she would not photograph well, preferring thereafter to be filmed in black and white.[42] During this time she began appearing for CBS's popular radio program Lux Radio Theater, making 22 episodes between 1935 and 1954.[43] She also appeared for another radio program, The Screen Guild Theater, making 13 episodes between 1939 and 1952.[44] In 1940, Colbert refused a seven-year contract with Paramount, that would have paid her $200,000 a year, after finding out that she could command a fee of $150,000 per film as a freelance artist. With her manager, Colbert was able to secure roles in prestigious films, and this period marked the height of her earning ability.[32] Boom Town (1940) was the year's 3rd domestic box-office hit.[19] However, Colbert once said that Arise, My Love (1940) was her favorite of all her movies.[45][46] The film won the Academy Award for Best Story. During filming of So Proudly We Hail! (1943), a rift occurred between Colbert and co-star Paulette Goddard, who preferred another co-star Veronica Lake rather than Colbert. Goddard commented that Colbert "flipped" and "was at [my] eyes at every moment", and said that they continued their feud throughout the duration of filming.[36] Colbert was otherwise known for maintaining particularly high standards of professionalism and qualities during shooting.[38][2] The 1943 film was the year's 12th domestic box-office success.[19] Impressed by Colbert's role in So Proudly We Hail!, David O. Selznick approached her to play the lead role in Since You Went Away (1944). She was initially reluctant to appear as a mother of teenaged children, but Selznick eventually overcame her sensitivity.[47] Released in June 1944, the film was the year's 4th domestic box-office hit.[19] and grossed almost $5 million in the United States. The critic James Agee praised aspects of the film, but particularly Colbert's work.[48] Partly as a result, she received an Academy Award nomination for Best Actress.[49] "Screenland Magazine", 1945 Post-war career, 1945–65[edit] In 1945, Colbert ended her association with Paramount Studios and continued to freelance in such films as Guest Wife (1945), with Don Ameche. She starred opposite John Wayne in the RKO Studios film Without Reservations (1946), which grossed $3 million in the U.S. While working on Without Reservations, director Mervyn LeRoy described Colbert as an interesting lady to work with, recalling her habit of not watching where she was going and constantly bumping into things.[50] Praised for her sense of style and awareness of fashion, Colbert ensured throughout her career that she was impeccably groomed and costumed. For the 1946 melodrama Tomorrow Is Forever, Jean Louis was hired to create eighteen changes of wardrobe for her.[51] Tomorrow is Forever and The Secret Heart (1946) were also substantial commercial successes,[19] and the overall popularity of Colbert during 1947 led her to place 9th in the "Top Ten Money Making Stars Poll."[30] She achieved great success opposite Fred MacMurray in the comedy The Egg and I (1947). The film was the year's 8th domestic box-office hit[19] and was later acknowledged as the 12th most profitable American film of the 1940s.[52] The suspense film Sleep, My Love (1948) with Robert Cummings was a modest commercial success. By 1949 she was still ranking as the 22nd highest box-office star.[53] The romantic comedy, Bride for Sale (1949), in which Colbert played part of a love triangle that included George Brent and Robert Young, was well-reviewed.[54] Her performance in the Pacific war film Three Came Home (1950) was also praised by the critics.[3] However, The Secret Fury (1950), distributed by RKO Studios, was a mystery melodrama that received mixed reviews.[54] During this period Colbert was unable to work beyond 5 p.m. each day due to doctor's orders.[55] While Colbert still looked like a young woman,[9] she found it difficult to make the transition to playing more mature characters as she approached middle age.[36] Colbert once said, "I'm a very good comedienne, but I was always fighting that image, too."[34] In 1949, Colbert was selected to play Margo Channing in All About Eve, because producer Joseph L. Mankiewicz felt that she best represented the style he envisioned for the part. However, Colbert severely injured her back, which led her to abandon the picture shortly before filming began. The role went instead to Bette Davis, who was nominated for an Academy Award for her performance. In later life, Colbert said, "I just never had the luck to play bitches."