Contents 1 Early life 1.1 Family and early childhood (1929–1938) 1.2 Experiences during World War II (1939–1945) 2 Entertainment career 2.1 Ballet studies and early acting roles (1945–1952) 2.2 Roman Holiday and stardom (1953–1960) 2.3 Breakfast at Tiffany's and continued success (1961–1967) 2.4 Semi-retirement and final projects (1968–1993) 3 Humanitarian career 3.1 1988–1989 3.2 1990–1992 3.3 Recognition 4 Personal life 4.1 Marriages, relationships and children 4.2 Illness and death 5 Legacy 5.1 Style icon 6 Filmography and stage roles 7 Awards, honours, nominations and recognitions 8 See also 9 References 9.1 Notes 9.2 Citations 9.3 Sources 10 Further reading 11 External links

Early life[edit] Family and early childhood (1929–1938)[edit] Audrey Hepburn was born Audrey Kathleen Ruston or Edda Kathleen Hepburn-Ruston[1] on May 4, 1929 at number 48 Rue Keyenveld in Ixelles, Brussels, Belgium.[2] Her father, Joseph Victor Anthony Ruston (21 November 1889 – 16 October 1980), was a British subject born in Auschitz, Bohemia, Austria-Hungary.[3][a] He was the son of Victor John George Ruston, of British and Austrian descent[4] and Anna Wels, of Austrian descent.[5] In 1923-24, Joseph had been an honorary British consul in Samarang in the Dutch East Indies[6] and prior to his marriage to Hepburn's mother he had been married to Cornelia Bisschop, a Dutch heiress.[3][7] Although born with the surname Ruston, he later double-barrelled his name to the more "aristocratic" Hepburn-Ruston, mistakenly believing himself descended from James Hepburn, third husband of Mary, Queen of Scots.[4][7] Hepburn's mother, Baroness Ella van Heemstra (12 June 1900 – 26 August 1984), was a Dutch noblewoman. She was the daughter of Baron Aarnoud van Heemstra, who served as mayor of Arnhem from 1910 to 1920 and as Governor of Dutch Suriname from 1921 to 1928, and Baroness Elbrig Willemine Henriette van Asbeck (1873–1939).[8] At the age of nineteen, Ella had married Jonkheer Hendrik Gustaaf Adolf Quarles van Ufford, an oil executive based in Batavia, Dutch East Indies, where they subsequently lived.[9] They had two sons, Jonkheer Arnoud Robert Alexander Quarles van Ufford (1920–1979) and Jonkheer Ian Edgar Bruce Quarles van Ufford (1924–2010), before divorcing in 1925.[7][10] Hepburn's parents were married in Batavia in September 1926.[9] At the time, Ruston worked for a trading company, but soon after the marriage, the couple relocated to Europe, where he began working for a loan company. After a year in London, they moved to Brussels, where he had been assigned to open a branch office.[9][11] After three years spent travelling between Brussels, Arnhem, The Hague and London, the family settled in the suburban Brussels municipality of Linkebeek in 1932.[9][12] Hepburn's early childhood was sheltered and privileged.[9] As a result of her multinational background and travelling with her family due to her father's job,[13][b] she learned to speak five languages: Dutch and English from her parents, and later varying degrees of French, Spanish, and Italian. In the mid-1930s, Hepburn's parents recruited and collected donations for the British Union of Fascists.[14] Joseph left the family abruptly in 1935 and moved to London, where he became more deeply involved in Fascist activity and never visited his daughter abroad.[15] Hepburn later professed that her father's departure was "the most traumatic event of my life".[9][16] That same year, her mother moved with Hepburn to her family's estate in Arnhem. Sometime in 1937, Ella and Hepburn moved to Kent, England, where Hepburn was educated at a small independent school in Elham.[17][18] Hepburn's parents officially divorced in 1938. In the 1960s, Hepburn renewed contact with her father after locating him in Dublin through the Red Cross; although he remained emotionally detached, Hepburn supported him financially until his death.[19] Experiences during World War II (1939–1945)[edit] After Britain declared war on Germany in September 1939, Hepburn's mother relocated her daughter back to Arnhem in the hope that, as during the First World War, the Netherlands would remain neutral and be spared a German attack. While there, Hepburn attended the Arnhem Conservatory from 1939 to 1945. She had begun taking ballet lessons during her last years at boarding school, and continued training in Arnhem under the tutelage of Winja Marova, becoming her "star pupil".[9] After the Germans invaded the Netherlands in 1940, Hepburn used the name Edda van Heemstra, because an "English-sounding" name was considered dangerous during the German occupation. Her family was profoundly affected by the occupation, with Hepburn later stating that "had we known that we were going to be occupied for five years, we might have all shot ourselves. We thought it might be over next week ... six months ... next year ... that's how we got through".[9] In 1942, her uncle, Otto van Limburg Stirum (husband of her mother's older sister, Miesje), was executed in retaliation for an act of sabotage by the resistance movement; while he had not been involved in the act, he was targeted due to his family's prominence in Dutch society.[9] Hepburn's half-brother Ian was deported to Berlin to work in a German labour camp, and her other half-brother Alex went into hiding to avoid the same fate.[9] "We saw young men put against the wall and shot, and they'd close the street and then open it and you could pass by again...Don't discount anything awful you hear or read about the Nazis. It's worse than you could ever imagine."[9] —Hepburn on the Nazi occupation of the Netherlands After her uncle's death, Hepburn, Ella and Miesje left Arnhem to live with her grandfather, Baron Aarnoud van Heemstra, in nearby Velp.[9] Around that time Hepburn performed silent dance performances in order to raise money for the Dutch resistance effort.[20] It was long believed that she participated in the Dutch resistance itself,[9] but in 2016 the Airborne Museum 'Hartenstein' reported that after extensive research it had not found any evidence of such activities.[21] In addition to other traumatic events, she witnessed the transportation of Dutch Jews to concentration camps, later stating that "more than once I was at the station seeing trainloads of Jews being transported, seeing all these faces over the top of the wagon. I remember, very sharply, one little boy standing with his parents on the platform, very pale, very blond, wearing a coat that was much too big for him, and he stepped on the train. I was a child observing a child."[22] After the Allied landing on D-Day, living conditions grew worse and Arnhem was subsequently heavily damaged during Operation Market Garden. During the Dutch famine that followed in the winter of 1944, the Germans blocked the resupply routes of the Dutch people's already-limited food and fuel supplies as retaliation for railway strikes that were held to hinder German occupation. Like others, Hepburn's family resorted to making flour out of tulip bulbs to bake cakes and biscuits;[23][24] she developed acute anemia, respiratory problems and edema as a result of malnutrition.[25] The van Heemstra family was also seriously financially affected by the occupation, during which many of their properties, including their principal estate in Arnhem, were badly damaged or destroyed.[26]

Entertainment career[edit] Ballet studies and early acting roles (1945–1952)[edit] After the war ended in 1945, Hepburn moved with her mother and siblings to Amsterdam, where she began ballet training under Sonia Gaskell, a leading figure in Dutch ballet, and Russian Olga Tarassova.[27] As the family's fortunes had been lost during the war, Ella supported them by working as a cook and housekeeper for a wealthy family.[28] Hepburn made her film debut in 1948, playing an air stewardess in Dutch in Seven Lessons, an educational travel film made by Charles van der Linden and Henry Josephson.[29] Later that year, Hepburn moved to London to take up a ballet scholarship with Ballet Rambert, which was then based in Notting Hill. [30][c] She supported herself with part-time work as a model, and dropped "Ruston" from her surname. After she was told by Rambert that despite her talent, her height and weak constitution (the after-effect of wartime malnutrition) would make the status of prima ballerina unattainable, she decided to concentrate on acting.[31][32][33] While Ella worked in menial jobs to support them, Hepburn appeared as a chorus girl[34] in the West End musical theatre revues High Button Shoes (1948) at the London Hippodrome, and Cecil Landeau's Sauce Tartare (1949) and Sauce Piquante (1950) at the Cambridge Theatre. During her theatrical work, she took elocution lessons with actor Felix Aylmer to develop her voice.[35] After being spotted by a casting director while performing in Sauce Piquante, Hepburn was registered as a freelance actress with the Associated British Picture Corporation. She appeared in the BBC Teleplay The Silent Village,[36] as well as minor roles in the 1951 films One Wild Oat, Laughter in Paradise, Young Wives' Tale and The Lavender Hill Mob, before being cast in her first major supporting role in Thorold Dickinson's The Secret People (1952), in which she played a prodigious ballerina, performing all of her own dancing sequences.[37] Hepburn was then offered a small role in a film being shot in both English and French, Monte Carlo Baby (French: Nous Irons à Monte Carlo, 1952), which was filmed in Monte Carlo. Coincidentally, French novelist Colette was at the Hôtel de Paris in Monte Carlo during the filming, and decided to cast Hepburn in the title role in the Broadway play Gigi.[38] Hepburn went into rehearsals having never spoken on stage and required private coaching.[39] When Gigi opened at the Fulton Theatre on 24 November 1951, she received praise for her performance, despite criticism that the stage version was inferior to the French film adaptation.