[34] Colbert and Patric Knowles for Three Came Home, 1950 For tax reasons[9] Colbert traveled to Europe, making fewer films in the early 1950s. She appeared in Royal Affairs in Versailles with Orson Welles, the only film in which she acted for a French director, although Colbert had only a supporting role rather than top billing.[56] This film was screened in the United States in 1957.[57] In 1954 Colbert turned down a million-dollar broadcast deal with NBC-TV,[9] but made a pact with CBS-TV to star in several teleplays. After a successful appearance in a television version of The Royal Family,[1] she began acting in various television programs. From 1954 to 1960, she starred in television adaptations of Blithe Spirit in 1956 and The Bells of St. Mary's in 1959. She also guest starred on Robert Montgomery Presents, Playhouse 90, and Zane Grey Theater. In 1956, Colbert hosted the 28th Academy Awards ceremony. In 1958, she returned to Broadway in The Marriage-Go-Round, for which she was nominated for a Best Actress Tony Award. She made a brief return to the screen, opposite Troy Donahue in Parrish (1961). The movie was her last appearance on the big screen, and she played the supporting role of the mother. The film was the year's 19th domestic box-office hit.[19] However, Colbert received little attention from the press. After that, Colbert instructed her agent to stop his attempts to generate interest in her as a film actress, because there had been no offers.[58] Colbert during TV production in 1959 Later career, 1974–87[edit] Colbert made occasional successful acting ventures in Broadway appearances in The Irregular Verb to Love (1963), The Kingfisher (1978) in which she co-starred with Rex Harrison, and Frederick Lonsdale's Aren't We All? (1985), also with Rex Harrison. Colbert once said to an interviewer, "Audiences always sound like they're glad to see me, and I'm damned glad to see them."[3]  In 1987, Colbert appeared in a supporting role in the television miniseries The Two Mrs. Grenvilles. The production was a ratings success. Colbert won a Golden Globe and received a nomination for an Emmy Award. Modern critics have pointed out that Colbert had a mixture of unique physical assets (her round apple-face,[1] big eyes, curly hair,[3] slender body), an elegant voice, aristocratic manner, relaxed acting, a tongue-in-cheek vivacity, intelligent style, comedic timing and ladylike alluring charm,[59] that distinguishes her from other screwball comediennes of the 1930s.[38] In her comedy films, she invariably played shrewd and self-reliant women, but unlike many of her contemporaries, Colbert rarely engaged in physical comedy. Her characters were more likely to be observers and commentators.[60]

Personal life[edit] In 1928, Colbert married Norman Foster, an actor and director, with whom she co-starred in the Broadway show The Barker, and in the 1930 film Young Man of Manhattan, for which he received negative reviews as one of her weakest leading men.[11] Their marriage remained a secret for many years while they lived in separate homes.[1] Colbert and her mother Jeanne in 1936 In Los Angeles, Colbert shared a home with her mother, Jeanne Chauchoin,[61] but her domineering mother disliked Foster and reputedly did not allow him into the home.[62] Colbert and Foster divorced in 1935 in Mexico.[1] Four months after her divorce, Colbert married Joel Pressman, a throat specialist and surgeon at UCLA.[3] She gave a Beechcraft Bonanza single-engine plane to Pressman as a present. They purchased a ranch in Northern California,[9] where Colbert enjoyed horseback riding[63] and her husband kept show cattle. During this period, Colbert drove a Lincoln Continental and a Ford Thunderbird.[9] The marriage lasted 33 years, until Pressman's death from liver cancer in 1968. Jeanne Chauchoin reportedly envied her daughter[9] and preferred her son's company, making Colbert's brother Charles serve as his sister's agent. Charles used the surname Wendling which was borrowed from Jeanne's paternal grandmother, Rose Wendling.[6] He served as Colbert's business manager for a time,[5] and was credited with negotiating some of her more lucrative contracts in the late 1930s and early 1940s.