[40] Life called her a "hit",[40] while The New York Times stated that "her quality is so winning and so right that she is the success of the evening".[39] She also received a Theatre World Award for the role.[41] The play ran for 219 performances, closing on 31 May 1952,[41] before going on tour which began 13 October 1952 in Pittsburgh and visited Cleveland, Chicago, Detroit, Washington D.C. and Los Angeles before closing on 16 May 1953 in San Francisco.[9] Roman Holiday and stardom (1953–1960)[edit] Hepburn in a screen test for Roman Holiday (1953) which was also used as promotional material Hepburn had her first starring role in Roman Holiday (1953), playing Princess Ann, a European princess who, while escaping the reins of royalty, falls in love with an American newsman (Gregory Peck). Its producers initially wanted Elizabeth Taylor for the role, but director William Wyler was so impressed by Hepburn's screen test that he cast her instead. Wyler later commented, "She had everything I was looking for: charm, innocence, and talent. She also was very funny. She was absolutely enchanting and we said, 'That's the girl!'"[42] Originally, the film was to have had only Gregory Peck's name above its title, with "Introducing Audrey Hepburn" beneath in smaller font. However, Peck suggested to Wyler that he elevate her to equal billing so that her name appeared before the title and in type as large as his: "You've got to change that because she'll be a big star and I'll look like a big jerk."[43] The film was a box office success, and Hepburn gained critical acclaim for her portrayal, unexpectedly winning an Academy Award for Best Actress, a BAFTA Award for Best British Actress in a Leading Role, and a Golden Globe Award for Best Actress – Motion Picture Drama in 1953. In his review in The New York Times, A. H. Weiler wrote: "Although she is not precisely a newcomer to films Audrey Hepburn, the British actress who is being starred for the first time as Princess Anne, is a slender, elfin and wistful beauty, alternately regal and childlike in her profound appreciation of newly-found, simple pleasures and love. Although she bravely smiles her acknowledgement of the end of that affair, she remains a pitifully lonely figure facing a stuffy future."[44] Hepburn with William Holden in the film Sabrina (1954) Hepburn was signed to a seven-picture contract with Paramount with 12 months in between films to allow her time for stage work.[45] She was featured on 7 September 1953 cover of TIME magazine, and also became noted for her personal style.[46] Following her success in Roman Holiday, Hepburn starred in Billy Wilder's romantic Cinderella-story comedy Sabrina (1954), in which wealthy brothers (Humphrey Bogart and William Holden) compete for the affections of their chauffeur's innocent daughter (Hepburn). For her performance, she was nominated for the 1954 Academy Award for Best Actress while winning the BAFTA Award for Best Actress in a Leading Role the same year. Bosley Crowther of The New York Times stated that she was "a young lady of extraordinary range of sensitive and moving expressions within such a frail and slender frame. She is even more luminous as the daughter and pet of the servants' hall than she was as a princess last year, and no more than that can be said."[47] Hepburn also returned to the stage in 1954, playing a water spirit who falls in love with a human in the fantasy play Ondine on Broadway. A New York Times critic commented that "somehow Miss Hepburn is able to translate [its intangibles] into the language of the theatre without artfulness or precociousness. She gives a pulsing performance that is all grace and enchantment, disciplined by an instinct for the realities of the stage". Her performance won her the 1954 Tony Award for Best Performance by a Leading Actress in a Play the same year she won the Academy Award for Roman Holiday, making her one of three actresses to receive the Academy and Tony Awards for Best Actress in the same year (the other two are Shirley Booth and Ellen Burstyn).[48] During the production, Hepburn and her co-star Mel Ferrer began a relationship, and were married on 25 September 1954 in Switzerland.[49] Hepburn and Mel Ferrer on the set of War and Peace Although she appeared in no new film releases in 1955, Hepburn received the Golden Globe for World Film Favorite that year.[50] Having become one of Hollywood's most popular box-office attractions, she went on to star in a series of successful films during the remainder of the decade, including her BAFTA- and Golden Globe-nominated role as Natasha Rostova in War and Peace (1956), an adaptation of the Tolstoy novel set during the Napoleonic wars, starring Henry Fonda and her husband Mel Ferrer. In 1957, she exhibited her dancing abilities in her debut musical film, Funny Face (1957) wherein Fred Astaire, a fashion photographer, discovers a beatnik bookstore clerk (Hepburn) who, lured by a free trip to Paris, becomes a beautiful model. The same year Hepburn starred in another romantic comedy, Love in the Afternoon, alongside Gary Cooper and Maurice Chevalier. Hepburn with Anthony Perkins in the film Green Mansions (1959) Hepburn played Sister Luke in The Nun's Story (1959), which focuses on the character's struggle to succeed as a nun, alongside co-star Peter Finch. The role produced a third Academy Award nomination for Hepburn and earned her a second BAFTA Award. A review in Variety read, "Hepburn has her most demanding film role, and she gives her finest performance", while Films in Review stated that her performance "will forever silence those who have thought her less an actress than a symbol of the sophisticated child/woman. Her portrayal of Sister Luke is one of the great performances of the screen."[51] Reportedly, she spent hours in convents and with members of the Church to bring truth to her portrayal, stating that she "gave more time, energy and thought to this than to any of my previous screen performances."[52] Following The Nun's Story, Hepburn received a lukewarm reception for starring with Anthony Perkins in the romantic adventure Green Mansions (1959), in which she played Rima, a jungle girl who falls in love with a Venezuelan traveller,[53] and The Unforgiven (1960), her only western film, in which she appeared opposite Burt Lancaster and Lillian Gish in a story of racism against a group of Native Americans.[54] Breakfast at Tiffany's and continued success (1961–1967)[edit] Hepburn in the opening scene of Breakfast at Tiffany's (1961), wearing the familiar little black dress by Givenchy and the Roger Scemama necklace Hepburn next starred as New York call girl Holly Golightly in Blake Edwards's Breakfast at Tiffany's (1961), a film loosely based on the Truman Capote novella of the same name. Capote disapproved of many changes that were made to sanitise the story for the film adaptation, and would have preferred Marilyn Monroe to have been cast in the role, although he also stated that Hepburn "did a terrific job".[55] The character is considered one of the best-known in American cinema, and a defining role for Hepburn.[56] The dress she wears during the opening credits is considered an icon of the twentieth century and perhaps the most famous "little black dress" of all time.[57][58][59][60] Hepburn stated that the role was "the jazziest of my career"[61] yet admitted: "I'm an introvert. Playing the extroverted girl was the hardest thing I ever did."[62] She was nominated for an Academy Award for Best Actress for her performance. Shirley MacLaine and Hepburn in the trailer for The Children's Hour (1961) The same year, Hepburn also starred in William Wyler's controversial drama The Children's Hour (1961), in which she and Shirley MacLaine played teachers whose lives become troubled after a student accuses them of being lesbians.[56] Due to the social mores of the time, the film and Hepburn's performance went largely unmentioned, both critically and commercially. Bosley Crowther of The New York Times opined that the film "is not too well acted" with the exception of Hepburn who "gives the impression of being sensitive and pure" of its "muted theme",[63] while Variety magazine also complimented Hepburn's "soft sensitivity, mar-velous [sic] projection and emotional understatement" adding that Hepburn and MacLaine "beautifully complement each other".[64] With Cary Grant in Charade (1963) Hepburn next appeared opposite Cary Grant in the comic thriller Charade (1963), playing a young widow pursued by several men who chase the fortune stolen by her murdered husband. The 59-year-old Grant, who had previously withdrawn from the starring male lead roles in Roman Holiday and Sabrina, was sensitive about his age difference with 34-year-old Hepburn, and was uncomfortable about the romantic interplay. To satisfy his concerns, the filmmakers agreed to change the screenplay so that Hepburn's character romantically pursued his.[65] The film turned out to be a positive experience for him, stating that "All I want for Christmas is another picture with Audrey Hepburn."[66] The role earned Hepburn her third and final competitive BAFTA Award and another Golden Globe nomination. Critic Bosley Crowther was less kind to her performance, stating that "Hepburn is cheerfully committed to a mood of how-nuts-can-you-be in an obviously comforting assortment of expensive Givenchy costumes."[67] Hepburn reteamed with her Sabrina co-star William Holden in Paris When It Sizzles (1964), a screwball comedy in which she played the young assistant of a Hollywood screenwriter, who aids his writer's block by acting out his fantasies of possible plots. Its production was troubled by a number of problems. Holden unsuccessfully tried to rekindle a romance with the now-married Hepburn, and his alcoholism was beginning to affect his work. After principal photography began, she demanded the dismissal of cinematographer Claude Renoir after seeing what she felt were unflattering dailies.[68] Superstitious, she also insisted on dressing room 55 because that was her lucky number and required that Givenchy, her long-time designer, be given a credit in the film for her perfume.[68] Dubbed "marshmallow-weight hokum" by Variety upon its release in April,[69] the film was "uniformly panned"[68] but critics were kinder to Hepburn's performance, describing her as "a refreshingly individual creature in an era of the exaggerated curve".[69] Hepburn with cinematographer Harry Stradling, Jr. on the set of My Fair Lady Hepburn's second film of 1964 was George Cukor's film adaptation of the stage musical My Fair Lady, released in November. Soundstage wrote that "not since Gone with the Wind has a motion picture created such universal excitement as My Fair Lady",[48] yet Hepburn's casting in the role of Cockney flower girl Eliza Doolittle sparked controversy. Julie Andrews, who had originated the role in the stage show, had not been offered the part because producer Jack L. Warner thought Hepburn or Elizabeth Taylor were more "bankable" propositions. Hepburn initially asked Warner to give the role to Andrews but was eventually cast. Further friction was created when, although non-singer Hepburn had sung in Funny Face and had lengthy vocal preparation for the role in My Fair Lady, her vocals were dubbed by Marni Nixon as the songs were not written for her vocal range.[70][71] Hepburn was initially upset and walked off the set when informed.[d] The press further played up the fabricated rivalry between Hepburn and Andrews, when the latter won an Academy Award for Mary Poppins at the 37th Academy Awards (1964) but Hepburn was not even nominated, despite My Fair Lady's accumulation of eight out of a possible twelve awards. Regardless, critics greatly applauded Hepburn's "exquisite" performance.[71] Crowther wrote that "the happiest thing about [My Fair Lady] is that Audrey Hepburn superbly justifies the decision of Jack Warner to get her to play the title role."[70] Gene Ringgold of Soundstage also commented that "Audrey Hepburn is magnificent. She is Eliza for the ages",[48] while adding, "Everyone agreed that if Julie Andrews was not to be in the film, Audrey Hepburn was the perfect choice."[48] As the decade carried on, Hepburn appeared in an assortment of genres including the heist comedy How to Steal a Million (1966) where she played the daughter of a famous art collector, whose collection consists entirely of forgeries. Fearing her father's exposure, she sets out to steal one of his priceless statues with the help of a man played by Peter O'Toole. It was followed by two films in 1967. The first was Two for the Road, a non-linear and innovative British dramedy that traces the course of a couple's troubled marriage. Director Stanley Donen said that Hepburn was more free and happy than he had ever seen her, and he credited that to co-star Albert Finney.[72] The second, Wait Until Dark, is a suspense thriller in which Hepburn demonstrated her acting range by playing the part of a terrorised blind woman. Filmed on the brink of her divorce, it was a difficult film for her, as husband Mel Ferrer was its producer. She lost fifteen pounds under the stress, but she found solace in co-star Richard Crenna and director Terence Young. Hepburn earned her fifth and final competitive Academy Award nomination for Best Actress; Bosley Crowther affirmed, "Hepburn plays the poignant role, the quickness with which she changes and the skill with which she manifests terror attract sympathy and anxiety to her and give her genuine solidity in the final scenes."[73] Semi-retirement and final projects (1968–1993)[edit] After 1967, Hepburn chose to devote more time to her family and acted only occasionally in the following decades. She attempted a comeback in 1976, playing Maid Marian in the period piece Robin and Marian with Sean Connery co-starring as Robin Hood, which was moderately successful. In 1979, Hepburn reunited with director Terence Young in the production of Bloodline, sharing top-billing with Ben Gazzara, James Mason and Romy Schneider. The film, an international intrigue amid the jet-set, was a critical and box-office failure. Hepburn's last starring role in a feature film was opposite Gazzara in the comedy They All Laughed (1981), directed by Peter Bogdanovich. The film was overshadowed by the murder of one of its stars, Dorothy Stratten, and received only a limited release. Six years later, Hepburn co-starred with Robert Wagner in a made-for-television caper film, Love Among Thieves (1987). After finishing her last motion picture role in 1988—a cameo appearance as an angel in Steven Spielberg's Always—Hepburn completed only two more entertainment-related projects, both critically acclaimed. Gardens of the World with Audrey Hepburn was a PBS documentary series, which was filmed on location in seven countries in the spring and summer of 1990. A one-hour special preceded it in March 1991, and the series itself began airing the day after her death, 21 January 1993. For the debut episode, Hepburn was posthumously awarded the 1993 Emmy Award for Outstanding Individual Achievement – Informational Programming. The other project was a spoken word album, Audrey Hepburn's Enchanted Tales, which features readings of classic children's stories and was recorded in 1992. It earned her a posthumous Grammy Award for Best Spoken Word Album for Children.[74]

Humanitarian career[edit] In the 1950s, Hepburn narrated two radio programmes for UNICEF, re-telling children's stories of war.[75] In 1989, Hepburn was appointed a Goodwill Ambassador of UNICEF. On her appointment, she stated that she was grateful for receiving international aid after enduring the German occupation as a child, and wanted to show her gratitude to the organisation.[76] 1988–1989[edit] Hepburn's first field mission for UNICEF was to Ethiopia in 1988. She visited an orphanage in Mek'ele that housed 500 starving children and had UNICEF send food. Of the trip, she said, "I have a broken heart. I feel desperate. I can't stand the idea that two million people are in imminent danger of starving to death, many of them children, [and] not because there isn't tons of food sitting in the northern port of Shoa. It can't be distributed. Last spring, Red Cross and UNICEF workers were ordered out of the northern provinces because of two simultaneous civil wars... I went into rebel country and saw mothers and their children who had walked for ten days, even three weeks, looking for food, settling onto the desert floor into makeshift camps where they may die. Horrible. That image is too much for me. The 'Third World' is a term I don't like very much, because we're all one world. I want people to know that the largest part of humanity is suffering."[77] In August 1988 Hepburn went to Turkey on an immunisation campaign. She called Turkey "the loveliest example" of UNICEF's capabilities. Of the trip, she said "the army gave us their trucks, the fishmongers gave their wagons for the vaccines, and once the date was set, it took ten days to vaccinate the whole country. Not bad."[78] In October, Hepburn went to South America. Of her experiences in Venezuela and Ecuador, Hepburn told the United States Congress, "I saw tiny mountain communities, slums, and shantytowns receive water systems for the first time by some miracle – and the miracle is UNICEF. I watched boys build their own schoolhouse with bricks and cement provided by UNICEF." Hepburn toured Central America in February 1989, and met with leaders in Honduras, El Salvador, and Guatemala. In April, she visited Sudan with Wolders as part of a mission called "Operation Lifeline". Because of civil war, food from aid agencies had been cut off. The mission was to ferry food to southern Sudan. Hepburn said, "I saw but one glaring truth: These are not natural disasters but man-made tragedies for which there is only one man-made solution – peace."[78] In October 1989, Hepburn and Wolders went to Bangladesh. John Isaac, a UN photographer, said, "Often the kids would have flies all over them, but she would just go hug them. I had never seen that. Other people had a certain amount of hesitation, but she would just grab them. Children would just come up to hold her hand, touch her – she was like the Pied Piper."[9] 1990–1992[edit] In October 1990 Hepburn went to Vietnam, in an effort to collaborate with the government for national UNICEF-supported immunisation and clean water programmes. In September 1992, four months before she died, Hepburn went to Somalia. Calling it "apocalyptic", she said, "I walked into a nightmare. I have seen famine in Ethiopia and Bangladesh, but I have seen nothing like this – so much worse than I could possibly have imagined. I wasn't prepared for this."[78][79] Though scarred by what she had seen, Hepburn still had hope. "Taking care of children has nothing to do with politics. I think perhaps with time, instead of there being a politicisation of humanitarian aid, there will be a humanisation of politics." Recognition[edit] United States president George H. W. Bush presented Hepburn with the Presidential Medal of Freedom in recognition of her work with UNICEF, and the Academy of Motion Picture Arts and Sciences posthumously awarded her the Jean Hersholt Humanitarian Award for her contribution to humanity.[80][81] In 2002, at the United Nations Special Session on Children, UNICEF honoured Hepburn's legacy of humanitarian work by unveiling a statue, "The Spirit of Audrey", at UNICEF's New York headquarters. Her service for children is also recognised through the US Fund for UNICEF's Audrey Hepburn Society.[82][83]