[11][6] Although virtually retired from the motion-picture industry since the mid-1950s, Colbert was still financially solvent enough to maintain an upscale lifestyle. Despite already having a country house in Palm Springs for staying on weekends, she rented a cottage in Cap Ferrat in southeastern France. Adman Peter Rogers said, "Claudette was extravagant; I never, ever saw her question the price of anything." In 1963, Colbert sold her residence in Holmby Hills (western Los Angeles), so Joel Pressman rented a small house in Beverly Hills.[9] In 1958 she met Verna Hull, a wealthy painter/photographer and the stepdaughter of a Sears Roebuck heiress. They had a nine-year friendship and painted together, went for drives together, traveled together and even rented twin penthouses in New York. They had a mutual interest in art. When Colbert bought a house in Barbados in the early 1960s, Hull also bought a modest house next door. The friendship ended suddenly after an argument that took place as Colbert's husband lay dying. Colbert denied, and took offence at, lesbian rumours.[9]

Later years and death[edit] For years, Colbert divided her time between her apartment in Manhattan and her vacation home in Speightstown, Barbados.[3] The latter, purchased from a British gentleman and nicknamed "Bellerive", was the island’s only plantation house fronting the beach.[9] However, her permanent address remained Manhattan. Colbert's mother Jeanne died in 1970 and her brother Charles died in 1971,[1] so her only surviving relative was a niece, Coco Lewis, Charles' daughter.[34][64] Colbert sustained a series of small strokes during the last three years of her life. She died in 1996 at her second home in Barbados,[3] where she had employed a housekeeper and two cooks. Colbert’s remains were transported to New York City for cremation and funeral services.[9] A Requiem Mass was later held at Church of St. Vincent Ferrer in Manhattan.[65] Her ashes were buried in the Godings Bay Church Cemetery, Speightstown, Saint Peter, Barbados, alongside her mother and second husband.[9] Colbert was childless. She left most of her estate, estimated at $3.5 million and also including her Manhattan apartment and Bellerive, to a long-time friend, Helen O'Hagan, a retired director of corporate relations at Saks Fifth Avenue. Colbert had met O'Hagan in 1961 on the set of Parrish, her last film,[66][67] and the pair became best friends around 1970.[1] After the death of Pressman, Colbert instructed her friends to treat O'Hagan as they had Pressman, "as her spouse".[68] Though O'Hagan was financially comfortable without the generous bequest, Bellerive was sold for over $2 million to David Geffen. Colbert's remaining assets were distributed among three heirs: $150,000 to her niece Coco Lewis; a trust worth more than $100,000 to UCLA for Pressman’s memory; and $75,000 to Marie Corbin, Colbert's Barbadian housekeeper.[9]

Awards and honors[edit] Year Award Category Film Result Ref 1935 Academy Award Best Actress It Happened One Night Won [27] 1936 Academy Award Best Actress Private Worlds Nominated [31] 1945 Academy Award Best Actress Since You Went Away Nominated [49] 1959 Tony Award Best Actress The Marriage-Go-Round Nominated [citation needed] 1960 Hollywood Walk of Fame Star at 6812 Hollywood Blvd. — Inducted [69] 1980 Sarah Siddons Award The Kingfisher Won [70] 1984 Film Society of Lincoln Center Lifetime Achievement Award — Won [71] 1985 Drama Desk Drama Desk Special Award Aren't We All Won [72] 1987 Primetime Emmy Award Outstanding Supporting Actress The Two Mrs. Grenvilles Nominated [citation needed] 1988 Golden Globe Award Best Supporting Actress in a Series The Two Mrs. Grenvilles Won [citation needed] 1989 Kennedy Center Honors Lifetime Achievement Award — Won [73] 1990 San Sebastián International Film Festival Donostia Award — Won [74] 1999 American Film Institute Greatest Female Stars — 12th [75]

Selected filmography[edit] Main article: Claudette Colbert filmography The following is a list of feature films in which Colbert had top billing. The Hole in the Wall (1929) Young Man of Manhattan (1930) Manslaughter (1930) Honor Among Lovers (1931) Secrets of a Secretary (1931) The Wiser Sex (1932) Misleading Lady (1932) The Man from Yesterday (1932) Tonight Is Ours (1933) Three-Cornered Moon (1933) Torch Singer (1933) Four Frightened People (1934) Cleopatra (1934) Imitation of Life (1934) The Gilded Lily (1935) Private Worlds (1935) She Married Her Boss (1935) The Bride Comes Home (1935) Maid of Salem (1937) I Met Him in Paris (1937) Tovarich (1937) Zaza (1939) Midnight (1939) It's a Wonderful World (1939) Drums Along the Mohawk (1939) Arise, My Love (1940) Skylark (1941) Remember the Day (1941) The Palm Beach Story (1942) No Time for Love (1943) So Proudly We Hail! (1943) Since You Went Away (1944) Practically Yours (1944) Guest Wife (1945) Tomorrow Is Forever (1946) Without Reservations (1946) The Secret Heart (1946) The Egg and I (1947) Sleep, My Love (1948) Family Honeymoon (1949) Bride for Sale (1949) Three Came Home (1950) The Secret Fury (1950) Thunder on the Hill (1951) Let's Make It Legal (1951) The Planter's Wife (1952) Texas Lady (1955)

See also[edit] Film portal List of actors with Academy Award nominations

References[edit] Notes[edit] ^ a b c d e f g h i j "Claudette Colbert profile". TCM. Retrieved February 9, 2013.  ^ a b c "Claudette Colbert - Britannica Concise". Retrieved 2016-10-23.  ^ a b c d e f g h i j k l m n Pace, Eric (July 31, 1996). "Claudette Colbert, Unflappable Heroine of Screwball Comedies, is Dead at 92". The New York Times. p. 2.  ^ COLBERT, Claudette. British Film Institute. ^ a b c Quirk, Claudette Colbert," p. 5. ^ a b c d e f g Dick, Bernard F. (2008). "CHAPTER 1. Lily of Saint-Mandé". Claudette Colbert: She Walked in Beauty. University Press of Mississippi.  ^ "MyHeritage Family Trees". Retrieved February 27, 2013.  ^ "Ellis Island National Monument: Destined For Fame". American Park Network. Retrieved February 25, 2013.  ^ a b c d e f g h i j k l m n "A Perfect Star". Vanity Fair. January 1998.  ^ "Hollywood Legend Claudette Colbert Dies". Los Angeles Times. July 31, 1996.  ^ a b c d e Shipman, The Great Movie Stars, p. 113. ^ a b c Hal Erickson. "Claudette Colbert biography". All Movie Guide. Retrieved 2016-11-16.  ^ "Claudette Colbert, actress". The Beaver County Times. The Associated Press. July 31, 1996.  ^ Derek Granger (August 2, 1996). "Obituary: Claudette Colbert". The (London) Independent. Retrieved March 31, 2016.  ^ a b Jan Richardson. "CLAUDETTE COLBERT". The Movie Profiles & Premiums Newsletter – Immortal Ephemera. Retrieved March 25, 2013.  ^ Quirk, Lawrence J. Claudette Colbert : An Illustrated Biography. New York: Crown, 1985. ^ Basinger, Jeanine; Audrey E. Kupferberg. "Claudette Colbert — Films as actress:". Retrieved December 3, 2007.  ^ Classic Film Guide. ^ a b c d e f g h i j k l m n "Claudette Colbert Movies". Ultimate Movie Rankings. Retrieved 2016-10-22.  ^ Quirk, p. 64 citing The New York Times. ^ Hal Erickson. "Manslaughter". All Movie Guide. Retrieved February 11, 2013.  ^ "Claudette Colbert (1903–1996)". Hollywood's Golden Age. Retrieved July 24, 2012.  ^ Springer, John (1978). They Had Faces Then, Annabella to Zorina, the Superstars, Stars and Starlets of the 1930s. p. 62. ISBN 0-8065-0657-1.  ^ STARS' BOX-OFFICE RATINGS FOR PAST SEASON GIVEN: Survey Shows Sophisticates Slippinig Fast Will Rogers Tops All; Shirley Temple and Crosby Shoot Up Schallert, Edwin. Los Angeles Times 09 Dec 1934: A1. ^ Motion Picture Herald, December 1, 1934 accessed 13 October 2016 ^ Hirschnor, Joel (1983). Rating the Movie Stars for Home Video, TV and Cable. Publications International Limited. p. 87. ISBN 0-88176-152-4.  ^ a b "The 7th Academy Awards (1935) Nominees and Winners". Academy of Motion Picture Arts and Sciences (AMPAS). Retrieved August 27, 2013.  ^ Chaneles, Sol (1974). The Movie Makers. Octopus Books. p. 97. ISBN 0-7064-0387-8.  ^ "EARLY YEARS". University of Virginia. 2002. Retrieved 2016-10-09.  ^ a b "The 2006 Motion Picture Almanac, Top Ten Money Making Stars". Quigley Publishing Company. Archived from the original on January 14, 2013. Retrieved August 18, 2006.  ^ a b "The 8th Academy Awards (1936) Nominees and Winners". Academy of Motion Picture Arts and Sciences (AMPAS). Retrieved August 27, 2013.  ^ a b c Shipman, The Great Movie Stars, p. 115. ^ Karney, Robyn (1984). The Movie Stars Story, An Illustrated Guide to 500 of the World's Most Famous Stars of the Cinema. Octopus Books. p. 53. ISBN 0-7064-2092-6.  ^ a b c d "Oscar-Winner Claudette Colbert dead at 92". Retrieved February 20, 2012.  ^ "Claudette Colbert Biography". listal. Retrieved October 9, 2016.  ^ a b c Shipman, David (1988). Movie Talk. St. Martin's Press. p. 126. ISBN 0-312-03403-2.  ^ Berg, A. Scott (1989). Goldwyn. Sphere Books. p. 190. ISBN 0-7474-0593-X.  ^ a b c Andre Soares (August 12, 2011). "Claudette Colbert Q&A Pt.1: 'The Claudette Colbert Business'". Alt Film Guide.  ^ Helen Dudar, "Claudette Colbert Revels in a Happy, Starry Past," The New York Times, October 27, 1991, p. A-1 ^ Niven, David (1976). Bring on the Empty Horses. Putnam. p. 286. ISBN 0-399-11542-0.  ^ Kotsilibas-Davis and Loy, Myrna (1988). Being and Becoming. Donald I. Fine Inc. p. 119. ISBN 1-55611-101-0.  ^ Finler, p. 24. ^ "Audio Classics Archive Radio Logs: Lux Radio Theater". Retrieved November 23, 2007.  ^ "The Screen Guild Radio Programs". Radio Program Logs – The Digital Deli Online. Archived from the original on May 11, 2011. Retrieved February 15, 2013.  ^ "Claudette Colbert – Pure Panache – Biography". Retrieved November 25, 2007.  ^ "Claudette Colbert Biography (1903–1996) – Lenin Imports". Retrieved November 25, 2007.  ^ Haver, pp. 338–340. ^ Haver, p. 342. ^ a b "The 17th Academy Awards (1945) Nominees and Winners". Academy of Motion Picture Arts and Sciences (AMPAS). Retrieved August 27, 2013.  ^ Stephanie Thames. "Without Reservations (1946)". TCM. Retrieved January 31, 2013.  ^ Jewell and Harbin, p. 209. ^ Finler, p. 216. ^ "Filmdom Ranks Its Money-Spinning Stars Best At Box-Office". The Sydney Morning Herald. National Library of Australia. 30 March 1950. p. 12. Retrieved 13 October 2016.  ^ a b Jewell and Harbin, p. 248. ^ Anderson, Christopher (1997). An Affair to Remember, The Remarkable Love Story of Katharine Hepburn and Spencer Tracy. William Morrow and Co. Inc. pp. 191–192. ISBN 0-688-15311-9.  ^ Soares, Andre (January 12, 2005). "Best Films – 1954". Alternative Film Guide.  ^ "Release dates for Royal Affairs in Versailles". IMDb. Retrieved April 21, 2013.  ^ Shipman, The Great Movie Stars, p. 117. ^ James Robert Parish (1972). The Paramount Pretties. New Rochelle NY: Arlington House. p. 92.  ^ DiBattista, Maria (2001). Fast Talking Dames. Yale University Press. p. 210. ISBN 0-300-09903-7.  ^ Andre Soares (August 12, 2011). "Claudette Colbert Q&A Pt. 3". Alt Film Guide.  ^ DiLeo, John (October 5, 2008). "Star Light, Star Bright". Washington Post. p. BW08. Retrieved October 8, 2008.  ^ Dick, Bernard F. (2008). "CHAPTER 12. The Last Picture Show". Claudette Colbert: She Walked in Beauty. University Press of Mississippi ^ Amy Fine Collins (January 1998). "A Perfect Star". Vanity Fair.  ^ Dick, Bernard F. (2008). "Chapter 17. Envoi". Claudette Colbert: She Walked in Beauty. University Press of Mississippi.  ^ Stephanie Harvin, "O'Hagan, a Legend at Saks," Post and Courier, August 23, 1996 ^ "Colbert's Will Provides for Longtime Friends," Austin American-Statesman, August 10, 1996, page B12 ^ Mann, William J. (2001). Behind the Screen: How Gays and Lesbians Shaped Hollywood, 1910–1969. New York: Viking. pp. 81–82. ISBN 0670030171.  ^ "Walk of Fame Stars-Claudette Colbert". Hollywood Chamber of Commerce. Archived from the original on April 3, 2016. Retrieved October 13, 2016.  ^ "Sarah Siddons Society Awardees". Archived from the original on November 7, 2008. Retrieved January 18, 2008.  ^ Robertson, Nan. "Film Society of Lincoln Center". New York Times. Retrieved January 18, 2008.  ^ Drama Desk Award winners Archived October 20, 2006, at ^ "The Kennedy Center, Biography of Claudette Colbert". Archived from the original on January 6, 2008. Retrieved January 19, 2008.  ^ "Archive of awards, juries and posters". San Sebastián International Film Festival. Retrieved January 18, 2008.  ^ "AFI's 100 Years, 100 Stars, American's Greatest Legends" (PDF). American Film Institute. Retrieved January 18, 2008.  Bibliography[edit] Finler, Joel W. (1989). The Hollywood Story: Everything You Always Wanted to Know About the American Film Industry But Didn't Know Where to Look. Pyramid Books. ISBN 1-85510-009-6.  Haver, Ronald (1980). David O. Selznick's Hollywood. New York: Bonanza Books. ISBN 0-517-47665-7.  Jewell, Richard B.; Harbin, Vernon (1982). The RKO Story. Octopus Books. ISBN 0-7064-1285-0.  Quirk, Lawrence J. (1974). Claudette Colbert An Illustrated Biography. Crown Publishers. ISBN 0-517-55678-2.  Shipman, David (1970). The Great Movie Stars: The Golden Years. Library of Congress Catalogue Card Number 78-133803. New York: Bonanza Books. 