Personal life[edit] Marriages, relationships and children[edit] With first husband Mel Ferrer in Mayerling In 1952, Hepburn became engaged to James Hanson,[84] whom she had known since her early days in London. She called it "love at first sight", but after having her wedding dress fitted and the date set, she decided the marriage would not work because the demands of their careers would keep them apart most of the time.[85] She issued a public statement about her decision, saying "When I get married, I want to be really married".[86] In the early 1950s, she also dated future Hair producer Michael Butler.[87] At a cocktail party hosted by mutual friend Gregory Peck, Hepburn met American actor Mel Ferrer, and suggested that they star together in a play.[48][48][88] The meeting led them to collaborate in Ondine, during which they began a relationship. Eight months later, on 25 September 1954, they were married in Bürgenstock, Switzerland,[89] while preparing to star together in the film War and Peace (1955). Hepburn had two miscarriages, one in March 1955,[90] and another in 1959, after she fell from a horse during the filming of The Unforgiven (1960). When she became pregnant for the third time, she took a year off work to prevent miscarriage; their son, Sean Hepburn Ferrer, was born on 17 July 1960. She had two more miscarriages in 1965 and 1967.[91] Hepburn and Andrea Dotti Despite the insistence from gossip columns that their marriage would not last, Hepburn claimed that she and Ferrer were inseparable and happy together, though she admitted that he had a bad temper.[92] Ferrer was rumoured to be too controlling, and had been referred to by others as being her "Svengali" – an accusation that Hepburn laughed off.[93] William Holden was quoted as saying, "I think Audrey allows Mel to think he influences her." After a 14-year marriage, the couple divorced in 1968.[94] President Ronald Reagan with Hepburn and Robert Wolders in 1981 Hepburn met her second husband, Italian psychiatrist Andrea Dotti, on a Mediterranean cruise with friends in June 1968. She believed she would have more children and possibly stop working. They married on 18 January 1969; their son, Luca Dotti, was born on 8 February 1970. While pregnant with Luca in 1969, Hepburn was more careful, resting for months before delivering the baby via caesarean section. She wanted to have a third child, but had another miscarriage in 1974.[95] Dotti was unfaithful and she had a romantic relationship with actor Ben Gazzara during the filming of the 1979 movie Bloodline.[96] The Dotti-Hepburn marriage lasted thirteen years and was dissolved in 1982.[97] From 1980 until her death, Hepburn was in a relationship with Dutch actor Robert Wolders,[24] the widower of actress Merle Oberon. She had met Wolders through a friend during the later years of her second marriage. In 1989, she called the nine years she had spent with him the happiest years of her life, and stated that she considered them married, just not officially.[98] Illness and death[edit] Hepburn's grave in Tolochenaz, Switzerland Upon returning from Somalia to Switzerland in late September 1992, Hepburn began suffering from abdominal pain. While initial medical tests in Switzerland had inconclusive results, a laparoscopy performed at the Cedars-Sinai Medical Center in Los Angeles in early November revealed a rare form of abdominal cancer belonging to a group of cancers known as pseudomyxoma peritonei.[99] Having grown slowly over several years, the cancer had metastasised as a thin coating over her small intestine. After surgery, Hepburn began chemotherapy.[100] Hepburn and her family returned home to Switzerland to celebrate her last Christmas. As she was still recovering from surgery, she was unable to fly on commercial aircraft. Her longtime friend, fashion designer Hubert de Givenchy, arranged for socialite Rachel Lambert "Bunny" Mellon to send her private Gulfstream jet, filled with flowers, to take Hepburn from Los Angeles to Geneva. She spent her last days in hospice care at her home in Tolochenaz, Vaud and was occasionally well enough to take walks in her garden, but gradually became more confined to bedrest.[101] On the evening of 20 January 1993, Hepburn died in her sleep at home. After her death, Gregory Peck went on camera and tearfully recited her favourite poem, "Unending Love" by Rabindranath Tagore.[102] Funeral services were held at the village church of Tolochenaz on 24 January 1993. Maurice Eindiguer, the same pastor who wed Hepburn and Mel Ferrer and baptised her son Sean in 1960, presided over her funeral, while Prince Sadruddin Aga Khan of UNICEF delivered a eulogy. Many family members and friends attended the funeral, including her sons, partner Robert Wolders, half-brother Ian Quarles van Ufford, ex-husbands Andrea Dotti and Mel Ferrer, Hubert de Givenchy, executives of UNICEF, and fellow actors Alain Delon and Roger Moore.[103] Flower arrangements were sent to the funeral by Gregory Peck, Elizabeth Taylor, and the Dutch royal family.[104] Later on the same day, Hepburn was interred at the Tolochenaz Cemetery.[105] In her will, she appointed her two sons as co-equal heirs to her estate, subject to various bequests of her most precious jewels to her closest family and friends. To Robert Wolders, her long-time companion, she left two silver candlesticks which were worth about 500 CHF (Swiss Francs) at the time (1993). Hubert de Givenchy was named executor of her estate, along with her two Swiss attorneys.[106]

Legacy[edit] Hepburn, c. 1956 "How shall I sum up my life? I think I've been particularly lucky." — Audrey Hepburn[107] Audrey Hepburn's legacy has endured long after her death. The American Film Institute named Hepburn third among the Greatest Female Stars of All Time. She is one of few entertainers who have won Academy, Emmy, Grammy and Tony Awards. She won a record three BAFTA Awards for Best British Actress in a Leading Role. In her last years, she remained a visible presence in the film world. She received a tribute from the Film Society of Lincoln Center in 1991 and was a frequent presenter at the Academy Awards. She received the BAFTA Lifetime Achievement Award in 1992. She was the recipient of numerous posthumous awards including the 1993 Jean Hersholt Humanitarian Award and competitive Grammy and Emmy Awards. She has been the subject of many biographies since her death including the 2000 dramatisation of her life titled The Audrey Hepburn Story which starred Jennifer Love Hewitt and Emmy Rossum as the older and younger Hepburn respectively.[108] In January 2009, Hepburn was named on The Times’ list of the top 10 British actresses of all time.[109] Audrey Hepburn's Star on Hollywood Walk of Fame. Hepburn's image is widely used in advertising campaigns across the world. In Japan, a series of commercials used colourised and digitally enhanced clips of Hepburn in Roman Holiday to advertise Kirin black tea. In the United States, Hepburn was featured in a 2006 Gap commercial which used clips of her dancing from Funny Face, set to AC/DC's "Back in Black", with the tagline "It's Back – The Skinny Black Pant". To celebrate its "Keep it Simple" campaign, the Gap made a sizeable donation to the Audrey Hepburn Children's Fund.[110] In 2012, Hepburn was among the British cultural icons selected by artist Sir Peter Blake to appear in a new version of his most famous artwork – the Beatles' Sgt. Pepper's Lonely Hearts Club Band album cover – to celebrate the British cultural figures of his life that he most admires.[111] In 2013, a computer-manipulated representation of Hepburn was used in a television advert for the British chocolate bar Galaxy.[112][113] On 4 May 2014, Google featured a doodle on its homepage on what would have been Hepburn's 85th birthday.[114] Audrey Hepburn wax figure at Madame Tussauds Vienna Sean Ferrer founded the Audrey Hepburn Children's Fund[115] in memory of his mother shortly after her death. The US Fund for UNICEF also founded the Audrey Hepburn Society:[116] chaired by Luca Dotti, it celebrates UNICEF's biggest donors and has raised almost US$100,000,000 to date. Dotti also became patron of the Pseudomyxoma Survivor charity, dedicated to providing support to patients of the rare cancer Hepburn suffered from, pseudomyxoma peritonei,[117] and the rare disease ambassador since 2014 and for 2015 on behalf of European Organisation for Rare Diseases.[118] Style icon[edit] Hepburn with a short hair style and wearing one of her signature looks: black turtleneck, slim black trousers and ballet flats Hepburn was noted for her fashion choices and distinctive look, to the extent that journalist Mark Tungate has described her as a recognisable brand.[119] When she first rose to stardom in Roman Holiday (1953), she was seen as an alternative feminine ideal that appealed more to women than to men, in comparison to the curvy and more sexual Grace Kelly and Elizabeth Taylor.[120][121] With her short hair style, thick eyebrows, slim body and "gamine" looks, she presented a look which young women found easier to emulate than those of more sexual film stars.[122] In 1954, fashion photographer Cecil Beaton declared Hepburn the "public embodiment of our new feminine ideal" in Vogue, and wrote that "Nobody ever looked like her before World War II ... Yet we recognise the rightness of this appearance in relation to our historical needs. The proof is that thousands of imitations have appeared."[121] The magazine and its British version frequently reported on her style throughout the following decade.[123] Alongside model Twiggy, Hepburn has been cited as one of the key public figures who made being very slim fashionable.[122] Added to the International Best Dressed List in 1961, Hepburn was associated with a minimalistic style, usually wearing clothes with simple silhouettes which emphasised her slim body, monochromatic colours, and occasional statement accessories.[124] In the late 1950s, Audrey Hepburn popularised plain black leggings.[125] Academic Rachel Moseley describes the combination of "slim black trousers, flat ballet-style pumps and a fine black jersey" as one of her signature looks alongside little black dresses, noting that this style was new at the time when women still wore skirts and high heels more often than trousers and flat shoes.[122] With George Peppard in Breakfast at Tiffany's (1961) With Cary Grant in Charade (1963) Hepburn was in particular associated with French fashion designer Hubert de Givenchy, who was first hired to design her on-screen wardrobe for her second Hollywood film, Sabrina (1954), when she was still unknown as a film actor and he a young couturier just starting his fashion house.[126] Although initially disappointed that "Miss Hepburn" was not Katharine Hepburn as he had mistakenly thought, Givenchy and Hepburn formed a lifelong friendship.[126][127] She became his muse,[126][127] and the two became so closely associated with each other that academic Jayne Sheridan has stated "we might ask 'Did Audrey Hepburn create Givenchy or was it the other way around?'".[128] In addition to Sabrina, Givenchy designed her costumes for Love in the Afternoon (1957), Breakfast at Tiffany's (1961), Funny Face (1957), Charade (1963), Paris When It Sizzles (1964) and How to Steal a Million (1966), as well as clothed her off screen.[126] According to Moseley, fashion plays an unusually central role in many of Hepburn's films, stating that "the costume is not tied to the character, functioning 'silently' in the mise-en-scène, but as 'fashion' becomes an attraction in the aesthetic in its own right".[129] Hepburn herself stated that Givenchy "gave me a look, a kind, a silhouette. He has always been the best and he stayed the best. Because he kept the spare style that I love. What is more beautiful than a simple sheath made an extraordinary way in a special fabric, and just two earrings?"[130] She also became the face of Givenchy's first perfume, L'Interdit, in 1957.[131] In addition to her partnership with Givenchy, Hepburn was credited with boosting the sales of Burberry trench coats when she wore one in Breakfast at Tiffany's, and was associated with Italian footwear brand Tod's.[132] With Gregory Peck in Roman Holiday (1953) In her private life, Hepburn preferred to wear casual and comfortable clothes, contrary to the haute couture she wore on screen and at public events.[133] Despite being admired for her beauty, she never considered herself attractive, stating in a 1959 interview that "you can even say that I hated myself at certain periods. I was too fat, or maybe too tall, or maybe just plain too ugly... you can say my definiteness stems from underlying feelings of insecurity and inferiority. I couldn't conquer these feelings by acting indecisive. I found the only way to get the better of them was by adopting a forceful, concentrated drive."[134] In 1989, she stated that "my look is attainable ... Women can look like Audrey Hepburn by flipping out their hair, buying the large glasses and the little sleeveless dresses."[124] Hepburn's influence as a style icon continues several decades after the height of her acting career in the 1950s and 1960s. Moseley notes that especially after her death in 1993, she became increasingly admired, with magazines frequently advising readers on how to get her look and fashion designers using her as inspiration.[135][122] In 2004, Hepburn was named the "most beautiful woman of all time"[136] and "most beautiful woman of the 20th century"[137] in polls by Evian and QVC respectively, and in 2015, was voted "the most stylish Brit of all time" in a poll commissioned by Samsung.[138] Her film costumes fetch large sums of money in auctions: one of the "little black dresses" designed by Givenchy for Breakfast at Tiffany's was sold by Christie's for a record sum of £467,200 in 2006.[139][e] On 19 April 2015 a robot called Sophia, modelled after Hepburn, was activated.[143][144]

Filmography and stage roles[edit] Main article: Audrey Hepburn on screen and stage

Awards, honours, nominations and recognitions[edit] Main article: List of awards and honours received by Audrey Hepburn

See also[edit] Biography portal Film portal Fashion portal List of persons who have won Academy, Emmy, Grammy, and Tony Awards Black Givenchy dress of Audrey Hepburn White floral Givenchy dress of Audrey Hepburn (Academy Awards, 1954) Sophia (robot) - A Humanoid robot modelled after Audrey Hepburn

References[edit] Notes[edit] ^ On Hepburn's birth certificate her father was stated to have been born in London. This was corrected in 1952 by her mother to "born in Onzic, Bohemia". Onzic is a misreading of Ouzic (German Auschiz), now Úžice in Czech Republic. ^ Walker writes that it is unclear for what kind of company he worked; he was listed as a "financial adviser" in a Dutch business directory, and the family often travelled among the three countries.[13] ^ She had been offered the scholarship already in 1945, but had had to decline it due to "some uncertainty regarding her national status".[26] ^ Overall, about 90% of her singing was dubbed despite being promised that most of her vocals would be used. Hepburn's voice remains in one line in "I Could Have Danced All Night", in the first verse of "Just You Wait", and in the entirety of its reprise in addition to sing-talking in parts of "The Rain in Spain" in the finished film. When asked about the dubbing of an actress with such distinctive vocal tones, Hepburn frowned and said, "You could tell, couldn't you? And there was Rex, recording all his songs as he acted ... next time —" She bit her lip to prevent her saying more.[62] She later admitted that she would have never accepted the role knowing that Warner intended to have nearly all of her singing dubbed. ^ This was the highest price paid for a dress from a film,[140] until it was surpassed by the $4.6 million paid in June 2011 for Marilyn Monroe's "subway dress" from The Seven Year Itch.[141] Of the two dresses that Hepburn wore on screen, one is held in the Givenchy archives while the other is displayed in the Museum of Costume in Madrid.[142] A subsequent London auction of Hepburn's film wardrobe in December 2009 raised £270,200, including £60,000 for the black Chantilly lace cocktail gown from How to Steal a Million. Citations[edit] ^ Walker 1997, p. 9. ^ Spoto 2006, p. 10. ^ a b "Hepburn, Audrey". Oxford Dictionary of National Biography. Oxford University Press.(subscription required) ^ a b Walker 1997, p. 6. ^ "Anna Juliana Franziska Karolina Wels, born in Slovakia". Retrieved 4 May 2013.  ^ Walker 1997, p. 7-8. ^ a b c Spoto 2006, p. 3. ^ Segers, Yop. "'Heemstra, Aarnoud Jan Anne Aleid baron van (1871–1957)',". Retrieved 23 October 2013.  ^ a b c d e f g h i j k l m n o Paris 2001. ^ "Ian van Ufford Quarles Obituary". The Times. 29 May 2010. Archived from the original on 21 June 2016. Retrieved 31 May 2010.  ^ Gitlin 2009, p. 3. ^ vrijdag 6 mei 2011, 07u26. "De vijf hoeken van de wereld: Amerika in Elsene". Retrieved 14 March 2012.  ^ a b Walker 1997, p. 8. ^ Spoto 2007, p. 8. ^ Walker 1997, pp. 15–16. ^ Walker 1997, p. 14. ^ "Famous and Notable People 'In and Around' the Elham Valley". Retrieved 4 September 2009.  ^ Walker 1997, pp. 17–19. ^ Klein, Edward (5 March 1989). "You Can't Love Without the Fear of Losing". Parade: 4–6.  "page 1 of 3". Archived from the original on 4 January 2011. Retrieved 5 May 2014.  "page 2 of 3". Archived from the original on 12 August 2011. Retrieved 5 May 2014.  "page 3 of 3". Archived from the original on 4 January 2011. Retrieved 5 May 2014.  ^ Cronin, Emily (20 August 2017). "Couture, pearls and a Breakfast at Tiffany's script: inside the private collection of Audrey Hepburn". The Telegraph. ISSN 0307-1235. Retrieved 20 September 2017.  ^ Mythe ontkracht: Audrey Hepburn werkte niet voor het verzet,, 17 November 2016 (in Dutch) ^ Woodward 2012, p. 36. ^ Tichner, Martha (26 November 2006). "Audrey Hepburn". CBS Sunday Morning.  ^ a b James, Caryn (1993). "Audrey Hepburn, actress, Is Dead at 63". New York Times. Archived from the original on 18 January 2007. Retrieved 26 November 2006.  ^ Woodward 2012, pp. 45–46. ^ a b Woodward 2012, p. 52. ^ Woodward 2012, pp. 52–53. ^ Woodward 2012, p. 53. ^ Vermilye 1995, p. 67. ^ Woodward 2012, p. 54. ^ Telegraph, 4 May 2014, 'I suppose I ended Hepburn's career' ^ "Audrey Hepburn's Son Remembers Her Life". Larry King Live. 24 December 2003. CNN.  ^ "Princess Apparent". Time. 7 September 1953.  ^ Nichols, Mark Audrey Hepburn Goes Back to the Bar, Coronet, November 1956 ^ Walker 1997, p. 55. ^ "The Silent Village (1951)". BFI. Retrieved 4 October 2017.  ^ Woodward 2012, p. 94. ^ Thurman 1999, p. 483. ^ a b "History Lesson! Learn How Colette, Audrey Hepburn, Leslie Caron & Vanessa Hudgens Transformed Gigi". Retrieved 17 September 2015.  ^ a b "Audrey Is a Hit". Life. 10 December 1951. Retrieved 22 April 2016.  ^ a b Gigi at the Internet Broadway Database ^ Paris 2001, p. 72. ^ Fishgall 2002, p. 173. ^ Weiler, A. W. (28 August 1953). "'Roman Holiday' at Music Hall Is Modern Fairy Tale Starring Peck and Audrey Hepburn". The New York Times. Archived from the original on 11 August 2011. Retrieved 14 January 2008.  ^ Connolly, Mike. Who Needs Beauty!, Photoplay, January 1954 ^ "Audrey Hepburn: Behind the sparkle of rhinestones, a diamond's glow". TIME. 7 September 1953. Archived from the original on 12 May 2009. Retrieved 28 May 2009.  ^ Crowther, Bosley (23 September 1954). "Screen: 'Sabrina' Bows at Criterion; Billy Wilder Produces and Directs Comedy". The New York Times.  ^ a b c d e f Ringgold, Gene. My Fair Lady – the finest of them all!, Soundstage, December 1964 ^ "Mel Ferrer". Retrieved 27 April 2017.  ^ "Hepburn's Golden Globe nominations and awards". 14 January 2010. Archived from the original on 8 April 2010. Retrieved 10 March 2010.  ^ "Filmography: The Nun's Story". Archived from the original on 14 February 2006. Retrieved 14 January 2008.  ^ "Audrey Hepburn plays Sister Luke". [expired domain]. 1959. Archived from the original on 27 July 2011. Retrieved 5 May 2014.  ^ Crowther, Bosley (20 March 1959). "Delicate Enchantment of 'Green Mansions'; Audrey Hepburn Stars in Role of Rima". The New York Times.  ^ Crowther, Bosley (7 April 1960). "Screen: "The Unforgiven':Huston Film Stars Miss Hepburn, Lancaster". The New York Times.  ^ Capote & Inge. ^ a b "Audrey Hepburn: Style icon". BBC News. 4 May 2004.  ^ "The Most Famous Dresses Ever". April 2007. Retrieved 16 May 2011.  ^ "Audrey Hepburn dress". Hello Magazine. 6 December 2006.  ^ "Audrey Hepburn's little black dress tops fashion list". The Independent. UK. 17 May 2010. Retrieved 16 May 2011.  ^ Steele 2010, p. 483. ^ Kane, Chris. Breakfast at Tiffany's, Screen Stories, December 1961 ^ a b Archer, Eugene. With A Little Bit Of Luck And Plenty Of Talent, The New York Times, 1 November 1964 ^ Crowther, Bosley (15 March 1962). "The Screen: New 'Children's Hour': Another Film Version of Play Arrives Shirley MacLaine and Audrey Hepburn Star". The New York Times.  ^ "The Children's Hour". Variety. 31 December 1960.  ^ Eastman 1989, pp. 57–58. ^ How Awful About Audrey!, Motion Picture, May 1964 ^ Crowther, Bosley (6 December 1963). "Screen: Audrey Hepburn and Grant in 'Charade':Comedy-Melodrama Is at the Music Hall Production Abounds in Ghoulish Humor". The New York Times.  ^ a b c Eleanor Quin. "Paris When It Sizzles: Overview Article". Turner Classic Movies. Retrieved 27 May 2009.  ^ a b "Paris When It Sizzles". Variety. 1 January 1964. Retrieved 28 May 2009.  ^ a b Crowther, Bosley (22 October 1964). "Screen: Lots of Chocolates for Miss Eliza Doolittle:'My Fair Lady' Bows at the Criterion". The New York Times.  ^ a b "Audrey Hepburn obituary". The Daily Telegraph. London. 22 January 1993.  ^ Behind Audrey Hepburn and Mel Ferrer's Breakup, Screenland, December 1967 ^ Crowther, Bosley (27 October 1967). "The Screen:Audrey Hepburn Stars in 'Wait Until Dark'". The New York Times.  ^ "EGOT winners Taylor Swift is chasing". NY Daily News. Retrieved 27 April 2017.  ^ "Classics | United Nations Audiovisual Library". Retrieved 27 April 2017.  ^ "Audrey Hepburn". UNICEF. Retrieved 27 April 2017.  ^ "Audrey Hepburn – Ambassador of Children". Retrieved 14 January 2008.  ^ a b c "Audrey Hepburn's UNICEF Field Missions". Retrieved 22 December 2013.  ^ "The Din of Silence". Newsweek. 12 October 1992.  ^ "Was Audrey Hepburn, the Queen of Polyglotism?". Retrieved 3 May 2014.  ^ Paris 1996, p. 91. ^ "Audrey Hepburn's work for the world's children honoured". Retrieved 8 May 2013.  ^ "U.N. Hosts Special Session on Children's Rights". 7 February 2001. Retrieved 8 May 2013.  ^ Woodward 2012, p. 131. ^ Hyams, Joe. Why Audrey Hepburn Was Afraid Of Marriage, Filmland, January 1954 ^ Woodward 2012, p. 132. ^ Kogan, Rick; The Aging of Aquarius, Chicago Tribune, 6/30/96, Retrieved 15 January 2010. ^ Walter 1997. ^ "Audrey Hepburn puts an end to "will she" or "won't she" rumors by marrying Mel Ferrer!". [expired domain]. 1954. Archived from the original on 6 December 2010. Retrieved 5 May 2014.  ^ Audrey Hepburn Timeline 1950–1959 (retrieved 23 March 2013) ^ "Audrey Hepburn Timeline 1960–1969". Retrieved 5 July 2015.  ^ Stone, David. 'My Husband Mel', Everybodys, 10 March 1956 ^ Behind Audrey Hepburn and Mel Ferrer's Breakup, Screenland, December 1967 ^ "Mel Ferrer obituary". Daily Telegraph. 4 June 2008. Retrieved 3 May 2017.  ^ "An Audrey Hepburn Biography: 1955–1975". Retrieved 14 January 2008.  ^ Genzlinger, Neil (3 February 2012). "Ben Gazzara, Actor of Stage and Screen, Dies at 81". The New York Times.  ^ "Audrey Hepburn obituary". Daily Telegraph. 22 January 1993. Retrieved 3 May 2017.  ^ Heatley, Michael (2017). Audrey Hepburn: In words and pictures. Book Sales. p. 166. ISBN 0785835342.  ^ Paris 1996, p. 361. ^ "Selim Jocelyn, ""The Fairest of All", CR Magazine, Fall 2009". Archived from the original on 19 April 2010. Retrieved 10 March 2010.  ^ Harris 1994, p. 289. ^ "Two favorite poems of Audrey Hepburn". Archived from the original on 8 January 2007. Retrieved 14 January 2008.  ^ Binder, David (25 January 1993). "Hepburn's Role As Ambassador Is Paid Tribute". The New York Times.  ^ "A Gentle Goodbye -Surrounded by the Men She Loved, the Star Was Laid to Rest on a Swiss Hilltop". People. 1 January 1993.  ^ News Service, N.Y. Times. (25 January 1993). "Hepburn buried in Switzerland". Record-Journal. p. 10. ^ Ruiz, Karen (December 15, 2017). "EXCLUSIVE: Audrey Hepburn's will revealed!".  ^ "Audrey Hepburn Children's Fund – Legacy". Retrieved 19 April 2014.  ^ Tynan, William (27 March 2000). "The Audrey Hepburn Story". TIME. Retrieved 10 March 2010.  ^ Christopher, James (12 January 2009). "The best British film actresses of all time". The Times. London. Retrieved 4 May 2010.  ^ "New Gap marketing campaign featuring original film footage of Audrey Hepburn helps Gap "Keeps it Simple" this Fall – WBOC-TV 16". 28 September 2007. Archived from the original on 28 September 2007. Retrieved 6 September 2010.  ^ "New faces on Sgt Pepper album cover for artist Peter Blake's 80th birthday". The Guardian. 5 October 2016.  ^ Usborne, Simon (24 February 2013). "Audrey Hepburn advertise Galaxy chocolate bars? Over her dead body!". The Independent. London. Retrieved 28 February 2013.  ^ "Audrey Hepburn digitaly reborn for Galaxy". 1 March 2013. Retrieved 18 November 2014.  ^ Grossman, Samantha (4 May 2014). "Google Doodle Pays Tribute to Audrey Hepburn". Time. Retrieved 9 March 2017.  ^ AHCF. "Audrey Hepburn Children's Fund – Photographs – video – donations – woman accessories – bag". Retrieved 17 September 2015.  ^ "Audrey Hepburn® Society Chair". UNICEF USA. Retrieved 17 September 2015.  ^ "Sean Hepburn Ferrer – Pseudomyxoma Survivor". Pseudomyxoma Survivor. Retrieved 5 July 2015.  ^ "Rare Disease Day ® 2015 – Sean Hepburn Ferrer, special ambassador of Rare Disease Day 2014". Rare Disease Day – Feb 28 2015. Retrieved 5 July 2015.  ^ Sheridan 2010, p. 95. ^ Billson, Anne (29 December 2014). "Audrey Hepburn: a new kind of movie star". The Daily Telegraph. London.  ^ a b Hill 2004, p. 78. ^ a b c d Moseley, Rachel (7 March 2004). "Audrey Hepburn – everybody's fashion icon". The Guardian. Retrieved 23 April 2016.  ^ Sheridan 2010, p. 93. ^ a b Lane, Megan (7 April 2006). "Audrey Hepburn: Why the fuss?". BBC News. BBC.  ^ Naomi Harriet (19 August 2016). "80s Fashion Trends, Reborn!s". La Rue Moderne. Archived from the original on 21 August 2016. Retrieved 23 September 2016.  ^ a b c d Collins, Amy Fine (3 February 2014). "When Hubert Met Audrey". Vanity Fair. Retrieved 23 April 2016.  ^ a b Zarrella, Katharine K. "Hubert de Givenchy & Audrey Hepburn". V Magazine. Archived from the original on 10 May 2015. Retrieved 23 April 2016.  ^ Sheridan 2010, p. 94. ^ Moseley 2002, p. 39. ^ Regard sur Audrey Hepburn, Regard Magazine n° 4, Paris, January 1993. ^ Haria, Sonia (4 August 2012). "Beauty Icon: Givenchy's L'Interdit". The Daily Telegraph. Retrieved 23 April 2016.  ^ Sheridan 2010, pp. 92–95. ^ "Hepburn revival feeding false image?". The Age. Melbourne, Australia. 2 October 2006.  ^ Harris, Eleanor. Audrey Hepburn, Good Housekeeping, August 1959 ^ Moseley 2002, pp. 1–10. ^ "Audrey Hepburn tops beauty poll". BBC NEWS. 31 May 2004.  ^ Sinclair, Lulu (1 July 2010). "Actress Tops Poll of 20th Century Beauties". Sky. Retrieved 14 August 2015.  ^ Sharkey, Linda (27 April 2015). "Audrey Hepburn is officially Britain's style icon – 22 years after her death". The Independent. Retrieved 23 April 2016.  ^ Christie's online catalog. Retrieved 7 December 2006. ^ Dahl, Melissa (11 December 2006). "Stylebook: Hepburn gown fetches record price". Pittsburgh Post-Gazette. Retrieved 1 January 2010.  ^ "Marilyn Monroe "subway" dress sells for $4.6 million". Reuters. 19 June 2011. Retrieved 29 June 2011.  ^ "Auction Frenzy over Hepburn dress". BBC NEWS. 5 December 2006.  ^ "Could you fall in love with this robot?". CNBC. 16 March 2016.  ^ "Saudi Arabia bestows citizenship on a robot named Sophia". TechCrunch. 26 October 2017. Retrieved 27 October 2016.  Sources[edit] Eastman, John (1989). Retakes: Behind the Scenes of 500 Classic Movies. Ballantine Books. ISBN 0-345-35399-4.  Ferrer, Sean (2005). Audrey Hepburn, an Elegant Spirit. New York: Atria. ISBN 978-0-671-02479-6.  Fishgall, Gary (2002). Gregory Peck: A Biography. Simon and Schuster. ISBN 068485290X.  Gitlin, Martin (2009). Audrey Hepburn: A Biography. Westport, Conn.: Greenwood Press. ISBN 9780313359453.  Givenchy, Hubert de (2007). Audrey Hepburn. London: Pavilion. ISBN 978-1-86205-775-3.  Harris, Warren G. (1994). Audrey Hepburn: A Biography. Wheeler Pub. ISBN 978-1-56895-156-0.  Hill, Daniel Delis (2004). As Seen in Vogue: A Century of American Fashion in Advertising. Texas Tech University Press.  Moseley, Rachel (2002). Growing Up with Audrey Hepburn: Text, Audience, Resonance. Manchester University Press. ISBN 0 7190 6310 8.  Paris, Barry (2001) [1996]. Audrey Hepburn. Berkley Books. ISBN 978-0-425-18212-3.  Sheridan, Jayne (2010). Fashion, Media, Promotion: The New Black Magic. Wiley-Blackwell. ISBN 978-1-4051-9421-1.  Spoto, Donald (2006). Enchantment: The Life of Audrey Hepburn. Harmony Books. ISBN 978-0-307-23758-3.  Steele, Valerie (9 November 2010). The Berg Companion to Fashion. Berg Publishers. ISBN 978-1-84788-592-0. Retrieved 16 May 2011.  Vermilye, Jerry (1995). The Complete Films of Audrey Hepburn. New York: Citadel Press. ISBN 0-8065-1598-8.  Walker, Alexander (1997) [1994]. Audrey, Her Real Story. London: Macmillan. ISBN 0-312-18046-2.  Woodward, Ian (31 May 2012). Audrey Hepburn: Fair Lady of the Screen. Ebury Publishing. ISBN 978-1-4481-3293-5. 

Further reading[edit] Main article: Audrey Hepburn bibliography