External links[edit] Wikimedia Commons has media related to Claudette Colbert. Wikiquote has quotations related to: Claudette Colbert Claudette Colbert at the Internet Broadway Database Claudette Colbert on IMDb Claudette Colbert at the TCM Movie Database Claudette Colbert at AllMovie Claudette Colbert at Virtual History Awards for Claudette Colbert v t e Academy Award for Best Actress 1928–1950 Janet Gaynor (1928) Mary Pickford (1929) Norma Shearer (1930) Marie Dressler (1931) Helen Hayes (1932) Katharine Hepburn (1933) Claudette Colbert (1934) Bette Davis (1935) Luise Rainer (1936) Luise Rainer (1937) Bette Davis (1938) Vivien Leigh (1939) Ginger Rogers (1940) Joan Fontaine (1941) Greer Garson (1942) Jennifer Jones (1943) Ingrid Bergman (1944) Joan Crawford (1945) Olivia de Havilland (1946) Loretta Young (1947) Jane Wyman (1948) Olivia de Havilland (1949) Judy Holliday (1950) 1951–1975 Vivien Leigh (1951) Shirley Booth (1952) Audrey Hepburn (1953) Grace Kelly (1954) Anna Magnani (1955) Ingrid Bergman (1956) Joanne Woodward (1957) Susan Hayward (1958) Simone Signoret (1959) Elizabeth Taylor (1960) Sophia Loren (1961) Anne Bancroft (1962) Patricia Neal (1963) Julie Andrews (1964) Julie Christie (1965) Elizabeth Taylor (1966) Katharine Hepburn (1967) Katharine Hepburn / Barbra Streisand (1968) Maggie Smith (1969) Glenda Jackson (1970) Jane Fonda (1971) Liza Minnelli (1972) Glenda Jackson (1973) Ellen Burstyn (1974) Louise Fletcher (1975) 1976–2000 Faye Dunaway (1976) Diane Keaton (1977) Jane Fonda (1978) Sally Field (1979) Sissy Spacek (1980) Katharine Hepburn (1981) Meryl Streep (1982) Shirley MacLaine (1983) Sally Field (1984) Geraldine Page (1985) Marlee Matlin (1986) Cher (1987) Jodie Foster (1988) Jessica Tandy (1989) Kathy Bates (1990) Jodie Foster (1991) Emma Thompson (1992) Holly Hunter (1993) Jessica Lange (1994) Susan Sarandon (1995) Frances McDormand (1996) Helen Hunt (1997) Gwyneth Paltrow (1998) Hilary Swank (1999) Julia Roberts (2000) 2001–present Halle Berry (2001) Nicole Kidman (2002) Charlize Theron (2003) Hilary Swank (2004) Reese Witherspoon (2005) Helen Mirren (2006) Marion Cotillard (2007) Kate Winslet (2008) Sandra Bullock (2009) Natalie Portman (2010) Meryl Streep (2011) Jennifer Lawrence (2012) Cate Blanchett (2013) Julianne Moore (2014) Brie Larson (2015) Emma Stone (2016) Frances McDormand (2017) v t e Golden Globe Award for Best Supporting Actress – Series, Miniseries or Television Film Gail Fisher (1970) Sue Ane Langdon (1971) Ruth Buzzi (1972) Ellen Corby (1973) Betty Garrett (1974) Hermione Baddeley (1975) Josette Banzet (1976) Polly Holliday (1978) Polly Holliday (1979) Valerie Bertinelli/Diane Ladd (1980) Valerie Bertinelli (1981) Shelley Long (1982) Barbara Stanwyck (1983) Faye Dunaway (1984) Sylvia Sidney (1985) Olivia de Havilland (1986) Claudette Colbert (1987) Katherine Helmond (1988) Amy Madigan (1989) Piper Laurie (1990) Amanda Donohoe (1991) Joan Plowright (1992) Julia Louis-Dreyfus (1993) Miranda Richardson (1994) Shirley Knight (1995) Kathy Bates (1996) Angelina Jolie (1997) Faye Dunaway/Camryn Manheim (1998) Nancy Marchand (1999) Vanessa Redgrave (2000) Rachel Griffiths (2001) Kim Cattrall (2002) Mary-Louise Parker (2003) Anjelica Huston (2004) Sandra Oh (2005) Emily Blunt (2006) Samantha Morton (2007) Laura Dern (2008) Chloë Sevigny (2009) Jane Lynch (2010) Jessica Lange (2011) Maggie Smith (2012) Jacqueline Bisset (2013) Joanne Froggatt (2014) Maura Tierney (2015) Olivia Colman (2016) Laura Dern (2017) v t e Kennedy Center Honorees (1980s) 1980 Leonard Bernstein James Cagney Agnes de Mille Lynn Fontanne Leontyne Price 1981 Count Basie Cary Grant Helen Hayes Jerome Robbins Rudolf Serkin 1982 George Abbott Lillian Gish Benny Goodman Gene Kelly Eugene Ormandy 1983 Katherine Dunham Elia Kazan Frank Sinatra James Stewart Virgil Thomson 1984 Lena Horne Danny Kaye Gian Carlo Menotti Arthur Miller Isaac Stern 1985 Merce Cunningham Irene Dunne Bob Hope Alan Jay Lerner & Frederick Loewe Beverly Sills 1986 Lucille Ball Hume Cronyn & Jessica Tandy Yehudi Menuhin Antony Tudor Ray Charles 1987 Perry Como Bette Davis Sammy Davis Jr. Nathan Milstein Alwin Nikolais 1988 Alvin Ailey George Burns Myrna Loy Alexander Schneider Roger L. Stevens 1989 Harry Belafonte Claudette Colbert Alexandra Danilova Mary Martin William Schuman Complete list 1970s 1980s 1990s 2000s 2010s v t e Film Society of Lincoln Center Gala Tribute Honorees Charlie Chaplin (1972) Fred Astaire (1973) Alfred Hitchcock (1974) Joanne Woodward and Paul Newman (1975) George Cukor (1978) Bob Hope (1979) John Huston (1980) Barbara Stanwyck (1981) Billy Wilder (1982) Laurence Olivier (1983) Claudette Colbert (1984) Federico Fellini (1985) Elizabeth Taylor (1986) Alec Guinness (1987) Yves Montand (1988) Bette Davis (1989) James Stewart (1990) Audrey Hepburn (1991) Gregory Peck (1992) Jack Lemmon (1993) Robert Altman (1994) Shirley MacLaine (1995) Clint Eastwood (1996) Sean Connery (1997) Martin Scorsese (1998) Mike Nichols (1999) Al Pacino (2000) Jane Fonda (2001) Francis Ford Coppola (2002) Susan Sarandon (2003) Michael Caine (2004) Dustin Hoffman (2005) Jessica Lange (2006) Diane Keaton (2007) Meryl Streep (2008) Tom Hanks (2009) Michael Douglas (2010) Sidney Poitier (2011) Catherine Deneuve (2012) Barbra Streisand (2013) Rob Reiner (2014) Robert Redford (2015) Morgan Freeman (2016) Robert De Niro (2017) Helen Mirren (2018) Authority control WorldCat Identities VIAF: 88078262 LCCN: n84151653 ISNI: 0000 0003 6859 2586 GND: 130343234 SELIBR: 237556 SUDOC: 058634460 BNF: cb13992028v (data) BIBSYS: 99002649 MusicBrainz: 1f22ded3-0c0f-424d-829a-50a3f684a926 NLA: 35225271 NKC: ola2002158991 BNE: XX1654182 Retrieved from "" Categories: 1903 births1996 deathsPeople from Saint-MandéAmerican film actressesAmerican Roman CatholicsAmerican stage actressesArt Students League of New York alumniBest Actress Academy Award winnersBest Supporting Actress Golden Globe (television) winnersDisease-related deaths in BarbadosAmerican people of French descentFrench people of British descentKennedy Center honorees20th-century American actressesParamount Pictures contract playersNew York (state) RepublicansFrench emigrants to the United StatesPeople with acquired American citizenshipHidden categories: Webarchive template archiveis linksUse mdy dates from September 2015Pages using infobox person with unknown parametersInfobox person using religionArticles with hCardsAll articles with unsourced statementsArticles with unsourced statements from July 2017Pages using div col with deprecated parametersArticles with IBDb linksWikipedia articles with VIAF identifiersWikipedia articles with LCCN identifiersWikipedia articles with ISNI identifiersWikipedia articles with GND identifiersWikipedia articles with SELIBR identifiersWikipedia articles with BNF identifiersWikipedia articles with BIBSYS identifiersWikipedia articles with MusicBrainz identifiersWikipedia articles with NLA identifiers