External links[edit] Find more aboutAudrey Hepburnat Wikipedia's sister projects Media from Wikimedia Commons Quotations from Wikiquote Data from Wikidata Audrey Hepburn – official site of Hepburn and the Audrey Hepburn Children's Fund Audrey Hepburn Society at the US Fund for UNICEF Audrey Hepburn at AllMovie Audrey Hepburn discography at Discogs Audrey Hepburn at the Internet Broadway Database Audrey Hepburn on IMDb "Audrey Hepburn collected news and commentary". The New York Times.  Audrey Hepburn at the TCM Movie Database Works by or about Audrey Hepburn in libraries (WorldCat catalog) v t e People who have won Academy, Emmy, Grammy, and Tony Awards Competitive EGOTs Mel Brooks John Gielgud Whoopi Goldberg Marvin Hamlisch Helen Hayes Audrey Hepburn Robert Lopez Rita Moreno Mike Nichols Richard Rodgers Scott Rudin Jonathan Tunick Honorary recipients Harry Belafonte James Earl Jones Quincy Jones Alan Menken Liza Minnelli Barbra Streisand Book:EGOT winners Awards for Audrey Hepburn v t e Academy Award for Best Actress 1920s Janet Gaynor (1928) Mary Pickford (1929) 1930s Norma Shearer (1930) Marie Dressler (1931) Helen Hayes (1932) Katharine Hepburn (1933) Claudette Colbert (1934) Bette Davis (1935) Luise Rainer (1936) Luise Rainer (1937) Bette Davis (1938) Vivien Leigh (1939) 1940s Ginger Rogers (1940) Joan Fontaine (1941) Greer Garson (1942) Jennifer Jones (1943) Ingrid Bergman (1944) Joan Crawford (1945) Olivia de Havilland (1946) Loretta Young (1947) Jane Wyman (1948) Olivia de Havilland (1949) 1950s Judy Holliday (1950) Vivien Leigh (1951) Shirley Booth (1952) Audrey Hepburn (1953) Grace Kelly (1954) Anna Magnani (1955) Ingrid Bergman (1956) Joanne Woodward (1957) Susan Hayward (1958) Simone Signoret (1959) 1960s Elizabeth Taylor (1960) Sophia Loren (1961) Anne Bancroft (1962) Patricia Neal (1963) Julie Andrews (1964) Julie Christie (1965) Elizabeth Taylor (1966) Katharine Hepburn (1967) Katharine Hepburn / Barbra Streisand (1968) Maggie Smith (1969) 1970s Glenda Jackson (1970) Jane Fonda (1971) Liza Minnelli (1972) Glenda Jackson (1973) Ellen Burstyn (1974) Louise Fletcher (1975) Faye Dunaway (1976) Diane Keaton (1977) Jane Fonda (1978) Sally Field (1979) 1980s Sissy Spacek (1980) Katharine Hepburn (1981) Meryl Streep (1982) Shirley MacLaine (1983) Sally Field (1984) Geraldine Page (1985) Marlee Matlin (1986) Cher (1987) Jodie Foster (1988) Jessica Tandy (1989) 1990s Kathy Bates (1990) Jodie Foster (1991) Emma Thompson (1992) Holly Hunter (1993) Jessica Lange (1994) Susan Sarandon (1995) Frances McDormand (1996) Helen Hunt (1997) Gwyneth Paltrow (1998) Hilary Swank (1999) 2000s Julia Roberts (2000) Halle Berry (2001) Nicole Kidman (2002) Charlize Theron (2003) Hilary Swank (2004) Reese Witherspoon (2005) Helen Mirren (2006) Marion Cotillard (2007) Kate Winslet (2008) Sandra Bullock (2009) 2010s Natalie Portman (2010) Meryl Streep (2011) Jennifer Lawrence (2012) Cate Blanchett (2013) Julianne Moore (2014) Brie Larson (2015) Emma Stone (2016) v t e Jean Hersholt Humanitarian Award 1950s Y. Frank Freeman (1956) Samuel Goldwyn (1957) Bob Hope (1959) 1960s Sol Lesser (1960) George Seaton (1961) Steve Broidy (1962) Edmond L. DePatie (1965) George Bagnall (1966) Gregory Peck (1967) Martha Raye (1968) George Jessel (1969) 1970s Frank Sinatra (1970) Rosalind Russell (1972) Lew Wasserman (1973) Arthur B. Krim (1974) Jules C. Stein (1975) Charlton Heston (1977) Leo Jaffe (1978) Robert Benjamin (1979) 1980s Danny Kaye (1981) Walter Mirisch (1982) M. J. Frankovich (1983) David L. Wolper (1984) Charles "Buddy" Rogers (1985) Howard W. Koch (1989) 1990s Audrey Hepburn / Elizabeth Taylor (1992) Paul Newman (1993) Quincy Jones (1994) 2000s Arthur Hiller (2001) Roger Mayer (2005) Sherry Lansing (2007) Jerry Lewis (2009) 2010s Oprah Winfrey (2011) Jeffrey Katzenberg (2012) Angelina Jolie (2013) Harry Belafonte (2014) Debbie Reynolds (2015) v t e BAFTA Award for Best Actress in a Leading Role 1950s Vivien Leigh - British / Simone Signoret - Foreign (1952) Audrey Hepburn - British / Leslie Caron - Foreign (1953) Yvonne Mitchell - British / Cornell Borchers - Foreign (1954) Katie Johnson - British / Betsy Blair - Foreign (1955) Virginia McKenna - British / Anna Magnani - Foreign (1956) Heather Sears - British / Simone Signoret - Foreign (1957) Irene Worth - British / Simone Signoret - Foreign (1958) Audrey Hepburn - British / Shirley MacLaine - Foreign (1959) 1960s Rachel Roberts - British / Shirley MacLaine - Foreign (1960) Dora Bryan - British / Sophia Loren - Foreign (1961) Leslie Caron - British / Anne Bancroft - Foreign (1962) Rachel Roberts - British / Patricia Neal - Foreign (1963) Audrey Hepburn - British / Anne Bancroft - Foreign (1964) Julie Christie - British / Patricia Neal - Foreign (1965) Elizabeth Taylor - British / Jeanne Moreau - Foreign (1966) Edith Evans - British / Anouk Aimée - Foreign (1967) Katharine Hepburn (1968) Maggie Smith (1969) 1970s Katharine Ross (1970) Glenda Jackson (1971) Liza Minnelli (1972) Stéphane Audran (1973) Joanne Woodward (1974) Ellen Burstyn (1975) Louise Fletcher (1976) Diane Keaton (1977) Jane Fonda (1978) Jane Fonda (1979) 1980s Judy Davis (1980) Meryl Streep (1981) Katharine Hepburn (1982) Julie Walters (1983) Maggie Smith (1984) Peggy Ashcroft (1985) Maggie Smith (1986) Anne Bancroft (1987) Maggie Smith (1988) Pauline Collins (1989) 1990s Jessica Tandy (1990) Jodie Foster (1991) Emma Thompson (1992) Holly Hunter (1993) Susan Sarandon (1994) Emma Thompson (1995) Brenda Blethyn (1996) Judi Dench (1997) Cate Blanchett (1998) Annette Bening (1999) 2000s Julia Roberts (2000) Judi Dench (2001) Nicole Kidman (2002) Scarlett Johansson (2003) Imelda Staunton (2004) Reese Witherspoon (2005) Helen Mirren (2006) Marion Cotillard (2007) Kate Winslet (2008) Carey Mulligan (2009) 2010s Natalie Portman (2010) Meryl Streep (2011) Emmanuelle Riva (2012) Cate Blanchett (2013) Julianne Moore (2014) Brie Larson (2015) Emma Stone (2016) Frances McDormand (2017) v t e Cecil B. DeMille Award Cecil B. DeMille (1952) Walt Disney (1953) Darryl F. Zanuck (1954) Jean Hersholt (1955) Jack L. Warner (1956) Mervyn LeRoy (1957) Buddy Adler (1958) Maurice Chevalier (1959) Bing Crosby (1960) Fred Astaire (1961) Judy Garland (1962) Bob Hope (1963) Joseph E. Levine (1964) James Stewart (1965) John Wayne (1966) Charlton Heston (1967) Kirk Douglas (1968) Gregory Peck (1969) Joan Crawford (1970) Frank Sinatra (1971) Alfred Hitchcock (1972) Samuel Goldwyn (1973) Bette Davis (1974) Hal B. Wallis (1975) Walter Mirisch (1977) Red Skelton (1978) Lucille Ball (1979) Henry Fonda (1980) Gene Kelly (1981) Sidney Poitier (1982) Laurence Olivier (1983) Paul Newman (1984) Elizabeth Taylor (1985) Barbara Stanwyck (1986) Anthony Quinn (1987) Clint Eastwood (1988) Doris Day (1989) Audrey Hepburn (1990) Jack Lemmon (1991) Robert Mitchum (1992) Lauren Bacall (1993) Robert Redford (1994) Sophia Loren (1995) Sean Connery (1996) Dustin Hoffman (1997) Shirley MacLaine (1998) Jack Nicholson (1999) Barbra Streisand (2000) Al Pacino (2001) Harrison Ford (2002) Gene Hackman (2003) Michael Douglas (2004) Robin Williams (2005) Anthony Hopkins (2006) Warren Beatty (2007) Steven Spielberg (2009) Martin Scorsese (2010) Robert De Niro (2011) Morgan Freeman (2012) Jodie Foster (2013) Woody Allen (2014) George Clooney (2015) Denzel Washington (2016) Meryl Streep (2017) Oprah Winfrey (2018) v t e David di Donatello Award for Best Foreign Actress 1957–1975 Ingrid Bergman (1957) Deborah Kerr (1959) Audrey Hepburn (1960) Brigitte Bardot (1961) Audrey Hepburn (1962) Geraldine Page (1963) Shirley MacLaine (1964) Audrey Hepburn (1965) Julie Andrews (1966) Julie Christie / Elizabeth Taylor (1967) Faye Dunaway / Katharine Hepburn (1968) Mia Farrow / Barbra Streisand (1969) Liza Minnelli (1970) Ali MacGraw (1971) Elizabeth Taylor (1972) Liza Minnelli (1973) Barbra Streisand / Tatum O'Neal (1974) Liv Ullmann (1975) 1976–1996 Isabelle Adjani / Glenda Jackson (1976) Faye Dunaway / Annie Girardot (1977) Jane Fonda / Simone Signoret (1978) Ingrid Bergman / Liv Ullmann (1979) Isabelle Huppert (1980) Catherine Deneuve (1981) Diane Keaton (1982) Julie Andrews (1983) Shirley MacLaine (1984) Meryl Streep (1985) Meryl Streep (1986) Norma Aleandro (1987) Cher (1988) Jodie Foster (1989) Jessica Tandy (1990) Anne Parillaud (1991) Geena Davis / Susan Sarandon (1992) Emmanuelle Béart / Tilda Swinton / Emma Thompson (1993) Emma Thompson (1994) Jodie Foster (1995) Susan Sarandon (1996) v t e Film Society of Lincoln Center Gala Tribute Honorees Charlie Chaplin (1972) Fred Astaire (1973) Alfred Hitchcock (1974) Joanne Woodward and Paul Newman (1975) George Cukor (1978) Bob Hope (1979) John Huston (1980) Barbara Stanwyck (1981) Billy Wilder (1982) Laurence Olivier (1983) Claudette Colbert (1984) Federico Fellini (1985) Elizabeth Taylor (1986) Alec Guinness (1987) Yves Montand (1988) Bette Davis (1989) James Stewart (1990) Audrey Hepburn (1991) Gregory Peck (1992) Jack Lemmon (1993) Robert Altman (1994) Shirley MacLaine (1995) Clint Eastwood (1996) Sean Connery (1997) Martin Scorsese (1998) Mike Nichols (1999) Al Pacino (2000) Jane Fonda (2001) Francis Ford Coppola (2002) Susan Sarandon (2003) Michael Caine (2004) Dustin Hoffman (2005) Jessica Lange (2006) Diane Keaton (2007) Meryl Streep (2008) Tom Hanks (2009) Michael Douglas (2010) Sidney Poitier (2011) Catherine Deneuve (2012) Barbra Streisand (2013) Rob Reiner (2014) Robert Redford (2015) Morgan Freeman (2016) Robert De Niro (2017) Helen Mirren (2018) v t e Golden Globe Award for Best Actress in a Motion Picture – Drama 1940s Jennifer Jones (1943) Ingrid Bergman (1944) Ingrid Bergman (1945) Rosalind Russell (1946) Rosalind Russell (1947) Jane Wyman (1948) Olivia de Havilland (1949) 1950s Gloria Swanson (1950) Jane Wyman (1951) Shirley Booth (1952) Audrey Hepburn (1953) Grace Kelly (1954) Anna Magnani (1955) Ingrid Bergman (1956) Joanne Woodward (1957) Susan Hayward (1958) Elizabeth Taylor (1959) 1960s Greer Garson (1960) Geraldine Page (1961) Geraldine Page (1962) Leslie Caron (1963) Anne Bancroft (1964) Samantha Eggar (1965) Anouk Aimée (1966) Edith Evans (1967) Joanne Woodward (1968) Geneviève Bujold (1969) 1970s Ali MacGraw (1970) Jane Fonda (1971) Liv Ullmann (1972) Marsha Mason (1973) Gena Rowlands (1974) Louise Fletcher (1975) Faye Dunaway (1976) Jane Fonda (1977) Jane Fonda (1978) Sally Field (1979) 1980s Mary Tyler Moore (1980) Meryl Streep (1981) Meryl Streep (1982) Shirley MacLaine (1983) Sally Field (1984) Whoopi Goldberg (1985) Marlee Matlin (1986) Sally Kirkland (1987) Jodie Foster / Shirley MacLaine / Sigourney Weaver (1988) Michelle Pfeiffer (1989) 1990s Kathy Bates (1990) Jodie Foster (1991) Emma Thompson (1992) Holly Hunter (1993) Jessica Lange (1994) Sharon Stone (1995) Brenda Blethyn (1996) Judi Dench (1997) Cate Blanchett (1998) Hilary Swank (1999) 2000s Julia Roberts (2000) Sissy Spacek (2001) Nicole Kidman (2002) Charlize Theron (2003) Hilary Swank (2004) Felicity Huffman (2005) Helen Mirren (2006) Julie Christie (2007) Kate Winslet (2008) Sandra Bullock (2009) 2010s Natalie Portman (2010) Meryl Streep (2011) Jessica Chastain (2012) Cate Blanchett (2013) Julianne Moore (2014) Brie Larson (2015) Isabelle Huppert (2016) Frances McDormand (2017) v t e New York Film Critics Circle Award for Best Actress 1935–1940 Greta Garbo (1935) Luise Rainer (1936) Greta Garbo (1937) Margaret Sullavan (1938) Vivien Leigh (1939) Katharine Hepburn (1940) 1941–1960 Joan Fontaine (1941) Agnes Moorehead (1942) Ida Lupino (1943) Tallulah Bankhead (1944) Ingrid Bergman (1945) Celia Johnson (1946) Deborah Kerr (1947) Olivia de Havilland (1948) Olivia de Havilland (1949) Bette Davis (1950) Vivien Leigh (1951) Shirley Booth (1952) Audrey Hepburn (1953) Grace Kelly (1954) Anna Magnani (1955) Ingrid Bergman (1956) Deborah Kerr (1957) Susan Hayward (1958) Audrey Hepburn (1959) Deborah Kerr (1960) 1961–1980 Sophia Loren (1961) No Award (1962) Patricia Neal (1963) Kim Stanley (1964) Julie Christie (1965) Elizabeth Taylor/Lynn Redgrave (1966) Edith Evans (1967) Joanne Woodward (1968) Jane Fonda (1969) Glenda Jackson (1970) Jane Fonda (1971) Liv Ullmann (1972) Joanne Woodward (1973) Liv Ullmann (1974) Isabelle Adjani (1975) Liv Ullmann (1976) Diane Keaton (1977) Ingrid Bergman (1978) Sally Field (1979) Sissy Spacek (1980) 1981–2000 Glenda Jackson (1981) Meryl Streep (1982) Shirley MacLaine (1983) Peggy Ashcroft (1984) Norma Aleandro (1985) Sissy Spacek (1986) Holly Hunter (1987) Meryl Streep (1988) Michelle Pfeiffer (1989) Joanne Woodward (1990) Jodie Foster (1991) Emma Thompson (1992) Holly Hunter (1993) Linda Fiorentino (1994) Jennifer Jason Leigh (1995) Emily Watson (1996) Julie Christie (1997) Cameron Diaz (1998) Hilary Swank (1999) Laura Linney (2000) 2001–present Sissy Spacek (2001) Diane Lane (2002) Hope Davis (2003) Imelda Staunton (2004) Reese Witherspoon (2005) Helen Mirren (2006) Julie Christie (2007) Sally Hawkins (2008) Meryl Streep (2009) Annette Bening (2010) Meryl Streep (2011) Rachel Weisz (2012) Cate Blanchett (2013) Marion Cotillard (2014) Saoirse Ronan (2015) Isabelle Huppert (2016) Saoirse Ronan (2017) v t e Screen Actors Guild Life Achievement Award 1960s Eddie Cantor (1962) Stan Laurel (1964) Bob Hope (1965) Barbara Stanwyck (1966) William Gargan (1967) James Stewart (1968) Edward G. Robinson (1969) 1970s Gregory Peck (1970) Charlton Heston (1971) Frank Sinatra (1972) Martha Raye (1973) Walter Pidgeon (1974) Rosalind Russell (1975) Pearl Bailey (1976) James Cagney (1977) Edgar Bergen (1978) Katharine Hepburn (1979) 1980s Leon Ames (1980) Danny Kaye (1982) Ralph Bellamy (1983) Iggie Wolfington (1984) Paul Newman and Joanne Woodward (1985) Nanette Fabray (1986) Red Skelton (1987) Gene Kelly (1988) Jack Lemmon (1989) 1990s Brock Peters (1990) Burt Lancaster (1991) Audrey Hepburn (1992) Ricardo Montalbán (1993) George Burns (1994) Robert Redford (1995) Angela Lansbury (1996) Elizabeth Taylor (1997) Kirk Douglas (1998) Sidney Poitier (1999) 2000s Ossie Davis and Ruby Dee (2000) Ed Asner (2001) Clint Eastwood (2002) Karl Malden (2003) James Garner (2004) Shirley Temple (2005) Julie Andrews (2006) Charles Durning (2007) James Earl Jones (2008) Betty White (2009) 2010s Ernest Borgnine (2010) Mary Tyler Moore (2011) Dick Van Dyke (2012) Rita Moreno (2013) Debbie Reynolds (2014) Carol Burnett (2015) Lily Tomlin (2016) Morgan Freeman (2017) v t e Tony Award for Best Performance by a Leading Actress in a Play 1940s Ingrid Bergman / Helen Hayes (1947) Judith Anderson / Katharine Cornell / Jessica Tandy (1948) Martita Hunt (1949) 1950s Shirley Booth (1950) Uta Hagen (1951) Julie Harris (1952) Shirley Booth (1953) Audrey Hepburn (1954) Nancy Kelly (1955) Julie Harris (1956) Margaret Leighton (1957) Helen Hayes (1958) Gertrude Berg (1959) 1960s Anne Bancroft (1960) Joan Plowright (1961) Margaret Leighton (1962) Uta Hagen (1963) Sandy Dennis (1964) Irene Worth (1965) Rosemary Harris (1966) Beryl Reid (1967) Zoe Caldwell (1968) Julie Harris (1969) 1970s Tammy Grimes (1970) Maureen Stapleton (1971) Sada Thompson (1972) Julie Harris (1973) Colleen Dewhurst (1974) Ellen Burstyn (1975) Irene Worth (1976) Julie Harris (1977) Jessica Tandy (1978) Constance Cummings / Carole Shelley (1979) 1980s Phyllis Frelich (1980) Jane Lapotaire (1981) Zoe Caldwell (1982) Jessica Tandy (1983) Glenn Close (1984) Stockard Channing (1985) Lily Tomlin (1986) Linda Lavin (1987) Joan Allen (1988) Pauline Collins (1989) 1990s Maggie Smith (1990) Mercedes Ruehl (1991) Glenn Close (1992) Madeline Kahn (1993) Diana Rigg (1994) Cherry Jones (1995) Zoe Caldwell (1996) Janet McTeer (1997) Marie Mullen (1998) Judi Dench (1999) 2000s Jennifer Ehle (2000) Mary-Louise Parker (2001) Lindsay Duncan (2002) Vanessa Redgrave (2003) Phylicia Rashad (2004) Cherry Jones (2005) Cynthia Nixon (2006) Julie White (2007) Deanna Dunagan (2008) Marcia Gay Harden (2009) 2010s Viola Davis (2010) Frances McDormand (2011) Nina Arianda (2012) Cicely Tyson (2013) Audra McDonald (2014) Helen Mirren (2015) Jessica Lange (2016) Laurie Metcalf (2017) Authority control WorldCat Identities VIAF: 66543141 LCCN: n84066746 ISNI: 0000 0001 1068 327X GND: 118746731 SELIBR: 252116 SUDOC: 032616694 BNF: cb12360908f (data) BPN: 23359118 BIBSYS: 90766433 MusicBrainz: 7ddb6325-7022-4d30-a585-78a8eab631ab NLA: 35830346 NDL: 00620813 NKC: jn20000700695 BNE: XX967338 SNAC: w6bs10xb Retrieved from "" Categories: Audrey Hepburn1929 births1993 deaths20th-century British actressesAnti-poverty advocatesBest Actress Academy Award winnersBest British Actress BAFTA Award winnersBest Drama Actress Golden Globe (film) winnersBritish expatriates in ItalyBritish expatriates in SwitzerlandBritish expatriate actresses in the United StatesBritish film actressesBritish humanitariansBritish musical theatre actressesBritish people of Austrian descentBritish people of Dutch descentBritish people of Frisian descentBritish stage actressesDeaths from cancer in SwitzerlandCecil B. DeMille Award Golden Globe winnersCommandeurs of the Ordre des Arts et des LettresDeaths from appendiceal cancerDutch nobilityEmmy Award winnersGrammy Award winnersJean Hersholt Humanitarian Award winnersParamount Pictures contract playersPeople from ArnhemPeople from IxellesPresidential Medal of Freedom recipientsScreen Actors Guild Life Achievement AwardTony Award winnersUNICEF ambassadorsVan Heemstra (family)Van Hogendorp (family)Women in World War IIHidden categories: Pages containing links to subscription-only contentArticles with Dutch-language external linksArticles with IBDb linksUse dmy dates from October 2017EngvarB from August 2016Interlanguage link template link numberBiography with signatureArticles with hCardsAC with 15 elementsWikipedia articles with VIAF identifiersWikipedia articles with LCCN identifiersWikipedia articles with ISNI identifiersWikipedia articles with GND identifiersWikipedia articles with SELIBR identifiersWikipedia articles with BNF identifiersWikipedia articles with BPN identifiersWikipedia articles with BIBSYS identifiersWikipedia articles with MusicBrainz identifiersWikipedia articles with NLA identifiersWikipedia articles with SNAC-ID identifiers

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Audrey_Hepburn - Photos and All Basic Informations

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IxellesBrusselsBelgiumTolochenazVaudSwitzerlandAppendiceal CancerMel FerrerAndrea Dotti (psychiatrist)Robert WoldersLuca DottiBaroness Ella Van HeemstraBaron Aarnoud Van HeemstraEmma FerrerHelp:IPA/EnglishClassical Hollywood CinemaAmerican Film InstituteAFI's 100 Years...100 StarsInternational Best Dressed ListIxellesBrusselsBelgiumEnglandNetherlandsAmsterdamSonia GaskellLondonMarie RambertWest End TheatreGigi (play)ColetteRoman HolidayAcademy AwardsGolden Globe AwardsBritish Academy Film AwardsTony AwardTony Award For Best Actress In A PlayOndine (play)Sabrina (1954 Film)The Nun's Story (film)Breakfast At Tiffany's (film)Charade (1963 Film)My Fair Lady (film)Wait Until Dark (film)BAFTA Award For Best Actress In A Leading RoleGolden Globe Cecil B. 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WeilerEnlargeWilliam HoldenSabrina (1954 Film)Paramount PicturesTime (magazine)Billy WilderCinderellaSabrina (1954 Film)Humphrey BogartWilliam HoldenOndine (play)Broadway TheatreTony Award For Best Performance By A Leading Actress In A PlayShirley BoothEllen BurstynMel FerrerEnlargeMel FerrerNatasha RostovaWar And Peace (1956 Film)War And PeaceHenry FondaMusical FilmFunny FaceFred AstaireLove In The Afternoon (1957 Film)Gary CooperMaurice ChevalierEnlargeAnthony PerkinsThe Nun's Story (film)Peter FinchAnthony PerkinsGreen Mansions (film)RimaThe Unforgiven (1960 Film)Western (genre)Burt LancasterLillian GishEnlargeBreakfast At Tiffany's (film)Black Givenchy Dress Of Audrey HepburnHubert De GivenchyRoger ScemamaBlake EdwardsBreakfast At Tiffany's (film)Truman CapoteBreakfast At Tiffany's (novella)Marilyn MonroeCinema Of The United StatesLittle Black Givenchy Dress Of Audrey HepburnEnlargeShirley MacLaineThe Children's Hour (film)The Children's Hour (film)Shirley MacLaineSicEnlargeCharade (1963 Film)Cary GrantCharade (1963 Film)Paris When It SizzlesScrewball Comedy FilmWriter's BlockPrincipal PhotographyClaude RenoirDailiesMarshmallowEnlargeMy Fair Lady (film)George CukorMy Fair LadyGone With The Wind (film)My Fair Lady (film)CockneyEliza DoolittleJulie AndrewsJack L. 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