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Saint-MandéSpeightstownSaint Peter, BarbadosArt Students League Of New YorkRepublican Party (United States)Norman Foster (director)Claudette ColbertHollywoodBroadway TheaterSound FilmParamount PicturesAcademy Award For Best ActressIt Happened One NightCleopatra (1934 Film)The Palm Beach StoryFred MacMurrayFredric MarchTony AwardThe Marriage-Go-RoundSarah Siddons AwardThe Two Mrs. GrenvillesGolden Globe Award For Best Supporting Actress – Series, Miniseries Or Television FilmPrimetime Emmy Award For Outstanding Supporting Actress In A Miniseries Or A MovieAmerican Film InstituteAFI's 100 Years...100 StarsSaint-MandéJerseyLillie LangtryChannel IslandsBritish IslesEnlarge53rd Street (Manhattan)CitibankWashington Irving High School (New York City)Provincetown PlayhouseArt Students League Of New YorkRepublican Party (United States)Albert H. WoodsWest End Of LondonLeland HaywardFor The Love Of MikeLost FilmEnlargeParamount PicturesThe Hole In The Wall (1929 Film)The Lady Lies (film)Maurice ChevalierThe Big PondFredric MarchManslaughter (1930 Film)Vehicular ManslaughterHonor Among LoversGinger RogersSlightly Scarlet (1930 Film)Ernst LubitschThe Smiling LieutenantMiriam HopkinsHis WomanGary CooperCecil B. DeMilleFemme FataleThe Sign Of The Cross (1932 Film)Fredric MarchCharles LaughtonAsses' MilkTorch SingerRicardo CortezDavid MannersScrewball ComedyIt Happened One NightAcademy Award For Best ActressEnlargeCleopatra (1934 Film)Warren WilliamHenry WilcoxonImitation Of Life (1934 Film)Top Ten Money Making Stars PollPrivate WorldsShe Married Her BossMelvyn DouglasThe Gilded Lily (1935 Film)The Bride Comes HomeFred MacMurrayUnder Two Flags (1936 Film)Ronald ColmanZaza (1939 Film)Herbert MarshallMidnight (1939 Film)Don AmecheIt's A Wonderful World (1939 Film)James StewartEnlargeHedda HopperA. Scott BergTovarich (film)Anatole LitvakGary CooperBluebeard's Eighth WifeDrums Along The MohawkHenry FondaTechnicolorCBSLux Radio TheaterThe Screen Guild TheaterBoom Town (film)Arise, My LoveAcademy Award For Best StorySo Proudly We Hail!Paulette GoddardVeronica LakeDavid O. SelznickSince You Went AwayJames AgeeEnlargeGuest WifeDon AmecheJohn WayneRKO StudiosWithout ReservationsMervyn LeRoyTomorrow Is ForeverJean LouisThe Secret HeartTop Ten Money Making Stars PollThe Egg And I (film)Sleep, My LoveRobert CummingsBride For SaleGeorge BrentRobert Young (actor)Three Came HomeThe Secret FuryAll About EveJoseph L. MankiewiczEnlargeRoyal Affairs In VersaillesOrson WellesTeleplayThe Royal FamilyTelevision MovieBlithe Spirit (play)The Bells Of St. Mary'sRobert Montgomery PresentsPlayhouse 90Dick Powell's Zane Grey Theater28th Academy AwardsThe Marriage-Go-RoundTony AwardTroy DonahueParrish (film)EnlargeRex HarrisonFrederick LonsdaleAren't We All?MiniseriesThe Two Mrs. GrenvillesGolden Globe Award For Best Performance By An Actress In A Supporting Role In A Series, Mini-Series Or Motion Picture Made For TelevisionPrimetime Emmy Award For Outstanding Supporting Actress In A Miniseries Or A MovieNorman Foster (director)Young Man Of ManhattanEnlargeUCLABeechcraft BonanzaShow CattleLincoln ContinentalFord ThunderbirdHepatocellular CarcinomaPalm SpringsCap FerratHolmby HillsSears RoebuckSpeightstownBarbadosRequiem MassChurch Of St. Vincent Ferrer (Manhattan)Saint Peter, BarbadosSaks Fifth AvenueParrish (film)David GeffenAcademy AwardsAcademy Award For Best ActressTony AwardTony Award For Best Actress In 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